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“Wild Horses” by The Rolling Stones is a rock ballad with a minor tonality and is composed in the key of G major. The song incorporates the use of modal interchange, more commonly referred to as borrowed chords, from the parallel minor. This common technique in rock music contributes to the melancholic and emotionally resonant feeling of the song.

“Paint It, Black” is in E minor key, with verse 3 having an exciting harmonic progression: Em – B – Em – B – Em – D – G – D – Em – Em – D – G – D – A – B. The chord progression suggests that the Rolling Stones utilise borrowed chords to impose an air of ambiguity that reflects the song’s lyrical themes. Additionally, this song is a blend of rock and raga rock style and exemplifies the Stones’ 1960s exploration into psychedelia and Eastern musical styles.

The chord progression in Muse’s “Endlessly” from Verse 2 is a mix of diatonic chords and a borrowed chord from the parallel major key. The progression has a melancholic feel, utilizing suspended chords to create tension and release. The use of both minor and major chords provides a balanced sound, giving the piece its unique character.

“Feels Like We Only Go Backwards” by Tame Impala is a psychedelic pop song notable for its dreamy, lo-fi sound and use of unconventional chord progressions. Musically, the song is written in the key of F major, but creatively uses chromatic mediants, borrowed chords, and modal interchange to establish a unique harmony. The song also uses dynamic contrast to create a dreamlike atmosphere, increasing the song’s overall psychedelic effect.

“Kiss” by Prince is a classic example showcasing Prince’s unique and complex songwriting abilities. The song is written in the key of A major. The distinctive funk rock style is primarily expressed via dominant and suspended chords. This combined with Prince’s rhythmically tight and syncopated guitar playing gives the song its infectious groove.

The Rolling Stones – Wild Horses – Verse 2

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Chord Progression

[‘Bm’, ‘G’, ‘Bm’, ‘G’, ‘Am’, ‘C’, ‘D’, ‘G’, ‘D’, ‘Bm’, ‘G’, ‘Bm’, ‘G’, ‘Am’, ‘C’, ‘D’, ‘G’, ‘D’]

Chord Progression Analysis

Verse 2 chord progression:

“`
B minor (iii)
G Major (I)
B minor (iii)
G Major (I)
A minor (ii)
C Major (IV)
D Major (V)
G Major (I)
D Major (V)
B minor (iii)
G Major (I)
B minor (iii)
G Major (I)
A minor (ii)
C Major (IV)
D Major (V)
G Major (I)
D Major (V)
“`

Similar Chord Progressions

1. Oasis – “Wonderwall” : Em7, G, Dsus4, A7sus4 (ii, IV, I, V)
2. Bob Dylan – “Knockin’ on Heaven’s Door” : G, D, Am (I, V, ii)
3. The Animals – “House of the Rising Sun” : Am, C, D, F (i, III, IV, VI)

Note: These chord progressions are not necessarily in the same key, but they follow the same relative structure to the chords/modal interchange in “Wild Horses”.

Musical Analysis

The sequence starts with a couple of transition from B minor to G Major (iii-I), which is not a standard progression in the key of G Major – this implies a little bit of modal interchange, as Bm is not naturally found in G Major, but in G Lydian mode (IV of D Major). This is followed by a common ii-IV-V-I progression (Am-C-D-G), which is a hallmark of many styles of Western music. The determined progression is then repeated once more, giving the song its recognizable sound.

Overall Analysis

“Wild Horses” by the Rolling Stones is performed in the key of G major. However, the initial chord progression beginning on B minor gives it a modal feel, specifically borrowing chords from G Lydian mode (IV of D Major). It’s an interesting mixture of folky rock with a touch of the blues, and the chord progression is largely based around the typical I-IV-V progression found in many rock songs, but with many deviations and additions.

Key: G Major

Style Analysis

“Wild Horses” exhibits a distinctive blend of folk and rock, borrowing equally from American country music and the English rock tradition. The lyrics, melody, and chord progression all contribute to the heartfelt, slightly melancholic mood of the song. The unconventional iii-I progression at the start of each sequence, taken together with the more traditional ii-IV-V-I progression that follows, creates a memorable combination that perfectly complements the song’s lyrical content.

Chords in the Verse 2 section of Wild Horses by The Rolling Stones are:

[‘Bm’, ‘G’, ‘Bm’, ‘G’, ‘Am’, ‘C’, ‘D’, ‘G’, ‘D’, ‘Bm’, ‘G’, ‘Bm’, ‘G’, ‘Am’, ‘C’, ‘D’, ‘G’, ‘D’]