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Related Music Theory Alchemy

“Paint It Black” plays with minor tonality, which isn’t extremely common in rock and roll music of the era. The song is in the key of E minor and uses the chords Em, B, D, G, and A. The verse has an interesting use of harmonies, incorporating the minor i, major V, minor iv, major bIII, and major IV chords.

“Beast of Burden,” by The Rolling Stones, a song characterized by a typical rock-pop structure, primarily uses a IV-chord loop in the key of E major. The chord progression in the outro follows a specific sequence: E, to B, to C#m, to A. The return to the E at the end of the progression gives it a circular feel that encourages cohesion.

“Brown Sugar” by The Rolling Stones is based in the key of C major. The verse has a simple and catchy chord progression that primarily revolves around the I and IV chords in the key, with brief excursions to the dominant and a borrowed chord from the parallel minor key. This structure contributes to the song’s bluesy and rock’n’roll sound.

“Heart Is A Drum” by Beck is a simple, yet emotional and effective piece, written in the key of C major. The chord progression of the verse revolves around the tonic (C) and the subdominant (Dm7), resulting in a gentle, down-to-earth feel, characteristic of Beck’s folk and alternative music influences.

“Eleanor Rigby’” is a song by The Beatles, released on their 1966 album “Revolver”. Being unusually somber and profound for a pop song, it showcases The Beatles’ expanding musical palette and their desire to move past the conventional parameters of popular music at the time. The song itself is crafted entirely around the key of E minor, with only occasional diversions to the IV chord (C Major). It strongly exhibits the use of Aeolian mode (commonly known as the ‘natural’ minor) and employs string quartet instrumentation, a unique stylistic pattern at that time.

The Rolling Stones – Paint It Black – Verse 1

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Chord Progression

[‘Em’, ‘B’, ‘Em’, ‘B’, ‘Em’, ‘D’, ‘G’, ‘D’, ‘Em’, ‘Em’, ‘D’, ‘G’, ‘D’, ‘A’, ‘B’]

Chord Progression Analysis

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Here is the analysis of the chord progression of the verse:

`E minor (i) – B major (‘V) – E minor (i) – B major (‘V) – E minor (i) – D major (‘VII) – G major (III) – D major (‘VII) – E minor (i) – E minor (i) – D major (‘VII) – G major (III) – D major (‘VII) – A major (‘IV) – B major (‘V)`

In this progression, the `D major (‘VII)` and `G major (III)` are borrowed chords from the parallel major key (E major).

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Similar Chord Progressions

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1. *Nirvana* – “Come As You Are”:
`E minor (i) – D major (‘VII) – A major (‘IV)`

2. *The Doors* – “People Are Strange”:
`E minor (i) – B major (‘V) – D major (‘VII) – G major (III)`

3. *Creedence Clearwater Revival* – “Bad Moon Rising”:
`D major (‘VII) – A major (‘IV) – B major (‘V) – D major (‘VII)`

In the aforementioned songs, the chord progression doesn’t match exactly with “Paint It, Black”, nonetheless some elements are similar, particularly the usage of the borrowed chords and minor tonality. The Doors’ “People Are Strange” could be noted to have a related somber mood as well.

Musical Analysis

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“Paint It, Black” starts with an Em-B alternation that sets a haunting and ominous mood. The D major, a borrowed chord, provides a major lift that contrasts with the overall minor feel of the song. The G major, also a borrowed chord, adds a more cheerful color to the progression before returning to the D major and Em, establishing tension that facilitates the return to the original Em-B alternation.

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Overall Analysis

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“Paint It, Black” by The Rolling Stones is arranged in a minor key, specifically E minor. The verse chord progression of the song exhibits a fairly common pattern in 60’s rock and pop music, incorporating the use of both diatonic chords and borrowed chords from the parallel major key.

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Style Analysis

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In terms of style, “Paint It, Black” is influenced heavily by the sitar used, which was borrowed from Indian classical music—a contemporary trend in British rock music of the mid-1960s known as raga rock. The lead melody and the vocal line utilizes the Phrygian note scale, which adds to its haunting quality and adds expanse to the music.

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Chords in the Verse 1 section of Paint It Black by The Rolling Stones are:

[‘Em’, ‘B’, ‘Em’, ‘B’, ‘Em’, ‘D’, ‘G’, ‘D’, ‘Em’, ‘Em’, ‘D’, ‘G’, ‘D’, ‘A’, ‘B’]