Search

Related Music Theory Alchemy

The chord progression in the verse of Tyler, The Creator’s “Earfquake” is primarily based on a simple alternation between two chords, Bbmaj7 and Am7, with a brief excursion to Gm7 before returning to Am7. The simplicity and repetition of the progression creates a feeling of comfort and stability, while the use of major 7th and minor 7th chords adds a touch of sophistication and smoothness. The progression doesn’t follow a traditional functional harmony, but it effectively supports the melody and the overall vibe of the song.

The outro chord progression of “Are We Still Friends” by Tyler, The Creator has an interesting and somewhat unconventional structure. It’s composed of four chords and follows a pattern that showcases chromatic motion, a key element often found in the music of Tyler, The Creator. The vamp is harmonically ambiguous, relying on the dynamic interplay between the chords to create tension and resolution.

The bridge of Beck’s “Heart Is A Drum” features a mixture of diatonic chords and borrowed chords. This creates a sense of continuous flow, which is commonly found in many popular music songs. The progression contains primary chords (G, C, and F) and a secondary chord (Dm7).

**

“Here Comes the Sun” written by The Beatles is a seminal work from the Beatles’ output in pop music. The piece is composed in a modified strophic form with a circular pattern augmented with a repetitive and distinct bridge that modulates in key. The use of major chords and open voicings gives the song a sunny and positive feel, hence its title. It’s also notable for its mixed use of diatonic and borrowed chords, contributing to its unique sound.

**

The chord progression in the bridge of Kali Uchis’ “After The Storm” consists of two alternating chords, Amaj7 and Dmaj7, played repeatedly. This progression is simple yet effective, creating a smooth and mellow atmosphere that matches well with the song’s overall neo-soul and R&B vibe. The arrangement is in the key of A Major and has a diatonic structure without any borrowed chords.

Tyler, The Creator – Earfquake – Bridge

Add To Favorites Remove From Favorites

< All Analyses

Chord Progression

Bbmaj7, Am7, Gm7, Asus2, B7, Bbmaj7, Am7, B7, Bbmaj7, Gm7

Chord Progression Analysis

Bb Major 7 (IΔ7) – A minor 7 (vii7) – G minor 7 (vi7) – A sus2 (VII) – B7 (♯II7) – Bb Major 7 (IΔ7) – A minor 7 (vii7) – B7 (♯II7) – Bb Major 7 (IΔ7) – G minor 7 (vi7)

“`
Borrowed Chords: B7 (♯II7)
“`

Similar Chord Progressions

1. Stevie Wonder – “Overjoyed”
Chord Progression:
C Major 7 (IΔ7) – B minor 7 (vii7) – A minor 7 (vi7) – G Major 7 (VMaj7) – Ab7 (♭VI7) – F Major 7 (IVΔ7) – G sus2 (V) – A minor 7 (vi7)

2. Andy Shauf – “The Worst in You”
Chord Progression:
F Major 7 (IΔ7) – E minor 7 (vii7) – D minor 7 (iv7) – E sus2 (V) – Db7 (♭IV7) – F Major 7 (IΔ7) – E minor 7 (vii7) – Db7 (♭IV7) – Eb Major 7 (♭VΔ7)

Musical Analysis

The ‘Earfquake’ bridge starts with the tonic Bb Major 7 chords, then moves to A minor 7 chord as a borrowed chord from Bb Aeolian (natural minor) mode to create a smooth transition from the tonic towards the submediant (G minor 7) chord. Then, the bridge proceeds to the A sus2 chord which acts as a brief and gentle resolution, creating a relaxed and open feel in the progression.

The B7 chord, a borrowed chord in this context, adds tension and chromatic interest in this predominantly diatonic chord progression while providing an unexpected shift away from the Bb tonic. The B7 chord returns twice more, further reinforcing the sense of unease before resolving back to the tonic Bb Major 7 chord.

Overall Analysis

The chord progression appears to be in the key of Bb Major, and showcases various diatonic chords along with a few borrowed chords. This progression is characterized by a blend of smooth and rich harmony, primarily due to the use of 7th chords and suspensions. The introduction of the dominant B7 chord adds interest, making the progression more unpredictable and complex.

Style Analysis

Tyler, The Creator’s style is known for incorporating Neo-Soul, Jazz, Fusion, and RnB which are evident in this particular chord progression. The use of 7th chords and borrowed chords provide the harmonic richness associated with these genres, while the smooth transitions and unexpected shifts keep the listener engaged and surprised.

Chords in the Bridge section of Earfquake by Tyler, The Creator are:

Bbmaj7, Am7, Gm7, Asus2, B7, Bbmaj7, Am7, B7, Bbmaj7, Gm7