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Related Music Theory Alchemy

The chord progression from the intro of “Undone – The Sweater Song” by Weezer is in the key of G Major and features an interesting mix of chords with an alternative rock flavor. The progression includes a non-diatonic chord (G6#9) and has a nice balance of tension and resolution, giving the song a memorable sound.

The chorus of Weezer’s song “Say It Ain’t So” can be analyzed as a simple and memorable chord progression in the key of C major. The progression features a repeating pattern of four chords: Am, E, F, and C.

The outro of Muse’s “Apocalypse Please” features a mix of power chords and triadic chords, with predominant iim7 and IV triads along with some embellishing chords. The piece has a rock-based style, with the emphasis on power chords, a driving rhythm, and intense dynamics. The chord progression borrows elements from different genres, such as pop and classical, with some interesting chromatic movement.

The chord progression in the outro of “Fake Plastic Trees” by Radiohead utilizes some common and some less common harmonic devices. The piece employs diatonic chords with some added extensions, giving a sense of tension and release. Furthermore, the progression is in the key of A major, which contributes to the overall tonality and harmonic structure.

The chord progression “[‘Em’, ‘Am’, ‘D’]” from the outro of Weezer’s “The Good Life” is a simple, yet effective progression in the key of E minor. It demonstrates a melancholic feel common to alternative rock and power-pop music genres of the 1990s. The chords in this progression are borrowed from the E natural minor scale.

Weezer – Undone The Sweater Song – Outro

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Chord Progression

G5, C, D, C, Bb, G5, C, D, C, Bb, G5, C, D, C, Bb, G5, C, D, C

Chord Progression Analysis

– G5 (I5)
– C (IV)
– D (V)
– C (IV)
– B♭ (‘♭III’ – borrowed chord from G minor)
– G5-C-D-C-B♭ (repeat)

Similar Chord Progressions

1. Radiohead – “Creep”:
– G (I)
– B (III)
– C (IV)
– Cm (‘iv’ – borrowed chord from G minor)

2. The Beatles – “Let It Be”:
– C (I)
– G (V)
– A♭ (‘♭VI’ – borrowed chord from C minor)
– F (IV)

3. Oasis – “Wonderwall”:
– Em (ii)
– G (I)
– D (V)
– A (IV)
– C (‘♭VII’ – borrowed chord from E minor)

These three examples showcase a similar approach to using borrowed chords, providing a mix of diatonic and non-diatonic chords to create tension, color, and harmonic interest in their respective songs.

Musical Analysis

The progression starts with a G5 power chord (I5) that sets the tonal center of G major. This is followed by C major (IV) and D major (V), both diatonic chords in the key of G. The repetition of IV (C) and the use of a borrowed chord, B♭ major (♭III), from the parallel key of G minor add tension and variety to the progression. The outro alternates between these five chords, providing a sense of familiarity and unity, while still including enough variation to keep the listener engaged.

Overall Analysis

The chord progression in the outro of Weezer’s “Undone – The Sweater Song” follows a repeating pattern with a combination of major and power chords. The overall key of the progression is G major, and the chords follow a predictable pattern that is rooted in rock and alternative music styles. The chord progression uses borrowed chords from the parallel key of G minor, specifically the B♭ major chord.

Style Analysis

The usage of power chords (G5) is very common in both rock and alternative styles. Bands like Weezer frequently utilize this technique to achieve a fuller guitar sound with an increased emphasis on the sonic texture. This chord progression also highlights the influence of the I-IV-V progression, which is a common feature in popular music. The borrowed chord (♭III) adds a touch of modal mixture, which is also commonly found in various genres in popular music.

Chords in the Outro section of Undone The Sweater Song by Weezer are:

G5, C, D, C, Bb, G5, C, D, C, Bb, G5, C, D, C, Bb, G5, C, D, C