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The given chord progression is from the chorus of “Earfquake” by Tyler, The Creator, a contemporary hip-hop and neo-soul artist. The progression features a smooth and mellow tonality, characterized by the use of 7th chords. The chord progression is in the key of Bb Major and showcases the use of mostly diatonic chords with a repetition that contributes to the song’s catchy nature.

The chord progression in the outro of “Earfquake” by Tyler, The Creator is relatively simple and repetitive, featuring a constant alternation between Bbmaj7 and Am7 chords. This back-and-forth between the two chords creates a sense of tension and release that contributes to the dreamy and emotional atmosphere characteristic of the song.

This particular section is mostly based in the key of F major and highlights Freddie Mercury’s love for moving from the classical I-ii-V progression to the jazz-inspired I-IV-ii-V, often followed by a jazzy II-V-I. In this part of the song, you will find some interesting use of borrowed chords and leading tones, contributing to the chromaticism that enriches the progression.

The given chord progression consists of five unique chords: Am, D, G, Em, and D repeated in a structured pattern. The progression is in the key of G major, with one borrowed chord. This chord progression is a good example of Weezer’s mix of rock and pop styles, displaying a strong use of diatonic harmony with a touch of chromaticism.

The song “Take Me Home, Country Roads” by John Denver is written in the key of G Major. The chord progression in the bridge made use of the four main chords in this key, which are G, Em, C, and D along with an interesting use of the F chord, which is a borrowed chord from the parallel minor key of G minor.

Tyler, The Creator – Earfquake – Bridge

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Chord Progression

Bbmaj7, Am7, Gm7, Asus2, B7, Bbmaj7, Am7, B7, Bbmaj7, Gm7

Chord Progression Analysis

Bb Major 7 (IΔ7) – A minor 7 (vii7) – G minor 7 (vi7) – A sus2 (VII) – B7 (♯II7) – Bb Major 7 (IΔ7) – A minor 7 (vii7) – B7 (♯II7) – Bb Major 7 (IΔ7) – G minor 7 (vi7)

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Borrowed Chords: B7 (♯II7)
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Similar Chord Progressions

1. Stevie Wonder – “Overjoyed”
Chord Progression:
C Major 7 (IΔ7) – B minor 7 (vii7) – A minor 7 (vi7) – G Major 7 (VMaj7) – Ab7 (♭VI7) – F Major 7 (IVΔ7) – G sus2 (V) – A minor 7 (vi7)

2. Andy Shauf – “The Worst in You”
Chord Progression:
F Major 7 (IΔ7) – E minor 7 (vii7) – D minor 7 (iv7) – E sus2 (V) – Db7 (♭IV7) – F Major 7 (IΔ7) – E minor 7 (vii7) – Db7 (♭IV7) – Eb Major 7 (♭VΔ7)

Musical Analysis

The ‘Earfquake’ bridge starts with the tonic Bb Major 7 chords, then moves to A minor 7 chord as a borrowed chord from Bb Aeolian (natural minor) mode to create a smooth transition from the tonic towards the submediant (G minor 7) chord. Then, the bridge proceeds to the A sus2 chord which acts as a brief and gentle resolution, creating a relaxed and open feel in the progression.

The B7 chord, a borrowed chord in this context, adds tension and chromatic interest in this predominantly diatonic chord progression while providing an unexpected shift away from the Bb tonic. The B7 chord returns twice more, further reinforcing the sense of unease before resolving back to the tonic Bb Major 7 chord.

Overall Analysis

The chord progression appears to be in the key of Bb Major, and showcases various diatonic chords along with a few borrowed chords. This progression is characterized by a blend of smooth and rich harmony, primarily due to the use of 7th chords and suspensions. The introduction of the dominant B7 chord adds interest, making the progression more unpredictable and complex.

Style Analysis

Tyler, The Creator’s style is known for incorporating Neo-Soul, Jazz, Fusion, and RnB which are evident in this particular chord progression. The use of 7th chords and borrowed chords provide the harmonic richness associated with these genres, while the smooth transitions and unexpected shifts keep the listener engaged and surprised.

Chords in the Bridge section of Earfquake by Tyler, The Creator are:

Bbmaj7, Am7, Gm7, Asus2, B7, Bbmaj7, Am7, B7, Bbmaj7, Gm7