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Related Music Theory Alchemy

The chord progression appears to be in the key of Bb Major, and showcases various diatonic chords along with a few borrowed chords. This progression is characterized by a blend of smooth and rich harmony, primarily due to the use of 7th chords and suspensions. The introduction of the dominant B7 chord adds interest, making the progression more unpredictable and complex.

The post-chorus chord progression for “Gone Gone” by Tyler, The Creator is a diverse and intriguing progression that blends elements of pop, hip-hop, and jazz. The progression shows Tyler’s innovative approach to harmony and demonstrates his love for unique chord progressions that evoke strong emotions.

“When I Was Your Man” by Bruno Mars is in the key of C major. It is a ballad with a piano-led instrumentation, backed by Bruno’s powerful and emotive vocals. The melody and chords are relatively simple, but the lingering tone and the poignant lyrics create an emotionally resonant track. A common feature in this piece, as well as many pop songs in general, is the use of borrowed chords.

“Tonight, Tonight” by The Smashing Pumpkins is a rock song happy to embrace classical music tropes. An orchestral, string-heavy arrangement propels the song, surrounding the listener with a rich tapestry of sound. The grandiose sound of the full orchestra is bolstered by the band’s dual guitars and Billy Corgan’s characteristic singing.

The chord progression in the verse of Beck’s “Sexx Laws” is a blend of major and minor chords, which creates a unique and somewhat unpredictable sound. The progression shifts between the key of B major and G# minor, reflecting an adventurous approach to harmony. The style of this progression has a hint of funk and jazz, with a touch of blues.

Tyler, The Creator – Earfquake – Verse 1

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Chord Progression

Bbmaj7, Am7, Bbmaj7, Am7, Bbmaj7, Am7, Gm7, Am7

Chord Progression Analysis

“`
– Bb Major 7 (IΔ7)
– A minor 7 (viiø7)
– Bb Major 7 (IΔ7)
– A minor 7 (viiø7)
– Bb Major 7 (IΔ7)
– A minor 7 (viiø7)
– G minor 7 (vi7)
– A minor 7 (viiø7)
“`

Similar Chord Progressions

1. Radiohead – “Paranoid Android” (Verse)
“`
– B Major 7 (IΔ7)
– A minor 7 (viiø7)
– B Major 7 (IΔ7)
– A minor 7 (viiø7)
“`

2. D’Angelo – “Untitled (How Does It Feel)” (Intro)
“`
– A Major 9 (IΔ9)
– G minor 7 (vii7)
– A Major 9 (IΔ9)
– G minor 7 (vii7)
“`

Musical Analysis

Tyler, The Creator’s choice of chords in “Earfquake” creates a harmonically ambiguous structure which lends itself well to the introspective nature of the song. Instead of exploring many different keys or using a traditional diatonic progression, he focuses on building atmosphere through the use of rich, extended chords. The oscillation between Bbmaj7 and Am7 creates a sense of timelessness, and the movement to Gm7 adds some gravity to the progression before resolving back to Am7. The result is a melancholic, emotionally resonant foundation for the song’s vocal melody and narrative.

Overall Analysis

The chord progression in the verse of Tyler, The Creator’s “Earfquake” is primarily based on a simple alternation between two chords, Bbmaj7 and Am7, with a brief excursion to Gm7 before returning to Am7. The simplicity and repetition of the progression creates a feeling of comfort and stability, while the use of major 7th and minor 7th chords adds a touch of sophistication and smoothness. The progression doesn’t follow a traditional functional harmony, but it effectively supports the melody and the overall vibe of the song.

Style Analysis

The style of “Earfquake” can be described as a blend of R&B, hip-hop, and neo-soul, resulting in a unique sonic landscape. The use of simple yet sophisticated chord progressions is reminiscent of D’Angelo or Erykah Badu, and the minimal, sampled production style is influenced by hip-hop producers like J Dilla and Madlib. This fusion of genre characteristics with Tyler’s own musical sensibilities marks “Earfquake” as an innovative and memorable entry in modern music.

Chords in the Verse 1 section of Earfquake by Tyler, The Creator are:

Bbmaj7, Am7, Bbmaj7, Am7, Bbmaj7, Am7, Gm7, Am7