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Related Music Theory Alchemy

“Wild Horses” by the Rolling Stones is performed in the key of G major. However, the initial chord progression beginning on B minor gives it a modal feel, specifically borrowing chords from G Lydian mode (IV of D Major). It’s an interesting mixture of folky rock with a touch of the blues, and the chord progression is largely based around the typical I-IV-V progression found in many rock songs, but with many deviations and additions.

Key: G Major

“Heartbreaker” by The Rolling Stones is a classic rock song that utilizes a chord progression that is stereotypical of the genre. The verse and chorus unfold in the key of E minor, with the verse using primarily a cycle of Em7 and Am7. In terms of musical mood and expressivity, the progression conveys a melancholic yet energetic feeling, which is characteristic of the rock genre.

“Since I’ve Been Loving You” is a blues-influenced rock ballad by Led Zeppelin. Its chord progression showcases the band’s eclectic mix of blues, rock, and jazz influences. The progression is characterized by a mix of diatonic and chromatically altered chords, reflecting a sophisticated understanding of harmony and emotional depth that is typical of Led Zeppelin’s music.

“Sexx Laws” by Beck is a unique and interesting piece that combines elements of various musical styles including funk, rock, and pop. The chord progression found in Verse 3 is quite simple yet effective, creating a sense of tension and release.

The chord progression in Verse 3 of “Congratulations” by MGMT features a mix of diatonic and non-diatonic chords. The song appears to be in G major, and the progression showcases several common techniques such as the use of inversions (G/F#), borrowed chords (Dsus4), and extended chords (Em7).

The Rolling Stones – Wild Horses – Verse 3

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Chord Progression

[‘Bm’, ‘G’, ‘Bm’, ‘G’, ‘Am’, ‘C’, ‘D’, ‘G’, ‘D’, ‘Bm’, ‘G’, ‘Bm’, ‘G’, ‘Am’, ‘C’, ‘D’, ‘G’, ‘D’]

Chord Progression Analysis

Note the following chord names correspond to the Verse 3 progression.

B minor (iii), G Major (I), B minor (iii), G Major (I), A minor (ii), C Major (IV), D Major (V), G Major (I), D Major (V), B minor (iii), G major (I), B minor (iii), G major (I), A minor (ii), C Major (IV), D Major (V), G Major (I), D Major (V)

This shows a frequently alternating I-iii progression, which then passes to a fairly standard ii-IV-V-I cycle (A minor, C Major, D Major, G Major), with the addition of a V-I at the end that reaffirms the tonality.

In explaining borrowed chords, they are none in this particular progression. A borrowed chord, typically seen in popular music, comes from the parallel minor key. Here, all chords belong to the key of G Major.

Similar Chord Progressions

A number of other artists have used similar chord progressions, including:

– John Lennon’s “Imagine”, which uses a progression that includes the ii-IV-V-I cycle (in the key of C major, this corresponds to Dm, F, G, C)

D minor (ii), F Major (IV), G Major (V), C Major (I)

– The Beatles’ “Let It Be”, which also features a ii-IV-V-I progression (in the key of C major, this corresponds to Dm, F, G, C)

D minor (ii), F Major (IV), G Major (V), C Major (I)

Both of these songs, like “Wild Horses”, combine elements of rock, folk, and blues in their musical style.

Musical Analysis

From a musical perspective, it’s worth noting that the iii chord (Bm) lends an unexpected color to the tonality of the song, giving it a unique character. The ii-IV-V-I cycle creates a sense of forward motion and resolution, with the V-I at the end providing a satisfying sense of returning home.

Overall Analysis

“Wild Horses” is a song by the rock band Rolling Stones from their 1971 album “Sticky Fingers”. It is a great example of the band’s adeptness not only at writing catchy rock songs but also at creating complex and interesting chord progressions. The song is in the key of G major. The verse progression is interesting with the use of the B minor chord (Bm), which is the iii chord in the key of G major – a chord that isn’t commonly used in popular music.

Style Analysis

In terms of style, “Wild Horses” exhibits a clear influence from country and folk music, both in its chord progression and in its instrumentation (acoustic guitars, gentle percussion, and characteristic slide guitar). The use of the iii chord (Bm) also adds a touch of blues influence, which is a cornerstone of the Rolling Stones’ style.

Chords in the Verse 3 section of Wild Horses by The Rolling Stones are:

[‘Bm’, ‘G’, ‘Bm’, ‘G’, ‘Am’, ‘C’, ‘D’, ‘G’, ‘D’, ‘Bm’, ‘G’, ‘Bm’, ‘G’, ‘Am’, ‘C’, ‘D’, ‘G’, ‘D’]