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Related Music Theory Alchemy

The verse 2 chord progression in Tyler, The Creator’s “Earfquake” is a mixture of diatonic and non-diatonic chords. The progression mainly features chords from the Bb Major key, with the D7 acting as a secondary dominant chord (V7/III). The progression has a smooth, jazzy feel that is typical of Tyler’s signature style.

The given chord progression is found in Verse 2 of Tyler, The Creator’s song “Are We Still Friends.” The song is in the key of E major, and the progression features a mix of major, minor, and dominant seventh chords. The distinctive chromatic movement and the use of borrowed chords make for a memorable and unique progression. The combination of these elements results in a lush and emotionally charged progression which contributes greatly to the overall feel of the song.

The bridge of Beck’s “Think I’m In Love” is an interesting combination of chords, showcasing unusual harmonic choices and unexpected modulations. The tonal center of this progression appears to be ambiguous, as several key centers are explored throughout the progression, creating a sense of harmonic tension and release.

“In My Head” by Queens of the Stone Age shows a variety of complex chord progressions that are often seen in alternative rock and other sub-genres of rock music. The chord progressions seem to use a combination of modal and chromatic harmony which gives it an edgy and intriguing sound quality.

The chord progression in the bridge of “Gone, Gone” by Tyler, The Creator can be described as a combination of diatonic and borrowed chords from the parallel minor key. The key of the song is F major, and the progression combines elements of pop, R&B, and jazz, creating a distinctive harmonic sound.

Tyler, The Creator – Earfquake – Bridge

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Chord Progression

Bbmaj7, Am7, Gm7, Asus2, B7, Bbmaj7, Am7, B7, Bbmaj7, Gm7

Chord Progression Analysis

Bb Major 7 (IΔ7) – A minor 7 (vii7) – G minor 7 (vi7) – A sus2 (VII) – B7 (♯II7) – Bb Major 7 (IΔ7) – A minor 7 (vii7) – B7 (♯II7) – Bb Major 7 (IΔ7) – G minor 7 (vi7)

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Borrowed Chords: B7 (♯II7)
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Similar Chord Progressions

1. Stevie Wonder – “Overjoyed”
Chord Progression:
C Major 7 (IΔ7) – B minor 7 (vii7) – A minor 7 (vi7) – G Major 7 (VMaj7) – Ab7 (♭VI7) – F Major 7 (IVΔ7) – G sus2 (V) – A minor 7 (vi7)

2. Andy Shauf – “The Worst in You”
Chord Progression:
F Major 7 (IΔ7) – E minor 7 (vii7) – D minor 7 (iv7) – E sus2 (V) – Db7 (♭IV7) – F Major 7 (IΔ7) – E minor 7 (vii7) – Db7 (♭IV7) – Eb Major 7 (♭VΔ7)

Musical Analysis

The ‘Earfquake’ bridge starts with the tonic Bb Major 7 chords, then moves to A minor 7 chord as a borrowed chord from Bb Aeolian (natural minor) mode to create a smooth transition from the tonic towards the submediant (G minor 7) chord. Then, the bridge proceeds to the A sus2 chord which acts as a brief and gentle resolution, creating a relaxed and open feel in the progression.

The B7 chord, a borrowed chord in this context, adds tension and chromatic interest in this predominantly diatonic chord progression while providing an unexpected shift away from the Bb tonic. The B7 chord returns twice more, further reinforcing the sense of unease before resolving back to the tonic Bb Major 7 chord.

Overall Analysis

The chord progression appears to be in the key of Bb Major, and showcases various diatonic chords along with a few borrowed chords. This progression is characterized by a blend of smooth and rich harmony, primarily due to the use of 7th chords and suspensions. The introduction of the dominant B7 chord adds interest, making the progression more unpredictable and complex.

Style Analysis

Tyler, The Creator’s style is known for incorporating Neo-Soul, Jazz, Fusion, and RnB which are evident in this particular chord progression. The use of 7th chords and borrowed chords provide the harmonic richness associated with these genres, while the smooth transitions and unexpected shifts keep the listener engaged and surprised.

Chords in the Bridge section of Earfquake by Tyler, The Creator are:

Bbmaj7, Am7, Gm7, Asus2, B7, Bbmaj7, Am7, B7, Bbmaj7, Gm7