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Related Music Theory Alchemy

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Vance Joy’s “Riptide” is a folk-pop song that presents a unique coupling of simplicity and depth on the musical landscape. The chord progression, in particular the pre-chorus, is relatively straightforward, but it introduces a flavor of complexity thanks to the inclusion of the borrowed chord. The song operates primarily within the key of C major, and maintains a predominantly folk-like, easy listening aesthetic throughout. Its chord progression, while simple, is nonetheless powerful in conveying the song’s desired emotional ambiance.

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“Riptide,” by Vance Joy has a classic, highly repetitive chord progression that creates the folk/pop character of the song. It is written in the key of C Major and uses the simplified I-IV-vi progression, which is also widely used in pop music. In addition, it has a common modulated transition via V chord (G) to the vi chord (Am). There are no borrowed chords in this progression. This repetitive structure can be appealing due to its simplicity and familiarity.

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The bridge of Beck’s “Think I’m In Love” is an interesting combination of chords, showcasing unusual harmonic choices and unexpected modulations. The tonal center of this progression appears to be ambiguous, as several key centers are explored throughout the progression, creating a sense of harmonic tension and release.

“Dont Let Me Down” by The Beatles is a song that’s heavily grounded in the key of E Major, with some interesting use of borrowed chords for a richer, more emotional harmonic texture. The song is a fine example of The Beatles’ songwriting style, which often involves mixing diatonic chords with chromatic passing chords, borrowed chords, and secondary dominants.

The chord progression appears to be in the key of Bb Major, and showcases various diatonic chords along with a few borrowed chords. This progression is characterized by a blend of smooth and rich harmony, primarily due to the use of 7th chords and suspensions. The introduction of the dominant B7 chord adds interest, making the progression more unpredictable and complex.

Vance Joy – Riptide – Bridge

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Chord Progression

[‘Am’, ‘G’, ‘C’, ‘Fmaj7’, ‘Am’, ‘G’, ‘C’, ‘Fmaj7’]

Chord Progression Analysis

– A minor (‘vi’)
– G major (‘V’)
– C major (‘I’)
– F major 7 (‘IV7’)

Borrowed Chord:

– There are no borrowed chords in the bridge, the Fmaj7 is a diatonic chord in the key of C major.

Similar Chord Progressions

1. “Let it Be” by The Beatles – The song utilizes the same chord progression: C, G, Am, F (I, V, vi, IV).

2. “No Woman, No Cry” by Bob Marley – The song utilizes a similar chord progression in the key of C Major: C, G/B, Am, F (I, V/vi, vi, IV).

3. “Someone Like You” by Adele. The song is in the key of A Major but has the exact same progression: A, E, F#m, D (I, V, vi, IV).

Musical Analysis

The song begins with the A minor chord, which acts as a predominant chord leading to the dominant G major, then resolving to the tonic C major. This use of vi-V-I is a common cadence found in many popular and classical music. The Fmaj7 beside its major key diatonic use is often introducing and resolving tension. It is also worth noting that this vi-V-I-IV sequence found in ‘Riptide,’ is one of the most popular four-chord progressions in pop music.

Overall Analysis

“Riptide” by Vance Joy is in the key of C major. The chord progression is a repeated sequence of Am, G, C and Fmaj7, with the Fmaj7 being a borrowed chord from the parallel minor, C minor. Given that the majority of the song follows this pattern, it’s simple yet effective, providing a catchy and persistent structure to the song.

Style Analysis

“Riptide” is a song that falls under the indie folk-pop genre. The song’s simplicity in terms of its chord structure, rhythm, and melody are a reflection of this – it stays true to the genre’s often uplifting, yet raw and organic sound. The song uses mainly open chords which gives it a very open, clear timbre, contributing to its ‘folk’ feel.

Chords in the Bridge section of Riptide by Vance Joy are:

[‘Am’, ‘G’, ‘C’, ‘Fmaj7’, ‘Am’, ‘G’, ‘C’, ‘Fmaj7’]