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Related Music Theory Alchemy

The chord progression in Tyler, The Creator’s “See You Again” can be characterized as a mixture of jazz harmonies and pop sensibilities. The verse progression features major and minor seventh chords, a few borrowed chords, and a prominent chromatic movement.

Chord progression analysis (including borrowed chords)
1. F#maj7 (I)
2. F#maj7/B (I6)
3. Fmaj7 (bImaj7 – borrowed chord)
4. G#m7 (iii7)
5. D7#5 (VI7#5 – borrowed chord)
6. F#maj7 (I)
7. F#maj7/B (I6)
8. Fmaj7 (bImaj7 – borrowed chord)
9. G#m7 (iii7)
10. D7#5 (VI7#5 – borrowed chord)

The chord progression starts with the tonic F#maj7 and moves through a first inversion of the same chord (F#maj7/B) before introducing borrowed chords (Fmaj7 and D7#5) from the parallel minor key, creating tension and color. The G#m7 is a diatonic iii7 chord, adding to the jazzy feel of the song.

The chord progression in the outro of Tyler, The Creator’s “See You Again” displays a mix of diatonic and borrowed chords within the key of F# major. This progression creates a smooth and somewhat jazzy feel in the music, with the inclusion of a few unexpected chords that add tension and propel the music forward.

The chorus of Radiohead’s “Paranoid Android” features an unconventional and diverse chord progression, drawing from various scale degrees. This progression contributes to the song’s complex, shifting quality, moving through several tonal centers.

“Beast of Burden” by The Rolling Stones uses a common rock arrangement with a focus on the V, I, and vi chords. The distinguishing factor for this particular progression is its consistent use of inverted chords to create more linear, and stepwise, bass lines.

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“Landslide” by The Smashing Pumpkins, originally by Fleetwood Mac, is written in the key of G major. The song features simple, but effective, chord progressions that are common in the folk and rock genres. The progression utilizes primary chords in the key (G, D, and C), along with some modal mixture via the borrowing of the minor iv chord (C) and minor vi chord (Am) from the parallel minor key (G minor). The secondary dominant D/F# creates tension and movement towards the Em chord. There is also the use of a G6 chord which adds color to the piece.

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Tyler, The Creator – See You Again – Chorus

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Chord Progression

F#maj7, F#maj7/B, Fmaj7, G#m7, D7#5, F#maj7, F#maj7/B, Fmaj7, G#m7, D7#5

Chord Progression Analysis

F#maj7 (Imaj7) – F#maj7/B (Imaj7/5) – Fmaj7 (bImaj7) – G#m7 (iiø7) – D7#5 (bVI7) – F#maj7 (Imaj7) – F#maj7/B (Imaj7/5) – Fmaj7 (bImaj7) – G#m7 (iiø7) – D7#5 (bVI7)

“` Borrowed Chord: Fmaj7 (bImaj7) “`

Similar Chord Progressions

1. Stevie Wonder – “Overjoyed”
Chord Progression: Cmaj7 (Imaj7) – C#dim7 (iio7) – Dm7 (ii7) – G13 (V13) – Cmaj9 (Imaj9) – Dm9 (ii9) – G13sus (V13sus) – G13 (V13)

2. D’Angelo – “Untitled (How Does It Feel)”
Chord Progression: Amaj7 (Imaj7) – C#m7 (iii7) – Bm7 (ii7) – E9 (V9)

Both of these examples feature rich harmonic textures, smooth voice leading, and chromatic movement, which are similar characteristics found in the chord progression of “See You Again.” Additionally, they share a neo-soul and contemporary R&B sound, making them appropriate comparisons.

Musical Analysis

In this progression, we begin with the F#maj7 (Imaj7) chord, which establishes the tonal center. The F#maj7/B is an inversion of the Imaj7 chord and serves to create a smooth bass movement.

The first borrowed chord is Fmaj7 (bImaj7) from the parallel minor key (F# minor). This chromatic movement adds an unexpected twist and some tension to the progression.

Moving to G#m7 (iiø7) represents a return to diatonic harmony. The following chord, D7#5 (bVI7, an altered dominant), functions as a secondary dominant to the Imaj7, adding tension that resolves to the starting F#maj7 chord.

The second half of the progression repeats the same sequence, solidifying the harmonic pattern and providing a satisfying sense of resolution by the end.

Overall Analysis

The chord progression in the chorus of Tyler, The Creator’s “See You Again” exhibits a combination of diatonic and chromatic movements, with the use of borrowed chords and altered dominants that create tension and release. The song is in the key of F# major.

Style Analysis

Tyler, The Creator’s “See You Again” features a neo-soul and contemporary R&B sound, with lush voicings, smooth voice leading, and chromatic movement. The use of borrowed chords and altered dominants is a common aspect of jazz-influenced R&B and neo-soul music, which often experiment with unexpected harmonic choices.

Chords in the Chorus section of See You Again by Tyler, The Creator are:

F#maj7, F#maj7/B, Fmaj7, G#m7, D7#5, F#maj7, F#maj7/B, Fmaj7, G#m7, D7#5