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Related Music Theory Alchemy

“Bullet with Butterfly Wings” by The Smashing Pumpkins can be categorized as alternative rock. The chord progression showcases the grunge influence, with an emphasis on power chords and the use of suspended second chords which are often used to create ambiguity or tension.

“Perfect” by The Smashing Pumpkins is written in the key of D major. The song takes a relatively standard and common approach in chord progression, particularly with the cyclical variations that have the onset within a classic pop/rock realm. The tonality and mid-tempo pacing give the song a melancholic and nostalgic tone.

“Zombie” by The Cranberries is in the key of E minor. Its structure is generally pop and rock, with the power of distorted guitars and a heavy drumbeat complemented by Dolores O’Riordan’s haunting vocals. It utilizes a four-chord progression, which is common in many pop and rock tracks and has been a popular choice amongst songwriters for its simplicity and versatility.

The chord progression in question is from the verse 2 of Weezer’s “The Good Life.” It is a pop-rock song in the key of G major, and the progression features common chords found in the key, with one borrowed chord – B7 – to add a touch of tension and harmonic interest.

Chord Progression Analysis (with Roman Numerals):
G Major (I) – D Major (V) – A minor (ii) – E Major (VI) – G Major (I) – D Major (V) – A minor (ii) – E Major (VI) – G Major (I) – D Major (V) – A minor (ii) – E Major (VI) – G Major (I) – D Major (V) – A minor (ii) – E Major (VI) – G Major (I) – D Major (V) – A minor (ii) – B7 (`V7/iii`)

The borrowed chord in question is the B7, which is borrowed from the relative minor key (E minor) and functions as a secondary dominant to the iii chord (B minor).

The piece “3’s and 7’s” by Queens of The Stone Age illustrates a fascinating blend of minor and major tonality, accented dissonances, and unexpected harmonic turns, which is characteristic of the band’s stoner rock and alternative metal style. The verse 2 chord progression is in A# minor and it sticks to a fairly repetitive three-chord progression of A#m – G# – F.

The Smashing Pumpkins – Bullet With Butterfly Wings – Verse 2

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Chord Progression

[‘B5’, ‘Em’, ‘G5’]

Chord Progression Analysis

The verse progression could be loosely placed in the key of E minor, but the absence of thirds in the power chords leaves this ambiguous. In this key, the B5 could be called a B minor (bVII), Em would be the tonic (i), and G5 the submediant (bVI).

The full chord names and their roman numerals (in the context of E minor) would be:

“`
B minor (bVII)
E minor (i)
G major (bVI)
“`

Note: It is important to observe that the ‘5’ in the chord names indicates that these are ‘5th’ or ‘power’ chords, which only consist of the root and the perfect fifth – they don’t contain the third (which usually determines the major/minor quality of a chord).

Similar Chord Progressions

1. Nirvana – “Smells Like Teen Spirit”: F5 – Bb5 – Ab5 – Db5 – known for its similar use of power chords.

2. Soundgarden – “Outshined”: G5 – Bb5 – D5 – Eb5 – spanning several different keys on a consistent progression of power chords.

3. Radiohead – “Creep”: G5 – B5 – C5 – Cm5 – although this Radiohead classic isn’t grunge, per se, it does feature ambiguous tonality brought about by power chords.

4. Black Sabbath – “Iron Man”: B5 – D5 – E5 – a classic example of power chord use in early metal and rock.

Remember, the nature of power chords gives them a universal quality, usable in any genre for any mood – they don’t convey a specific mood themselves without a broader musical context. Context and treatment are exactly what bands like Smashing Pumpkins brought to bring new life to this simple harmonic device.

Musical Analysis

The mixture of power chords in a minor key setting, particularly the raised subtonic (VII), is characteristic of the grunge style. They contribute to the overall ambiguous tonal center, which can be seen as characteristic of much of The Smashing Pumpkins’ work, and most notably the grunge and rock genres of the period. Being ‘power’ chords, they contain no third – and therefore give a neither major nor minor tonality.

Overall Analysis

“The Bullet With Butterfly Wings” by The Smashing Pumpkins essentially revolves around the use of power chords, or 5th chords, to project a raw, grungy intensity. The chord progression (B5, Em, G5), extracted from the second verse of the song, is prominent throughout. The use of power chords results in a composition that doesn’t transpose to a traditional major or minor key, but fits within a modal framework.

Style Analysis

The grunge era was known for its heavy uses of power chords, ambiguous tonal center, and dark lyrical themes – all characteristics present in “Bullet With Butterfly Wings”. The Smashing Pumpkins were unique in their extensive use of quartal harmonies (based on intervals of a fourth), tonal ambiguity, and frequent oscillation between chords.

Chords in the Verse 2 section of Bullet With Butterfly Wings by The Smashing Pumpkins are:

[‘B5’, ‘Em’, ‘G5’]