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Related Music Theory Alchemy

“Landslide” by The Smashing Pumpkins is a cover of a popular folk-rock song by Fleetwood Mac. In this song, The Smashing Pumpkins show their alternative rock style, while also paying homage to the folk-rock genre and especially to the founder of Folk-Rock “Fleetwood Mac”. The chords used throughout the song are predominantly composed in the key of G major, with the occasional use of a common borrowed chord (Am) from the G minor key.

“Landslide” by The Smashing Pumpkins is a subtly complicated piece of music. At first glance, the chord progression may seem simple, but it actually incorporates a number of rich musical techniques that give the song its iconic depth and emotional resonance. The song follows a simple yet powerful chord progression and relies heavily on the interplay between the root C major chord, the G6, and the Am minor. There is a recurring theme of returning to the G6, which creates tension and suggests feelings of melancholy or introspection.

“For No One” is a song from The Beatles’ album Revolver, released in 1966. The song has a melancholic theme, represented quite well through a sophisticated chord progression that features significant use of the minor scale and infrequent use of chord extensions, such as 7th and suspended chords. It’s written primarily in C Major, but the chorus alternates between D Minor and A7, an interesting modal shift (Using structural chords from different modes).

“Boulevard of Broken Dreams” by Green Day, released in 2004, is an alt-rock anthem that largely follows a 4-chord progression throughout the song. The key signature of the song is E minor (derived from the root chord), and essentially all chords used in the song are diatonic, meaning they are derived from the scales of the key. The chorus shifts to a progression in C Major. However, it returns to E minor at the end.

“Time” by Pink Floyd is a progressive rock song from their iconic album, The Dark Side of the Moon (1973). The listed chords form the harmonic basis of the chorus section. The harmony is characterized by diatonic major seventh chords, interspersed with a few borrowed chords. The chorus features a fluctuating major/minor tonality, giving the song an emotional and contemplative feel.

The Smashing Pumpkins – Landslide – Chorus

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Chord Progression

[‘G’, ‘D/F#’, ‘Em’, ‘C’, ‘G6’, ‘Am’, ‘D/F#’, ‘G’, ‘D/F#’, ‘Em’, ‘C’, ‘G6’, ‘Am’, ‘G6’, ‘C’, ‘G6’, ‘Am’]

Chord Progression Analysis

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“`G (I), D/F# (V/ii), Em (ii), C (IV), G6 (I6), Am (vi), D/F# (V/ii), G (I), D/F# (V/ii), Em (ii), C (IV), G6 (I6), Am (vi), G6 (I6), C (IV), G6 (I6), Am (vi).“`

– G: Tonic – the chord the progression is based on and resolves to.
– D/F#: Secondary dominant – the major triad or dominant seventh chord built on the supertonic (second scale degree)
– Em: Supertonic – usually leads to the dominant or tonic, providing some instability.
– C: Subdominant – precedes the dominant chord (D), giving a sense of coming home.
– G6: An extended tonic chord, adding variety to the sound.
– Am: Submediant – A minor chord built on the sixth degree of the G major scale. Provides variety and some minor color to the progression.

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Similar Chord Progressions

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1) “Let It Be” by The Beatles

“`C (I), G (V), Am (vi), F (IV), C (I), G (V), F (IV), C (I)“`

2) “No Woman, No Cry” by Bob Marley

“`C (I), G (V), Am (vi), F (IV)“`

These songs share similar chord progressions with “Landslide”, primarily because they use the same primary chords (I, IV, and V) and the vi chord in their progressions. This chord progression is known as the pop or doo-wop progression. Notably, they also mix the major and minor mood to denote depth and nuance to the overall feeling of the songs.

Musical Analysis

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“Landslide” predominantly features folk-inspired finger picking on the acoustic guitar, allowing the beauty of the chord progression to shine through. The progression is cyclical and repetitive, creating an almost hypnotic effect that aids in the conveyance of the song’s introspective mood. The addition of the G6 chord is a notable color chord, supplying a distinct emotional texture to the progression.

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Overall Analysis

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“Landslide” by The Smashing Pumpkins, originally by Fleetwood Mac, is written in the key of G major. The song features simple, but effective, chord progressions that are common in the folk and rock genres. The progression utilizes primary chords in the key (G, D, and C), along with some modal mixture via the borrowing of the minor iv chord (C) and minor vi chord (Am) from the parallel minor key (G minor). The secondary dominant D/F# creates tension and movement towards the Em chord. There is also the use of a G6 chord which adds color to the piece.

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Style Analysis

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The Smashing Pumpkins’ version of “Landslide” stays true to the original Fleetwood Mac recording. The chord progression reflects strong folk and rock influences with its repeated patterns and simple, open chords. A definitive element of this song and its chord progression is the constant interplay between the major and minor mood, a technique often used in introspective and emotionally driven songs.

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Chords in the Chorus section of Landslide by The Smashing Pumpkins are:

[‘G’, ‘D/F#’, ‘Em’, ‘C’, ‘G6’, ‘Am’, ‘D/F#’, ‘G’, ‘D/F#’, ‘Em’, ‘C’, ‘G6’, ‘Am’, ‘G6’, ‘C’, ‘G6’, ‘Am’]