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“Paint It Black” by The Rolling Stones is a masterful example of the band’s ability to incorporate a variety of musical elements into a rock setting. This song, in particular, unites a classic rock ‘n roll backbone with an exotic influence, likely derived from Eastern music, especially with the use of the sitar.

“Brown Sugar” by The Rolling Stones is based in the key of C major. The verse has a simple and catchy chord progression that primarily revolves around the I and IV chords in the key, with brief excursions to the dominant and a borrowed chord from the parallel minor key. This structure contributes to the song’s bluesy and rock’n’roll sound.

The chord progression of Verse 1 from Radiohead’s “Motion Picture Soundtrack” features a fairly simple harmony with some unique embellishments. The common use of suspended chords and added extensions give the progression its distinctive atmosphere and modern sound.

The song “Get You” by Daniel Caesar features a smooth and soulful chord progression that reflects the style of contemporary R&B and neo-soul. The chords provide a sense of warmth and sincerity that complements the song’s intimate lyrics. The progression is primarily diatonic, but with some borrowed chords, which adds an interesting color to the music.

The Rolling Stones – Paint It Black – Verse 1

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Chord Progression

[‘Em’, ‘B’, ‘Em’, ‘B’, ‘Em’, ‘D’, ‘G’, ‘D’, ‘Em’, ‘Em’, ‘D’, ‘G’, ‘D’, ‘A’, ‘B’]

Chord Progression Analysis

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Here is the analysis of the chord progression of the verse:

`E minor (i) – B major (‘V) – E minor (i) – B major (‘V) – E minor (i) – D major (‘VII) – G major (III) – D major (‘VII) – E minor (i) – E minor (i) – D major (‘VII) – G major (III) – D major (‘VII) – A major (‘IV) – B major (‘V)`

In this progression, the `D major (‘VII)` and `G major (III)` are borrowed chords from the parallel major key (E major).

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Similar Chord Progressions

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1. *Nirvana* – “Come As You Are”:
`E minor (i) – D major (‘VII) – A major (‘IV)`

2. *The Doors* – “People Are Strange”:
`E minor (i) – B major (‘V) – D major (‘VII) – G major (III)`

3. *Creedence Clearwater Revival* – “Bad Moon Rising”:
`D major (‘VII) – A major (‘IV) – B major (‘V) – D major (‘VII)`

In the aforementioned songs, the chord progression doesn’t match exactly with “Paint It, Black”, nonetheless some elements are similar, particularly the usage of the borrowed chords and minor tonality. The Doors’ “People Are Strange” could be noted to have a related somber mood as well.

Musical Analysis

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“Paint It, Black” starts with an Em-B alternation that sets a haunting and ominous mood. The D major, a borrowed chord, provides a major lift that contrasts with the overall minor feel of the song. The G major, also a borrowed chord, adds a more cheerful color to the progression before returning to the D major and Em, establishing tension that facilitates the return to the original Em-B alternation.

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Overall Analysis

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“Paint It, Black” by The Rolling Stones is arranged in a minor key, specifically E minor. The verse chord progression of the song exhibits a fairly common pattern in 60’s rock and pop music, incorporating the use of both diatonic chords and borrowed chords from the parallel major key.

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Style Analysis

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In terms of style, “Paint It, Black” is influenced heavily by the sitar used, which was borrowed from Indian classical music—a contemporary trend in British rock music of the mid-1960s known as raga rock. The lead melody and the vocal line utilizes the Phrygian note scale, which adds to its haunting quality and adds expanse to the music.

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Chords in the Verse 1 section of Paint It Black by The Rolling Stones are:

[‘Em’, ‘B’, ‘Em’, ‘B’, ‘Em’, ‘D’, ‘G’, ‘D’, ‘Em’, ‘Em’, ‘D’, ‘G’, ‘D’, ‘A’, ‘B’]