Music Theory Alchemy

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The chord progression appears to be in the key of Bb Major, and showcases various diatonic chords along with a few borrowed chords. This progression is characterized by a blend of smooth and rich harmony, primarily due to the use of 7th chords and suspensions. The introduction of the dominant B7 chord adds interest, making the progression more unpredictable and complex.

The chord progression in the outro of Tyler, The Creator’s “See You Again” displays a mix of diatonic and borrowed chords within the key of F# major. This progression creates a smooth and somewhat jazzy feel in the music, with the inclusion of a few unexpected chords that add tension and propel the music forward.

“Tonight, Tonight” by The Smashing Pumpkins is a rock song happy to embrace classical music tropes. An orchestral, string-heavy arrangement propels the song, surrounding the listener with a rich tapestry of sound. The grandiose sound of the full orchestra is bolstered by the band’s dual guitars and Billy Corgan’s characteristic singing.

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The overall use of chords highlights Queen’s blending of rock with more complex harmonic structures, moving beyond simple major & minor chords and incorporating 7th and inversions. Despite its pop/rock surface, “Somebody to Love” includes interesting modulation and chord choices that could be seen as more typical of more ‘classical’ forms of music.

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The chord progression in the verse of “Telepatia” by Kali Uchis showcases a mix of diatonic and chromatic harmony. The progression is built around the key of G Major and has a strong Latin and jazz-influenced sound. The use of extended chords like Gmaj7 and Em9 adds depth and sophistication to the harmony, while the non-diatonic B7 contributes to the tension and resolution.

Tyler, The Creator – Earfquake – Verse 1

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Chord Progression

Bbmaj7, Am7, Bbmaj7, Am7, Bbmaj7, Am7, Gm7, Am7

Chord Progression Analysis

“`
– Bb Major 7 (IΔ7)
– A minor 7 (viiø7)
– Bb Major 7 (IΔ7)
– A minor 7 (viiø7)
– Bb Major 7 (IΔ7)
– A minor 7 (viiø7)
– G minor 7 (vi7)
– A minor 7 (viiø7)
“`

Similar Chord Progressions

1. Radiohead – “Paranoid Android” (Verse)
“`
– B Major 7 (IΔ7)
– A minor 7 (viiø7)
– B Major 7 (IΔ7)
– A minor 7 (viiø7)
“`

2. D’Angelo – “Untitled (How Does It Feel)” (Intro)
“`
– A Major 9 (IΔ9)
– G minor 7 (vii7)
– A Major 9 (IΔ9)
– G minor 7 (vii7)
“`

Musical Analysis

Tyler, The Creator’s choice of chords in “Earfquake” creates a harmonically ambiguous structure which lends itself well to the introspective nature of the song. Instead of exploring many different keys or using a traditional diatonic progression, he focuses on building atmosphere through the use of rich, extended chords. The oscillation between Bbmaj7 and Am7 creates a sense of timelessness, and the movement to Gm7 adds some gravity to the progression before resolving back to Am7. The result is a melancholic, emotionally resonant foundation for the song’s vocal melody and narrative.

Overall Analysis

The chord progression in the verse of Tyler, The Creator’s “Earfquake” is primarily based on a simple alternation between two chords, Bbmaj7 and Am7, with a brief excursion to Gm7 before returning to Am7. The simplicity and repetition of the progression creates a feeling of comfort and stability, while the use of major 7th and minor 7th chords adds a touch of sophistication and smoothness. The progression doesn’t follow a traditional functional harmony, but it effectively supports the melody and the overall vibe of the song.

Style Analysis

The style of “Earfquake” can be described as a blend of R&B, hip-hop, and neo-soul, resulting in a unique sonic landscape. The use of simple yet sophisticated chord progressions is reminiscent of D’Angelo or Erykah Badu, and the minimal, sampled production style is influenced by hip-hop producers like J Dilla and Madlib. This fusion of genre characteristics with Tyler’s own musical sensibilities marks “Earfquake” as an innovative and memorable entry in modern music.

Chords in the Verse 1 section of Earfquake by Tyler, The Creator are:

Bbmaj7, Am7, Bbmaj7, Am7, Bbmaj7, Am7, Gm7, Am7