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“Wild Horses” by The Rolling Stones is a rock ballad with a minor tonality and is composed in the key of G major. The song incorporates the use of modal interchange, more commonly referred to as borrowed chords, from the parallel minor. This common technique in rock music contributes to the melancholic and emotionally resonant feeling of the song.

The chord progression of “Beast Of Burden” by The Rolling Stones from verse 3 appears to be a standard pop/rock progression with a bit of melodic flavor. It features the chords of E major, B major, C# minor, and A major.

The song is in the key of E Major as that’s the chord the progression starts and ends with, and most of the chords are from the E major scale. There are no borrowed chords, and the progression is repetitive, maintaining a loop throughout most of the song.

Let’s move on to the detailed chord progression analysis, chord names, and their roman numerals.

“Purple Haze” by Jimi Hendrix is a classic and influential rock song released in 1967. The chord progression featured in Verse 3 of this song has a bluesy, psychedelic sound that typifies Hendrix’s style. The use of the E7#9 chord, also known as the “Hendrix chord,” adds a sense of tension and dissonance, which contributes to the edgy and innovative nature of the song.

The Verse 3 chord progression in Muse’s cover of “Can’t Take My Eyes Off You” is a fairly simple progression that features harmonic devices such as seventh chords, borrowed chords, and a half-diminished chord. This progression incorporates some jazz and pop influences into a stylistically cohesive and engaging harmonic landscape.

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The given chord progression is from the verse 3 of the song “The Good Life” by Weezer. The song is in the key of G major and features a mix of diatonic chords from the G major scale and a borrowed chord from the parallel minor (G minor).

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The Rolling Stones – Wild Horses – Verse 3

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Chord Progression

[‘Bm’, ‘G’, ‘Bm’, ‘G’, ‘Am’, ‘C’, ‘D’, ‘G’, ‘D’, ‘Bm’, ‘G’, ‘Bm’, ‘G’, ‘Am’, ‘C’, ‘D’, ‘G’, ‘D’]

Chord Progression Analysis

Note the following chord names correspond to the Verse 3 progression.

B minor (iii), G Major (I), B minor (iii), G Major (I), A minor (ii), C Major (IV), D Major (V), G Major (I), D Major (V), B minor (iii), G major (I), B minor (iii), G major (I), A minor (ii), C Major (IV), D Major (V), G Major (I), D Major (V)

This shows a frequently alternating I-iii progression, which then passes to a fairly standard ii-IV-V-I cycle (A minor, C Major, D Major, G Major), with the addition of a V-I at the end that reaffirms the tonality.

In explaining borrowed chords, they are none in this particular progression. A borrowed chord, typically seen in popular music, comes from the parallel minor key. Here, all chords belong to the key of G Major.

Similar Chord Progressions

A number of other artists have used similar chord progressions, including:

– John Lennon’s “Imagine”, which uses a progression that includes the ii-IV-V-I cycle (in the key of C major, this corresponds to Dm, F, G, C)

D minor (ii), F Major (IV), G Major (V), C Major (I)

– The Beatles’ “Let It Be”, which also features a ii-IV-V-I progression (in the key of C major, this corresponds to Dm, F, G, C)

D minor (ii), F Major (IV), G Major (V), C Major (I)

Both of these songs, like “Wild Horses”, combine elements of rock, folk, and blues in their musical style.

Musical Analysis

From a musical perspective, it’s worth noting that the iii chord (Bm) lends an unexpected color to the tonality of the song, giving it a unique character. The ii-IV-V-I cycle creates a sense of forward motion and resolution, with the V-I at the end providing a satisfying sense of returning home.

Overall Analysis

“Wild Horses” is a song by the rock band Rolling Stones from their 1971 album “Sticky Fingers”. It is a great example of the band’s adeptness not only at writing catchy rock songs but also at creating complex and interesting chord progressions. The song is in the key of G major. The verse progression is interesting with the use of the B minor chord (Bm), which is the iii chord in the key of G major – a chord that isn’t commonly used in popular music.

Style Analysis

In terms of style, “Wild Horses” exhibits a clear influence from country and folk music, both in its chord progression and in its instrumentation (acoustic guitars, gentle percussion, and characteristic slide guitar). The use of the iii chord (Bm) also adds a touch of blues influence, which is a cornerstone of the Rolling Stones’ style.

Chords in the Verse 3 section of Wild Horses by The Rolling Stones are:

[‘Bm’, ‘G’, ‘Bm’, ‘G’, ‘Am’, ‘C’, ‘D’, ‘G’, ‘D’, ‘Bm’, ‘G’, ‘Bm’, ‘G’, ‘Am’, ‘C’, ‘D’, ‘G’, ‘D’]