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Related Music Theory Alchemy

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“Honky Tonk Women” by the Rolling Stones is a classic rock track steeped in the blues tradition. The song is played in the key of G Major and primarily uses chords G, C, A, and D.

**Chorus

“Brown Sugar” by The Rolling Stones, off their 1971 album Sticky Fingers, is in the key of C major, and primarily uses the chords C, F, G and Bb. This song showcases the band’s blues rock influences, built on a repetitive, riff-driven chord progression. The use of I, IV, V, and a borrowed bVII (Bb), which is common in the blues, creates an appealing and familiar sound, helping the song resonate with listeners.

“Dont Stop Me Now” by Queen has a key of F major. The song takes you on a journey of a unique blend of chords and progression. Freddie Mercury and the entire band are known for their diverse songwriting abilities, apparent in ‘Don’t Stop Me Now’. The chord progression in Verse 2 hints a story-telling stalwart of pop music production – the major-to-relative-minor movement (I to vi), with some interesting additions of minor seven, major seven and diminished seventh chords, giving it a more sophisticated feel.

“Eight Days A Week” by The Beatles, released in 1965, is renowned for its catchy melodic phrases, tight harmonies, and distinctive use of chords. The song is firmly rooted in the key of D major, but there is an interesting use of borrowed chords.

Verse 2

The verse 2 chord progression in “Can’t Take My Eyes Off You” by Muse follows a typical jazz/pop style with the use of extended and altered chords such as Major 7th and minor 7th ♭5 chords. It also features a variation in line with the different sections of the piece.

The Rolling Stones – Honky Tonk Women – Verse 2

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Chord Progression

[‘G’, ‘C’, ‘G’, ‘A’, ‘D’, ‘G’, ‘C’, ‘G’, ‘D’, ‘G’]

Chord Progression Analysis

“`
G Major (I)
C Major (IV)
G Major (I)
A Major (V/IV)
D Major (IV)
G Major (I)
C Major (IV)
G Major (I)
D Major (IV)
G Major (I)
“`
Note: The A Major chord in the progression is a borrowed chord from the key of D, the IV of the key of G.

Similar Chord Progressions

1. AC/DC – “You Shook Me All Night Long” uses a similar I-IV progression in the key of G: G (I), C (IV) and D (IV).
2. Lynyrd Skynyrd – “Sweet Home Alabama” uses a similar I-IV progression in the key of D: D (I), C (IV), G (V).
3. Bruce Springsteen – “Born in the USA” also uses a I-IV-V progression (though in the key of B): B (I), E (IV), F# (V).

Musical Analysis

The progression as a whole utilizes a common move in rock and roll and blues music, by alternating between the tonic, the subdominant and the dominant. This creates a sense of drive and tension that keeps the groove going. The A Major, a borrowed chord from the key of D, provides a nice ‘twist’ in the progression, adding a feeling of increased tension and leading neatly into the D Major, which then resolves back to the G Major to complete the cycle.

Overall Analysis

“Honky Tonk Women” is a classic blues-infused rock and roll track, like many songs by The Rolling Stones. The guitar riffs and solo (though not discussed here) clearly show blues influence in their use of the pentatonic scale and common blues licks.

The chord progression used for verse 2 is a typical example of a classic rock chord progression, with a key center around G, utilizing the dominant chords of the key in a I-IV-I-V-IV-I-IV-I progression.

Style Analysis

“Honky Tonk Women” has a bluesy rock vibe which is signature of many of The Rolling Stones’ songs. The chord progression is influenced by the standard blues progression, but with a rock twist. The track makes extensive use of power chords and is driven by a strong groove from the rhythm section (drums and bass) and the use of the dominant chords in the progression adds to the bluesy feel of the song.

Chords in the Verse 2 section of Honky Tonk Women by The Rolling Stones are:

[‘G’, ‘C’, ‘G’, ‘A’, ‘D’, ‘G’, ‘C’, ‘G’, ‘D’, ‘G’]