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Related Music Theory Alchemy

“Paint It Black” by The Rolling Stones is a famous Rock song heavily influenced by the Indian classical form of music called Raga rock. The song is written in E minor and it has a very distinctively descending minor key tonality. The chords progression in the verse sequence doesn’t follow the conventional rules of western tonal harmony as it navigates through various key centers, showcasing the bands exploration of exotic and unconventional songwriting.

The chord progression can be divided into three main sections (please see the details below). The first section is based around the I chord (C), the second section introduces the IV chord (F), then it returns to the I chord. The third section introduces a borrowed chord (bVII – Bb from C Mixolydian), a V chord (G), then returns to the I chord with a brief excursion back to the V chord. There is repetition in this section with the return to the I chord.

“Stairway to Heaven” is a progressive rock song by Led Zeppelin, released in 1971. The song showcases a movement between different styles and musical settings, as it starts with a gentle, fingerpicked acoustic section and gradually evolves into a powerful and climactic electric guitar solo, finishing with a full-band finale. The song is characterized by its ascending progression and intricate chord changes, which contribute to its unique and haunting atmosphere. The verse 1 chord progression features a blend of diatonic and chromatic elements, borrowed chords, and inversions, which create a sense of tension and resolution throughout the progression.

“Creep” by Radiohead is a song that features a well-known four-chord progression throughout the verses. This progression is G – B – C – Cm, which is often considered one of the factors that contribute to the song’s memorable and emotional quality. The chord progression helps create a melancholic and haunting atmosphere in the song. This song is notably influenced by alternative rock and grunge styles from the early 90s.

“Come Together” by The Beatles, like many other Beatles songs, is known for its unique melody and innovative chord progressions. The song is written in the key of D minor and employs frequent use of bluesy pentatonic scale patterns. The meter is 4/4 (common time). The song is characterized by the use of common chords, with the exception of the Bm and Bm/A chords which are noteworthy.

The Rolling Stones – Paint It Black – Verse 1

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Chord Progression

[‘Em’, ‘B’, ‘Em’, ‘B’, ‘Em’, ‘D’, ‘G’, ‘D’, ‘Em’, ‘Em’, ‘D’, ‘G’, ‘D’, ‘A’, ‘B’]

Chord Progression Analysis

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Here is the analysis of the chord progression of the verse:

`E minor (i) – B major (‘V) – E minor (i) – B major (‘V) – E minor (i) – D major (‘VII) – G major (III) – D major (‘VII) – E minor (i) – E minor (i) – D major (‘VII) – G major (III) – D major (‘VII) – A major (‘IV) – B major (‘V)`

In this progression, the `D major (‘VII)` and `G major (III)` are borrowed chords from the parallel major key (E major).

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Similar Chord Progressions

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1. *Nirvana* – “Come As You Are”:
`E minor (i) – D major (‘VII) – A major (‘IV)`

2. *The Doors* – “People Are Strange”:
`E minor (i) – B major (‘V) – D major (‘VII) – G major (III)`

3. *Creedence Clearwater Revival* – “Bad Moon Rising”:
`D major (‘VII) – A major (‘IV) – B major (‘V) – D major (‘VII)`

In the aforementioned songs, the chord progression doesn’t match exactly with “Paint It, Black”, nonetheless some elements are similar, particularly the usage of the borrowed chords and minor tonality. The Doors’ “People Are Strange” could be noted to have a related somber mood as well.

Musical Analysis

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“Paint It, Black” starts with an Em-B alternation that sets a haunting and ominous mood. The D major, a borrowed chord, provides a major lift that contrasts with the overall minor feel of the song. The G major, also a borrowed chord, adds a more cheerful color to the progression before returning to the D major and Em, establishing tension that facilitates the return to the original Em-B alternation.

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Overall Analysis

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“Paint It, Black” by The Rolling Stones is arranged in a minor key, specifically E minor. The verse chord progression of the song exhibits a fairly common pattern in 60’s rock and pop music, incorporating the use of both diatonic chords and borrowed chords from the parallel major key.

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Style Analysis

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In terms of style, “Paint It, Black” is influenced heavily by the sitar used, which was borrowed from Indian classical music—a contemporary trend in British rock music of the mid-1960s known as raga rock. The lead melody and the vocal line utilizes the Phrygian note scale, which adds to its haunting quality and adds expanse to the music.

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Chords in the Verse 1 section of Paint It Black by The Rolling Stones are:

[‘Em’, ‘B’, ‘Em’, ‘B’, ‘Em’, ‘D’, ‘G’, ‘D’, ‘Em’, ‘Em’, ‘D’, ‘G’, ‘D’, ‘A’, ‘B’]