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Related Music Theory Alchemy

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“Riptide,” by Vance Joy has a classic, highly repetitive chord progression that creates the folk/pop character of the song. It is written in the key of C Major and uses the simplified I-IV-vi progression, which is also widely used in pop music. In addition, it has a common modulated transition via V chord (G) to the vi chord (Am). There are no borrowed chords in this progression. This repetitive structure can be appealing due to its simplicity and familiarity.

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Vance Joy’s “Riptide” is a folk-pop song that presents a unique coupling of simplicity and depth on the musical landscape. The chord progression, in particular the pre-chorus, is relatively straightforward, but it introduces a flavor of complexity thanks to the inclusion of the borrowed chord. The song operates primarily within the key of C major, and maintains a predominantly folk-like, easy listening aesthetic throughout. Its chord progression, while simple, is nonetheless powerful in conveying the song’s desired emotional ambiance.

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The bridge of Weezer’s “Say It Ain’t So” features an intriguing chord progression, which presents both diatonic and borrowed chords, as well as chromatic harmony. The song’s key is C major, but it touches on the parallel minor key and incorporates unusual chords such as the Eb major chord, which adds tension and surprise. The chord progression and harmonic rhythm are fairly consistent throughout the bridge, creating a sense of unity.

“In My Head” by Queens of the Stone Age shows a variety of complex chord progressions that are often seen in alternative rock and other sub-genres of rock music. The chord progressions seem to use a combination of modal and chromatic harmony which gives it an edgy and intriguing sound quality.

“Yellow” by Coldplay is written in the key of G major. The song maintains a consistent use of diatonic chords from its own major key, with a predominant chord progression in the bridge and other sections being G – D – Cmaj7. Briefly, the song changes to a minor key using the Dm7 chord as a poignant moment in its structure.

Vance Joy – Riptide – Bridge

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Chord Progression

[‘Am’, ‘G’, ‘C’, ‘Fmaj7’, ‘Am’, ‘G’, ‘C’, ‘Fmaj7’]

Chord Progression Analysis

– A minor (‘vi’)
– G major (‘V’)
– C major (‘I’)
– F major 7 (‘IV7’)

Borrowed Chord:

– There are no borrowed chords in the bridge, the Fmaj7 is a diatonic chord in the key of C major.

Similar Chord Progressions

1. “Let it Be” by The Beatles – The song utilizes the same chord progression: C, G, Am, F (I, V, vi, IV).

2. “No Woman, No Cry” by Bob Marley – The song utilizes a similar chord progression in the key of C Major: C, G/B, Am, F (I, V/vi, vi, IV).

3. “Someone Like You” by Adele. The song is in the key of A Major but has the exact same progression: A, E, F#m, D (I, V, vi, IV).

Musical Analysis

The song begins with the A minor chord, which acts as a predominant chord leading to the dominant G major, then resolving to the tonic C major. This use of vi-V-I is a common cadence found in many popular and classical music. The Fmaj7 beside its major key diatonic use is often introducing and resolving tension. It is also worth noting that this vi-V-I-IV sequence found in ‘Riptide,’ is one of the most popular four-chord progressions in pop music.

Overall Analysis

“Riptide” by Vance Joy is in the key of C major. The chord progression is a repeated sequence of Am, G, C and Fmaj7, with the Fmaj7 being a borrowed chord from the parallel minor, C minor. Given that the majority of the song follows this pattern, it’s simple yet effective, providing a catchy and persistent structure to the song.

Style Analysis

“Riptide” is a song that falls under the indie folk-pop genre. The song’s simplicity in terms of its chord structure, rhythm, and melody are a reflection of this – it stays true to the genre’s often uplifting, yet raw and organic sound. The song uses mainly open chords which gives it a very open, clear timbre, contributing to its ‘folk’ feel.

Chords in the Bridge section of Riptide by Vance Joy are:

[‘Am’, ‘G’, ‘C’, ‘Fmaj7’, ‘Am’, ‘G’, ‘C’, ‘Fmaj7’]