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Related Music Theory Alchemy

“Wild Horses” by the Rolling Stones is a song in the key of G Major with a chord progression marked by the use of common chords and a few borrowed chords from other keys. The usage of minor and major chords conjures a variety of emotions synonymous with the mood of the song. The repetitive nature of the sequence creates a cyclical feeling that gives a strong sense of the song’s emotional journey.

“Paint It, Black” is in E minor key, with verse 3 having an exciting harmonic progression: Em – B – Em – B – Em – D – G – D – Em – Em – D – G – D – A – B. The chord progression suggests that the Rolling Stones utilise borrowed chords to impose an air of ambiguity that reflects the song’s lyrical themes. Additionally, this song is a blend of rock and raga rock style and exemplifies the Stones’ 1960s exploration into psychedelia and Eastern musical styles.

The chord progression in the verse 2 of Megalomania by Muse is predominantly in the key of E minor, with several chromatic and borrowed chords that give the progression a unique character. This progression consists of 16 chords and features an interesting mix of diatonic chords, secondary dominants, and borrowed chords that contribute to the dramatic and dark atmosphere of the piece.

“Sorry Seems to Be The Hardest Word” is in the key of E minor and shifts to the relative major (G major) at various points, it demonstrates Elton John’s mastery of the line between major and minor keys. It’s a melancholic song with a moderate tempo. The use of both minor and major chords in Elton John’s progression signifies the tension and release in the song’s melody and lyrics.

The progression is in the key of C major. The use of the Bb major is known as modal interchange, where a chord that is not in the key is borrowed from a parallel key, which in this case is C minor. This contributes an interesting tone color to the overall sound. The chord progression does consist a use of slash chords (C/B, C/G) which adds a more complex bassline creating a more harmonically active feeling, and yielding more tension and release.

The Rolling Stones – Wild Horses – Verse 2

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Chord Progression

[‘Bm’, ‘G’, ‘Bm’, ‘G’, ‘Am’, ‘C’, ‘D’, ‘G’, ‘D’, ‘Bm’, ‘G’, ‘Bm’, ‘G’, ‘Am’, ‘C’, ‘D’, ‘G’, ‘D’]

Chord Progression Analysis

Verse 2 chord progression:

“`
B minor (iii)
G Major (I)
B minor (iii)
G Major (I)
A minor (ii)
C Major (IV)
D Major (V)
G Major (I)
D Major (V)
B minor (iii)
G Major (I)
B minor (iii)
G Major (I)
A minor (ii)
C Major (IV)
D Major (V)
G Major (I)
D Major (V)
“`

Similar Chord Progressions

1. Oasis – “Wonderwall” : Em7, G, Dsus4, A7sus4 (ii, IV, I, V)
2. Bob Dylan – “Knockin’ on Heaven’s Door” : G, D, Am (I, V, ii)
3. The Animals – “House of the Rising Sun” : Am, C, D, F (i, III, IV, VI)

Note: These chord progressions are not necessarily in the same key, but they follow the same relative structure to the chords/modal interchange in “Wild Horses”.

Musical Analysis

The sequence starts with a couple of transition from B minor to G Major (iii-I), which is not a standard progression in the key of G Major – this implies a little bit of modal interchange, as Bm is not naturally found in G Major, but in G Lydian mode (IV of D Major). This is followed by a common ii-IV-V-I progression (Am-C-D-G), which is a hallmark of many styles of Western music. The determined progression is then repeated once more, giving the song its recognizable sound.

Overall Analysis

“Wild Horses” by the Rolling Stones is performed in the key of G major. However, the initial chord progression beginning on B minor gives it a modal feel, specifically borrowing chords from G Lydian mode (IV of D Major). It’s an interesting mixture of folky rock with a touch of the blues, and the chord progression is largely based around the typical I-IV-V progression found in many rock songs, but with many deviations and additions.

Key: G Major

Style Analysis

“Wild Horses” exhibits a distinctive blend of folk and rock, borrowing equally from American country music and the English rock tradition. The lyrics, melody, and chord progression all contribute to the heartfelt, slightly melancholic mood of the song. The unconventional iii-I progression at the start of each sequence, taken together with the more traditional ii-IV-V-I progression that follows, creates a memorable combination that perfectly complements the song’s lyrical content.

Chords in the Verse 2 section of Wild Horses by The Rolling Stones are:

[‘Bm’, ‘G’, ‘Bm’, ‘G’, ‘Am’, ‘C’, ‘D’, ‘G’, ‘D’, ‘Bm’, ‘G’, ‘Bm’, ‘G’, ‘Am’, ‘C’, ‘D’, ‘G’, ‘D’]