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Vance Joy’s “Riptide” is a remarkably simple yet highly effective song written in the key of C Major. The song follows a repetitive I-vi-IV chord progression, which is only varied in the bridge where a minor seventh chord introduces tension before leading back to the song’s major tonality.

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“Riptide,” by Vance Joy has a classic, highly repetitive chord progression that creates the folk/pop character of the song. It is written in the key of C Major and uses the simplified I-IV-vi progression, which is also widely used in pop music. In addition, it has a common modulated transition via V chord (G) to the vi chord (Am). There are no borrowed chords in this progression. This repetitive structure can be appealing due to its simplicity and familiarity.

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“Perfect” by The Smashing Pumpkins is written in the key of D major. The song takes a relatively standard and common approach in chord progression, particularly with the cyclical variations that have the onset within a classic pop/rock realm. The tonality and mid-tempo pacing give the song a melancholic and nostalgic tone.

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“The Smashing Pumpkins” in the song ‘1979’ has used a somewhat unconventional yet memorable chord progression, particularly in the bridge section. This progression creates a certain mood and melodic texture befitting the song’s laid-back yet emotionally resonant feel.

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This particular section is mostly based in the key of F major and highlights Freddie Mercury’s love for moving from the classical I-ii-V progression to the jazz-inspired I-IV-ii-V, often followed by a jazzy II-V-I. In this part of the song, you will find some interesting use of borrowed chords and leading tones, contributing to the chromaticism that enriches the progression.

Vance Joy – Riptide – Bridge

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Chord Progression

[‘Am’, ‘G’, ‘C’, ‘Fmaj7’, ‘Am’, ‘G’, ‘C’, ‘Fmaj7’]

Chord Progression Analysis

– A minor (‘vi’)
– G major (‘V’)
– C major (‘I’)
– F major 7 (‘IV7’)

Borrowed Chord:

– There are no borrowed chords in the bridge, the Fmaj7 is a diatonic chord in the key of C major.

Similar Chord Progressions

1. “Let it Be” by The Beatles – The song utilizes the same chord progression: C, G, Am, F (I, V, vi, IV).

2. “No Woman, No Cry” by Bob Marley – The song utilizes a similar chord progression in the key of C Major: C, G/B, Am, F (I, V/vi, vi, IV).

3. “Someone Like You” by Adele. The song is in the key of A Major but has the exact same progression: A, E, F#m, D (I, V, vi, IV).

Musical Analysis

The song begins with the A minor chord, which acts as a predominant chord leading to the dominant G major, then resolving to the tonic C major. This use of vi-V-I is a common cadence found in many popular and classical music. The Fmaj7 beside its major key diatonic use is often introducing and resolving tension. It is also worth noting that this vi-V-I-IV sequence found in ‘Riptide,’ is one of the most popular four-chord progressions in pop music.

Overall Analysis

“Riptide” by Vance Joy is in the key of C major. The chord progression is a repeated sequence of Am, G, C and Fmaj7, with the Fmaj7 being a borrowed chord from the parallel minor, C minor. Given that the majority of the song follows this pattern, it’s simple yet effective, providing a catchy and persistent structure to the song.

Style Analysis

“Riptide” is a song that falls under the indie folk-pop genre. The song’s simplicity in terms of its chord structure, rhythm, and melody are a reflection of this – it stays true to the genre’s often uplifting, yet raw and organic sound. The song uses mainly open chords which gives it a very open, clear timbre, contributing to its ‘folk’ feel.

Chords in the Bridge section of Riptide by Vance Joy are:

[‘Am’, ‘G’, ‘C’, ‘Fmaj7’, ‘Am’, ‘G’, ‘C’, ‘Fmaj7’]