Search

Related Music Theory Alchemy

The bridge of Weezer’s “Say It Ain’t So” features an intriguing chord progression, which presents both diatonic and borrowed chords, as well as chromatic harmony. The song’s key is C major, but it touches on the parallel minor key and incorporates unusual chords such as the Eb major chord, which adds tension and surprise. The chord progression and harmonic rhythm are fairly consistent throughout the bridge, creating a sense of unity.

The acoustic outro of “My Name is Jonas” features a simple and catchy five-chord progression which follows a predominantly major tonality with a touch of minor tonality. The loop creates a memorable and recognizable melody that is widely associated with Weezer’s popularity in the alternative rock scene during the ’90s.

**
Generally, the chord progression follows the conventional guidelines of western music, utilizing strong resolution from B (V) to E (I). However, it also employs some harmony techniques very typical in pop/rock music, such as the use of slash chords and chord inversions (A/E, F#m7/E) to add harmonic interest. In addition, it incorporates chromatic mediant relationships (E to C#m) to create a sense of progression.

**

“Goodbye Blue Sky” by Pink Floyd is a beautifully haunting piece with a chord progression that demonstrates their innovative use of borrowed chords and modulation to explore various tonal centers. The song is generally in the key of A minor.

The chord progression in the verse of Beck’s “Sexx Laws” is a blend of major and minor chords, which creates a unique and somewhat unpredictable sound. The progression shifts between the key of B major and G# minor, reflecting an adventurous approach to harmony. The style of this progression has a hint of funk and jazz, with a touch of blues.

Weezer – Say It Aint So – Verse 1

Add To Favorites Remove From Favorites

< All Analyses

Chord Progression

Am, E, F, C, Am, E, F, C, Am, E, F, C

Chord Progression Analysis

The chord progression starts with an A minor chord, which sets a melancholic tone right away. The E major chord that follows intensifies this feeling, as it is a borrowed chord functioning as the secondary dominant, pulling the progression towards the VI chord (A minor). However, the progression instead moves to the IV and I chords (F major and C major), which prevents resolution and contributes to the overall sense of tension.

Similar Chord Progressions

Musical Analysis

Weezer is known for its fusion of catchy power pop melodies and alternative rock structures, and “Say It Ain’t So” is no exception. The verse progression is memorable and engaging while still leaving room for the vocal melody to shine. The use of borrowed chords and unexpected resolutions helps the song stand out and adds a layer of depth to its harmonic structure.

Overall Analysis

“Say It Ain’t So” by Weezer is a rock song, primarily falling within the alternative rock and power pop styles. The chord progression of Verse 1 is simple yet effective in creating a somber, introspective mood. It primarily utilizes diatonic chords of the C major key, with the E major chord borrowed from the parallel minor key (C minor).

Chord progression analysis with Roman numerals:
A minor (vi) – E major (V/vi) – F major (IV) – C major (I)

“`
Borrowed chord: E major (V/vi)
“`

Style Analysis

1. Radiohead – “Creep”: [‘C’, ‘E’, ‘F’, ‘Fm’]
Chord progression: C major (I) – E major (V/vi) – F major (IV) – F minor (iv)

2. The Beatles – “While My Guitar Gently Weeps”: [‘Am’, ‘AmMaj7’, ‘Am7’, ‘Am6’, ‘D’, ‘G’, ‘C’, ‘E’]
Chord progression: A minor (vi) – A minor Major 7 (viMaj7) – A minor 7 (vi7) – A minor 6 (vi6) – D major (II) – G major (V) – C major (I) – E major (V/vi)

Chords in the Verse 1 section of Say It Aint So by Weezer are:

Am, E, F, C, Am, E, F, C, Am, E, F, C