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Related Music Theory Alchemy

“Wild Horses” by the Rolling Stones is a song in the key of G Major with a chord progression marked by the use of common chords and a few borrowed chords from other keys. The usage of minor and major chords conjures a variety of emotions synonymous with the mood of the song. The repetitive nature of the sequence creates a cyclical feeling that gives a strong sense of the song’s emotional journey.

“As Tears Go By” by The Rolling Stones is a classic rock ballad featuring a simple, yet effective chord progression and harmonic language. The song is in the key of G major, and the chord progression features a mix of diatonic chords from the G major scale, with the non-diatonic A major chord included as a borrowed chord from the parallel minor (G minor) key.

“Whole Lotta Love” by Led Zeppelin is a hard rock song that was released in 1969. The song features a famous guitar riff with a simple, blues-influenced chord progression. That guitar riff is based on the D and E chords and can be heard throughout the main part of the song. The verse consists of the same primary chords as the riff, with slight variations in the E chord during the iconic “You need cooling” vocal part. The overall harmonic structure of the song with its repeating chords D and E gives it a strong I-V dynamic while staying in the D Mixolydian mode. Additionally, the guitar riff borrows elements of other blues progressions, creating a distinguished sound.

“Eleanor Rigby” is known for its unusual and innovative use of the Aeolian mode, otherwise known as the natural minor scale, which is reflected in the chord progression Em – C. The song incorporates string arrangements and has a narrative, storytelling style. Unlike most pop and rock songs of the time, it does not contain drums or guitars. The chord utilization is simple with only two chords used throughout, Em and C, but it nevertheless creates a unique and haunting soundscape.

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“Castles Made of Sand” by Jimi Hendrix is a psychedelic rock song characterized by various compositional techniques including chromaticism, borrowed chords, and unexpected chord progressions. The harmonic choices show Hendrix’s innovation as a songwriter, with influences of blues, rock, and jazz. The chord progression in Verse 3 mixes diatonic and non-diatonic chords, creating a sense of tension and release throughout the progression.

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The Rolling Stones – Wild Horses – Verse 3

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Chord Progression

[‘Bm’, ‘G’, ‘Bm’, ‘G’, ‘Am’, ‘C’, ‘D’, ‘G’, ‘D’, ‘Bm’, ‘G’, ‘Bm’, ‘G’, ‘Am’, ‘C’, ‘D’, ‘G’, ‘D’]

Chord Progression Analysis

Note the following chord names correspond to the Verse 3 progression.

B minor (iii), G Major (I), B minor (iii), G Major (I), A minor (ii), C Major (IV), D Major (V), G Major (I), D Major (V), B minor (iii), G major (I), B minor (iii), G major (I), A minor (ii), C Major (IV), D Major (V), G Major (I), D Major (V)

This shows a frequently alternating I-iii progression, which then passes to a fairly standard ii-IV-V-I cycle (A minor, C Major, D Major, G Major), with the addition of a V-I at the end that reaffirms the tonality.

In explaining borrowed chords, they are none in this particular progression. A borrowed chord, typically seen in popular music, comes from the parallel minor key. Here, all chords belong to the key of G Major.

Similar Chord Progressions

A number of other artists have used similar chord progressions, including:

– John Lennon’s “Imagine”, which uses a progression that includes the ii-IV-V-I cycle (in the key of C major, this corresponds to Dm, F, G, C)

D minor (ii), F Major (IV), G Major (V), C Major (I)

– The Beatles’ “Let It Be”, which also features a ii-IV-V-I progression (in the key of C major, this corresponds to Dm, F, G, C)

D minor (ii), F Major (IV), G Major (V), C Major (I)

Both of these songs, like “Wild Horses”, combine elements of rock, folk, and blues in their musical style.

Musical Analysis

From a musical perspective, it’s worth noting that the iii chord (Bm) lends an unexpected color to the tonality of the song, giving it a unique character. The ii-IV-V-I cycle creates a sense of forward motion and resolution, with the V-I at the end providing a satisfying sense of returning home.

Overall Analysis

“Wild Horses” is a song by the rock band Rolling Stones from their 1971 album “Sticky Fingers”. It is a great example of the band’s adeptness not only at writing catchy rock songs but also at creating complex and interesting chord progressions. The song is in the key of G major. The verse progression is interesting with the use of the B minor chord (Bm), which is the iii chord in the key of G major – a chord that isn’t commonly used in popular music.

Style Analysis

In terms of style, “Wild Horses” exhibits a clear influence from country and folk music, both in its chord progression and in its instrumentation (acoustic guitars, gentle percussion, and characteristic slide guitar). The use of the iii chord (Bm) also adds a touch of blues influence, which is a cornerstone of the Rolling Stones’ style.

Chords in the Verse 3 section of Wild Horses by The Rolling Stones are:

[‘Bm’, ‘G’, ‘Bm’, ‘G’, ‘Am’, ‘C’, ‘D’, ‘G’, ‘D’, ‘Bm’, ‘G’, ‘Bm’, ‘G’, ‘Am’, ‘C’, ‘D’, ‘G’, ‘D’]