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Related Music Theory Alchemy

“Paint It Black” by The Rolling Stones is a famous Rock song heavily influenced by the Indian classical form of music called Raga rock. The song is written in E minor and it has a very distinctively descending minor key tonality. The chords progression in the verse sequence doesn’t follow the conventional rules of western tonal harmony as it navigates through various key centers, showcasing the bands exploration of exotic and unconventional songwriting.

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“You Can’t Always Get What You Want” by The Rolling Stones is built around major tonality and uses direct and simple progressions. It also features what are known as additive chords (Gadd9) – chords to which notes are added beyond the common triad. The song commences in the key of G Major, indicated by the G, Gadd9, and C chords. These chords progress in an almost continual cyclical pattern across the verses. Here, the dominant chord (D) in the key of G Major is absent, which grants a tonal ambiguity to the song. Interestingly, the song takes a departure into a different key later on which will not be included in this analysis as it pertains to the Verse only.

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The given chord progression is from the verse of Beck’s song “Morning.” The progression is in the key of E Major and follows a cyclical pattern throughout the verse.

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The chord progression in the verse of Radiohead’s “Nude” sets a contemplative and emotive atmosphere. It features a mix of diatonic and borrowed chords, which creates unexpected harmonic shifts that evoke feelings of melancholy. This distinctive harmonic language can be associated with the band’s signature moody sound and has been influential in the indie and alternative rock genres.

“Wish You Were Here” by Pink Floyd is an iconic rock ballad from their 1975 album of the same name. The song’s verse chord progression evokes a sense of nostalgia and longing, featuring a combination of major and minor chords, as well as borrowed chords and inversions that create a unique and emotional soundscape.

The Rolling Stones – Paint It Black – Verse 1

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Chord Progression

[‘Em’, ‘B’, ‘Em’, ‘B’, ‘Em’, ‘D’, ‘G’, ‘D’, ‘Em’, ‘Em’, ‘D’, ‘G’, ‘D’, ‘A’, ‘B’]

Chord Progression Analysis

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Here is the analysis of the chord progression of the verse:

`E minor (i) – B major (‘V) – E minor (i) – B major (‘V) – E minor (i) – D major (‘VII) – G major (III) – D major (‘VII) – E minor (i) – E minor (i) – D major (‘VII) – G major (III) – D major (‘VII) – A major (‘IV) – B major (‘V)`

In this progression, the `D major (‘VII)` and `G major (III)` are borrowed chords from the parallel major key (E major).

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Similar Chord Progressions

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1. *Nirvana* – “Come As You Are”:
`E minor (i) – D major (‘VII) – A major (‘IV)`

2. *The Doors* – “People Are Strange”:
`E minor (i) – B major (‘V) – D major (‘VII) – G major (III)`

3. *Creedence Clearwater Revival* – “Bad Moon Rising”:
`D major (‘VII) – A major (‘IV) – B major (‘V) – D major (‘VII)`

In the aforementioned songs, the chord progression doesn’t match exactly with “Paint It, Black”, nonetheless some elements are similar, particularly the usage of the borrowed chords and minor tonality. The Doors’ “People Are Strange” could be noted to have a related somber mood as well.

Musical Analysis

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“Paint It, Black” starts with an Em-B alternation that sets a haunting and ominous mood. The D major, a borrowed chord, provides a major lift that contrasts with the overall minor feel of the song. The G major, also a borrowed chord, adds a more cheerful color to the progression before returning to the D major and Em, establishing tension that facilitates the return to the original Em-B alternation.

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Overall Analysis

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“Paint It, Black” by The Rolling Stones is arranged in a minor key, specifically E minor. The verse chord progression of the song exhibits a fairly common pattern in 60’s rock and pop music, incorporating the use of both diatonic chords and borrowed chords from the parallel major key.

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Style Analysis

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In terms of style, “Paint It, Black” is influenced heavily by the sitar used, which was borrowed from Indian classical music—a contemporary trend in British rock music of the mid-1960s known as raga rock. The lead melody and the vocal line utilizes the Phrygian note scale, which adds to its haunting quality and adds expanse to the music.

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Chords in the Verse 1 section of Paint It Black by The Rolling Stones are:

[‘Em’, ‘B’, ‘Em’, ‘B’, ‘Em’, ‘D’, ‘G’, ‘D’, ‘Em’, ‘Em’, ‘D’, ‘G’, ‘D’, ‘A’, ‘B’]