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Related Music Theory Alchemy

The chord progression from the intro of “Undone – The Sweater Song” by Weezer is in the key of G Major and features an interesting mix of chords with an alternative rock flavor. The progression includes a non-diatonic chord (G6#9) and has a nice balance of tension and resolution, giving the song a memorable sound.

“Weezer’s “Island in the Sun” features a memorable and catchy chord progression, with a mix of major and minor chords that creates an overall uplifting and pleasant atmosphere. The song is in the key of G Major and employs a simple and repetitive progression, characteristic of pop and rock music. Although the chord progression is fairly common, the rhythmic pattern and melodic line make the song stand out among other pop and rock tunes.

The chord progression in the interlude of “Are We Still Friends?” by Tyler, The Creator is a simple yet effective progression that moves from the tonic chord to a dominant seventh, followed by a subdominant chord, and finally a minor subdominant chord. The progression creates an interesting shift in tonality that is common in jazz and soul music, which are styles that Tyler is known to incorporate into his work.

“Kashmir” by Led Zeppelin is a classic rock song that is well-known for its distinctive and mysterious sound. This interlude, in particular, creates a sense of tension and resolution through its simple but effective chord progression. The overall harmonic structure is built on a modal mixture, drawing from both the major and minor modes, which contributes to its unique atmosphere.

The interlude piece from Weezer’s “Say It Ain’t So” features an eight-chord progression in the key of C major, with prevalent use of Roman numeral notation and borrowed chords from parallel minor scales. This progression is typical in rock and pop music, representing Weezer’s alternative rock style.

Weezer – Undone The Sweater Song – Interlude

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Chord Progression

G6#9, C, D, C, G6#9, C, D, C

Chord Progression Analysis

G6#9 (I), C (IV), D (V), C (IV), G6#9 (I), C (IV), D (V), C (IV)

“`G6#9 is a borrowed chord in this progression (from G melodic minor scale).“`

Similar Chord Progressions

1. “Creep” by Radiohead: G (I), B7 (III7), C (IV), Cm (iv)
2. “Don’t Look Back in Anger” by Oasis: C (IV), F (bVII), G (V), Am (ii), E7 (V7/vi), Fmaj7 (bVIImaj7), G (V)

These examples also showcase a mix of traditional diatonic chord progressions with a slight intrusion of borrowed or altered chords, much like Weezer’s “Undone – The Sweater Song.”

Musical Analysis

The chord progression begins with the G6#9 chord, lending a jazz-influenced sound to the interlude. The #9 of the G6#9 chord adds tension and dissonance, creating a sense of anticipation that resolves to the more stable triadic chord C major.

The C major and D major chords, functioning as the IV and V chords, respectively, provide a sense of harmonic movement and establish the tonal center of G major. The repetition of this segment emphasizes the harmonic movement between the I, IV, and V chords in the G major key.

Overall Analysis

“Undone – The Sweater Song” by Weezer features a simple yet effective chord progression in the interlude, using triadic chords and one altered chord (G6#9). The progression is in the key of G major and exhibits Weezer’s trademark alternative rock sound with a mix of pop sensibilities.

Style Analysis

Weezer’s use of the G6#9 chord adds a unique and recognizable character to the interlude, blending their traditional chord progressions with a more jazz-oriented chord. The movement between the I, IV, and V chords demonstrates Weezer’s penchant for writing strong melodic hooks rooted in traditional pop/rock harmony. This interlude showcases the band’s ability to experiment with different genres and styles while maintaining a coherent sound.

Chords in the Interlude section of Undone The Sweater Song by Weezer are:

G6#9, C, D, C, G6#9, C, D, C