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“Honky Tonk Women” by the Rolling Stones is a classic rock track steeped in the blues tradition. The song is played in the key of G Major and primarily uses chords G, C, A, and D.

**Chorus

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“Paint It, Black” by The Rolling Stones is arranged in a minor key, specifically E minor. The verse chord progression of the song exhibits a fairly common pattern in 60’s rock and pop music, incorporating the use of both diatonic chords and borrowed chords from the parallel major key.

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The chord progression in the verse 2 of Megalomania by Muse is predominantly in the key of E minor, with several chromatic and borrowed chords that give the progression a unique character. This progression consists of 16 chords and features an interesting mix of diatonic chords, secondary dominants, and borrowed chords that contribute to the dramatic and dark atmosphere of the piece.

The song “Closer” by Nine Inch Nails is based primarily around the C minor 7 chord, giving the song its dark and moody atmosphere. The song is in the key of C minor. This chord progression is repetitive and simple, allowing other aspects of the song, such as the lyrics and production, to take center stage.

The given chord progression is from Beck’s song “Sexx Laws” and runs as follows: B, G#, B, G#, B, G#, A, F#. This progression features chords mainly from the B Major key, but includes borrowed chords from the parallel minor key as well. The harmonic movement showcases Beck’s interesting approach to songwriting and shows some influence from the soul and funk genres.

The Rolling Stones – Honky Tonk Women – Verse 2

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Chord Progression

[‘G’, ‘C’, ‘G’, ‘A’, ‘D’, ‘G’, ‘C’, ‘G’, ‘D’, ‘G’]

Chord Progression Analysis

“`
G Major (I)
C Major (IV)
G Major (I)
A Major (V/IV)
D Major (IV)
G Major (I)
C Major (IV)
G Major (I)
D Major (IV)
G Major (I)
“`
Note: The A Major chord in the progression is a borrowed chord from the key of D, the IV of the key of G.

Similar Chord Progressions

1. AC/DC – “You Shook Me All Night Long” uses a similar I-IV progression in the key of G: G (I), C (IV) and D (IV).
2. Lynyrd Skynyrd – “Sweet Home Alabama” uses a similar I-IV progression in the key of D: D (I), C (IV), G (V).
3. Bruce Springsteen – “Born in the USA” also uses a I-IV-V progression (though in the key of B): B (I), E (IV), F# (V).

Musical Analysis

The progression as a whole utilizes a common move in rock and roll and blues music, by alternating between the tonic, the subdominant and the dominant. This creates a sense of drive and tension that keeps the groove going. The A Major, a borrowed chord from the key of D, provides a nice ‘twist’ in the progression, adding a feeling of increased tension and leading neatly into the D Major, which then resolves back to the G Major to complete the cycle.

Overall Analysis

“Honky Tonk Women” is a classic blues-infused rock and roll track, like many songs by The Rolling Stones. The guitar riffs and solo (though not discussed here) clearly show blues influence in their use of the pentatonic scale and common blues licks.

The chord progression used for verse 2 is a typical example of a classic rock chord progression, with a key center around G, utilizing the dominant chords of the key in a I-IV-I-V-IV-I-IV-I progression.

Style Analysis

“Honky Tonk Women” has a bluesy rock vibe which is signature of many of The Rolling Stones’ songs. The chord progression is influenced by the standard blues progression, but with a rock twist. The track makes extensive use of power chords and is driven by a strong groove from the rhythm section (drums and bass) and the use of the dominant chords in the progression adds to the bluesy feel of the song.

Chords in the Verse 2 section of Honky Tonk Women by The Rolling Stones are:

[‘G’, ‘C’, ‘G’, ‘A’, ‘D’, ‘G’, ‘C’, ‘G’, ‘D’, ‘G’]