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Related Music Theory Alchemy

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Vance Joy’s “Riptide” is a folk-pop song that presents a unique coupling of simplicity and depth on the musical landscape. The chord progression, in particular the pre-chorus, is relatively straightforward, but it introduces a flavor of complexity thanks to the inclusion of the borrowed chord. The song operates primarily within the key of C major, and maintains a predominantly folk-like, easy listening aesthetic throughout. Its chord progression, while simple, is nonetheless powerful in conveying the song’s desired emotional ambiance.

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“Riptide” by Vance Joy is in the key of C major. The chord progression is a repeated sequence of Am, G, C and Fmaj7, with the Fmaj7 being a borrowed chord from the parallel minor, C minor. Given that the majority of the song follows this pattern, it’s simple yet effective, providing a catchy and persistent structure to the song.

“Here Comes The Sun” by The Beatles uses a D Major scale. The song primarily comprises chords built on the tonic or root note (D), which lends a consistent, grounded feel. This reflects the lyrics’ mood—contentment, renewed optimism, and a sense of homecoming with the arrival of the sun.

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“With a Little Help from My Friends” is a song by the Beatles from their 1967 album ‘Sgt. Pepper’s Lonely Hearts Club Band’. It features Ringo Starr who sings the song in the role of ‘Billy Shears’, a fictional character from the ‘Sgt. Pepper’ album. It was composed by Paul McCartney and John Lennon.

The full chord sequence you provided represents the verse. The song itself is predominantly in E Major, but contains several borrowed chords and modal exchanges. As was common with Beatles’s compositions, they often incorporated intricate chord progressions and did not strictly adhere to traditional key signatures.

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“Can You Feel The Love Tonight” by Elton John is a heart-touching love song that carries a smooth flowing blend of pop and soft rock, showing Elton John’s inclination to use diatonic (major and minor) chords, 7th chords and inversions. The song, largely stays in its home key of C major, has an interesting chord progression that shifts between the tonic, subdominant, and dominant. Internally, there are multiple secondary dominant chords and borrowing from the parallel minor, providing color and contrast.

Vance Joy – Riptide – Verse 1

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Chord Progression

[‘Am’, ‘G’, ‘C’, ‘Am’, ‘G’, ‘C’, ‘Am’, ‘G’, ‘C’, ‘Am’, ‘G’, ‘C’]

Chord Progression Analysis

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Chord progression: [‘Am’, ‘G’, ‘C’, ‘Am’, ‘G’, ‘C’, ‘Am’, ‘G’, ‘C’, ‘Am’, ‘G’, ‘C’]
Equivalent in roman numerals: [‘Vi’, ‘V’, ‘I’, ‘Vi’, ‘V’, ‘I’, ‘Vi’, ‘V’, ‘I’, ‘Vi’, ‘V’, ‘I’]

For this chord progression, the full chord names and their relative roman numerals are:

“`
Am (vi)
G (V)
C (I)
“`

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Similar Chord Progressions

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A similar I–V–vi–IV progression in the key of C is seen in:

– “Let It Be” by The Beatles. Chord progression: [‘C’, ‘G’, ‘Am’, ‘F’]
– “No Woman, No Cry” by Bob Marley: Chord progression is [‘C’, ‘G’, ‘Am’, ‘F’]

The iconic progression also appears in these songs but the key varies:

– “I’m Yours” by Jason Mraz which uses a variant of a I–V–vi–IV progression in the key of B: Chord progression: [‘B’, ‘F#’, ‘G#m’, ‘E’]
– “Someone Like You” by Adele which is in the key of A: Chord progression: [‘A’, ‘E’, ‘F#m’, ‘D’]

Even though these songs are in different keys, their chord progressions are essentially transpositions of the I-V-vi-IV progression, meaning they follow the same pattern, just starting on different root notes.

Musical Analysis

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This three-chord pattern (Am-G-C) is repeated throughout the verse. Starting on the vi chord stands out because it’s different from the standard pop song format that often begins on the I chord. The use of the V chord (G) as a transition back to the I chord (C) gives it a solid sense of resolution. There’s also a continuous pulse to the song which drives the rhythm. The aforementioned cyclical three-chord progression provides a catchy repeating harmonic loop that suits the repetition in the melody and gives the overall piece a pleasant and dynamic flow.

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Overall Analysis

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“Riptide,” by Vance Joy has a classic, highly repetitive chord progression that creates the folk/pop character of the song. It is written in the key of C Major and uses the simplified I-IV-vi progression, which is also widely used in pop music. In addition, it has a common modulated transition via V chord (G) to the vi chord (Am). There are no borrowed chords in this progression. This repetitive structure can be appealing due to its simplicity and familiarity.

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Style Analysis

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This style is very typical of pop and folk music. In using simple and repetitive harmonic sequences, the song offers predictability and a sense of familiarity. This allows the listener to latch onto the memorable hook and notably, it paves way for the lyrics and melody to really shine through. The chord progression and the choice of chords itself produce a pleasant combination of major and minor sonorities, contributing to the bittersweet, heartfelt vibe of the song.

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Chords in the Verse 1 section of Riptide by Vance Joy are:

[‘Am’, ‘G’, ‘C’, ‘Am’, ‘G’, ‘C’, ‘Am’, ‘G’, ‘C’, ‘Am’, ‘G’, ‘C’]