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The chord progression in the chorus of “Are We Still Friends” by Tyler, The Creator is a relatively simple yet effective progression that contains some characteristic elements of R&B and soul music. It includes a mixture of major and minor chords and a predominant use of dominant 7 chords (in this case, E7) to create a sense of tension and resolve within the progression. This progression is simple enough that it allows for the melody and lyrics to shine while still providing harmonic interest.

The chord progression in Tyler, The Creator’s “Gone Gone” is a mix of diatonic and non-diatonic chords, making it an interesting and unique progression. It features a combination of major, minor, and an altered seventh chord, adding to the overall complexity of the progression. The style is reminiscent of jazz and R&B, where more complex harmonic structures are often used. Some borrowings from different modes and chromaticism also contribute to its richness and distinct sound.

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The progression in the song “The Less I Know The Better” by Tame Impala shows a combination of borrowed chords and modal mixture, with most of the chords belonging to the key of E Major. The verse chords including G# minor, C# minor, B, and E, establish a strong use of modal interchange, borrowed from the parallel minor of E.

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“Comfortably Numb” is a song by Pink Floyd from their 1979 album, The Wall. It is written in the key of D major and has a slow, dreamy tempo. The second verse of the song features a chord progression that is a blend of major and minor chords, giving the song a sense of melancholy mixed with a calming atmosphere. It also deviates from the typical pop/rock chord progressions, signifying Pink Floyd’s distinct sound and innovative use of harmony.

“Maxwell’s Silver Hammer” is a song by the English rock band the Beatles from their 1969 album Abbey Road. It was written by Paul McCartney. The song is primarily in the key of D Major and exhibits a mix of major, minor, and dominant seventh chords. This verse progression manifests the distinctive Beatles’ sound which often includes chromaticism and prevalence of secondary dominants that link the chords together, giving a smooth flow and color to the harmonic progression.

Tyler, The Creator – Are We Still Friends – Verse 2

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Chord Progression

E, E7, A, Am, E, E7, A, Am

Chord Progression Analysis

E Major (I) – E Dominant 7 (I7) – A Major (IV) – A Minor (iv) – E Major (I) – E Dominant 7 (I7) – A Major (IV) – A Minor (iv)

Borrowed Chord:
`A Minor (iv)`

Similar Chord Progressions

Although not identical, a similar chord progression with borrowed chords can be found in the song “Something” by The Beatles. The progression in this song also starts on a major chord (C), moves to dominant 7 chord (C7), goes to the subdominant (F), then introduces a borrowed chord (Fm) from the parallel minor key.

Chord Progression in “Something” by The Beatles:
C Major (I) – C Dominant 7 (I7) – F Major (IV) – F Minor (iv)

In both cases, the use of borrowed chords and dominant 7 chords adds an emotional depth and richness to the harmony, making the progressions memorable and distinctive.

Musical Analysis

The progression starts with an E major chord (I), which sets a strong tonic center. It then adds an extra note to create an E dominant 7 chord (I7), creating tension and anticipation by shifting the mood slightly. The tension is then released as the progression moves to the A major chord (IV), the subdominant chord in the key of E major. The progression introduces the borrowed chord, A minor (iv), which is borrowed from the parallel minor key, E minor. This chord creates a sense of surprise and melancholy due to the unexpected appearance of a minor chord in a major key.

This movement is then repeated for a total of two times, further solidifying the emotional contrast and familiarity of the progression for the listener. The choice to repeat the progression serves to reinforce the distinct harmony and provide an easily memorable pattern for the listener.

Overall Analysis

The given chord progression is found in Verse 2 of Tyler, The Creator’s song “Are We Still Friends.” The song is in the key of E major, and the progression features a mix of major, minor, and dominant seventh chords. The distinctive chromatic movement and the use of borrowed chords make for a memorable and unique progression. The combination of these elements results in a lush and emotionally charged progression which contributes greatly to the overall feel of the song.

Style Analysis

Tyler, The Creator is known for his eclectic and innovative style that blends a variety of genres such as hip-hop, R&B, funk, and soul. In “Are We Still Friends,” the use of the borrowed chord adds a sense of emotional depth and surprise, which is characteristic of Tyler’s signature style. The progression provides a lush harmonic foundation for the song’s introspective lyrics, which touch on themes of lost friendships and nostalgia.

Chords in the Verse 2 section of Are We Still Friends by Tyler, The Creator are:

E, E7, A, Am, E, E7, A, Am