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Related Music Theory Alchemy

“Bullet With Butterfly Wings” by The Smashing Pumpkins features a chord progression that uses a lot of power chords (fifth chords) which demonstrates its grungy, rock oriented style. It also incorporates major, minor, and suspended second chords, making it an interesting combination of simplicity and complexity.

“1979” by The Smashing Pumpkins is written in the A major key and showcases various examples of modal interchange, also known as borrowed chords. The song switches often between the major and minor modes, providing a dynamic interplay of moods. The outro particularly stands out due to its use of both major and maj7th chords, a somewhat unusual combination. Emaj7 adds color and complexity to the progression, as a borrowed chord from the E major scale.

The progression from B to A to E is a common progression in pop and rock music. This progression utilizes diatonic and non-diatonic chords, meaning that the chords all belong to the same key and it suggests the use of borrowed chords. A Perfect Circle tends to use a lot of downward motion in their chord progressions, moving from higher to lower pitches, which can give their music a distinct ‘heavy’ feel.

“Sorry Seems to Be The Hardest Word” is in the key of E minor and shifts to the relative major (G major) at various points, it demonstrates Elton John’s mastery of the line between major and minor keys. It’s a melancholic song with a moderate tempo. The use of both minor and major chords in Elton John’s progression signifies the tension and release in the song’s melody and lyrics.

“Zombie” by The Cranberries is in the key of E minor. Its structure is generally pop and rock, with the power of distorted guitars and a heavy drumbeat complemented by Dolores O’Riordan’s haunting vocals. It utilizes a four-chord progression, which is common in many pop and rock tracks and has been a popular choice amongst songwriters for its simplicity and versatility.

The Smashing Pumpkins – Bullet With Butterfly Wings – Verse 2

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Chord Progression

[‘B5’, ‘Em’, ‘G5’]

Chord Progression Analysis

The verse progression could be loosely placed in the key of E minor, but the absence of thirds in the power chords leaves this ambiguous. In this key, the B5 could be called a B minor (bVII), Em would be the tonic (i), and G5 the submediant (bVI).

The full chord names and their roman numerals (in the context of E minor) would be:

“`
B minor (bVII)
E minor (i)
G major (bVI)
“`

Note: It is important to observe that the ‘5’ in the chord names indicates that these are ‘5th’ or ‘power’ chords, which only consist of the root and the perfect fifth – they don’t contain the third (which usually determines the major/minor quality of a chord).

Similar Chord Progressions

1. Nirvana – “Smells Like Teen Spirit”: F5 – Bb5 – Ab5 – Db5 – known for its similar use of power chords.

2. Soundgarden – “Outshined”: G5 – Bb5 – D5 – Eb5 – spanning several different keys on a consistent progression of power chords.

3. Radiohead – “Creep”: G5 – B5 – C5 – Cm5 – although this Radiohead classic isn’t grunge, per se, it does feature ambiguous tonality brought about by power chords.

4. Black Sabbath – “Iron Man”: B5 – D5 – E5 – a classic example of power chord use in early metal and rock.

Remember, the nature of power chords gives them a universal quality, usable in any genre for any mood – they don’t convey a specific mood themselves without a broader musical context. Context and treatment are exactly what bands like Smashing Pumpkins brought to bring new life to this simple harmonic device.

Musical Analysis

The mixture of power chords in a minor key setting, particularly the raised subtonic (VII), is characteristic of the grunge style. They contribute to the overall ambiguous tonal center, which can be seen as characteristic of much of The Smashing Pumpkins’ work, and most notably the grunge and rock genres of the period. Being ‘power’ chords, they contain no third – and therefore give a neither major nor minor tonality.

Overall Analysis

“The Bullet With Butterfly Wings” by The Smashing Pumpkins essentially revolves around the use of power chords, or 5th chords, to project a raw, grungy intensity. The chord progression (B5, Em, G5), extracted from the second verse of the song, is prominent throughout. The use of power chords results in a composition that doesn’t transpose to a traditional major or minor key, but fits within a modal framework.

Style Analysis

The grunge era was known for its heavy uses of power chords, ambiguous tonal center, and dark lyrical themes – all characteristics present in “Bullet With Butterfly Wings”. The Smashing Pumpkins were unique in their extensive use of quartal harmonies (based on intervals of a fourth), tonal ambiguity, and frequent oscillation between chords.

Chords in the Verse 2 section of Bullet With Butterfly Wings by The Smashing Pumpkins are:

[‘B5’, ‘Em’, ‘G5’]