Music Theory Alchemy

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“Today” by The Smashing Pumpkins, was released in 1993 on their second album, “Siamese Dream.” The song is classic-’90s alternative rock with its layered guitars and emotionally raw lyrics. key is “E minor.”

“Perfect” by The Smashing Pumpkins is written in the key of D major. The song takes a relatively standard and common approach in chord progression, particularly with the cyclical variations that have the onset within a classic pop/rock realm. The tonality and mid-tempo pacing give the song a melancholic and nostalgic tone.

With a Little Help from My Friends’ exists in a rich harmonic landscape typical of the Beatles. Here, we can see signature moves like mixing major/minor tonalities, borrowed chords, and unconventional harmonic progressions.

The chord progression in the bridge of “Gone, Gone” by Tyler, The Creator can be described as a combination of diatonic and borrowed chords from the parallel minor key. The key of the song is F major, and the progression combines elements of pop, R&B, and jazz, creating a distinctive harmonic sound.

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“Every Day Is Exactly The Same” by Nine Inch Nails has an interesting chord progression, particularly in the bridge, which adopts a distinct pattern of E, A, C, G repeatedly. This song is classified under Industrial Rock and utilizes repetition impressively to create a sense of monotony and frustration, akin to the lyrical theme.

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The Smashing Pumpkins – Today – Bridge

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Chord Progression

[‘Em’, ‘G’, ‘B’, ‘Em’, ‘G’, ‘B’, ‘Em’, ‘G’, ‘B’, ‘Em’, ‘G’]

Chord Progression Analysis

The bridge of the song goes as follows:

“`E Minor (i), G Major (III), B Major (V), repeated.“`

The use of the B Major chord can be considered a “borrowed chord.” It is not typically part of the E minor scale, but it is borrowed from the E Major scale. In traditional music theory, this is called mode mixture or modal interchange.

Similar Chord Progressions

1. Nirvana’s “Smells Like Teen Spirit” makes use of a similar shifting between major and minor tonalities in its iconic progression: F minor (i), Bb Major (IV), Ab Major (bIII), Db Major (bVI).

2. Radiohead’s “Paranoid Android” also features a progression with borrowed chords: G minor (i), Bb (III), D (V), Gm (i), A (bII), D (V).

Chord progressions for the aforementioned songs:

Nirvana’s “Smells Like Teen Spirit”:
“`F Minor (i), Bb Major (IV), Ab Major (bIII), Db Major (bVI)“`

Radiohead’s “Paranoid Android”:
“`G minor (i), Bb (III), D (V), Gm (i), A (bII), D (V)“`

Unfortunately, without the exact chord progression for the entire song ‘Today’, we can’t provide a granular breakdown for all of the chords or identify possible key changes throughout the song.

Musical Analysis

The chorus in ‘Today’ does not adhere strictly to the rules of classical harmony – it shifts back and forth between the relative major (G) and minor (E Minor) tonalities without anchoring solidly in one or the other. However, these shifts help to increase the emotional intensity of the song, reflecting the angst and turbulence of the lyrics.

Overall Analysis

The song ‘Today’ by The Smashing Pumpkins is a classic example of mixing major and minor modes in rock music. The majority of the song is modal, centered around D major and B minor. However, the bridge section changes gears and revolves around E minor.

Style Analysis

The Smashing Pumpkins, particularly in the 1990s, are known for their blending of heavy rock with gentler, melodic elements—an approach that ‘Today’ provides a clear example of. The use of the borrowed chord (B Major) in the bridge creates an unexpected, somewhat jarring effect, which adds to the overall intensity of the song.

Chords in the Bridge section of Today by The Smashing Pumpkins are:

[‘Em’, ‘G’, ‘B’, ‘Em’, ‘G’, ‘B’, ‘Em’, ‘G’, ‘B’, ‘Em’, ‘G’]