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Related Music Theory Alchemy

“Honky Tonk Women” by The Rolling Stones is a classic rock song heavily influenced by country and blues. The song is characterized by both major and minor chords, primarily G, C, A, and D. The song is in the key of G major from the verse 1 progression you provided, and it has elements of both I-IV-V and I-V-vi-IV.

Verse 1

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“Paint It, Black” by The Rolling Stones is arranged in a minor key, specifically E minor. The verse chord progression of the song exhibits a fairly common pattern in 60’s rock and pop music, incorporating the use of both diatonic chords and borrowed chords from the parallel major key.

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“Little Sister” by Queens of the Stone Age is based in the rock genre, featuring a simple melody with strong rhythmic components, built on a mix of power, suspended and major chords. The use of the C#5 and G#5/D# chords in the verses and the F#sus4-E-G#sus4 repetition in the chorus indicate an overall key signature of F# minor.

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The chorus of Muse’s “Hysteria” displays a mix of chords from the key of C Major and borrowed chords from the parallel minor key (C minor). The chord progression uses a combination of functional harmony mixed with chromatic elements, embodying characteristics of both rock and classical genres.

“Can You Feel The Love Tonight” is a pop ballad written in the key of G major. The progression makes traditional use of the G major chord scale with a notable exception of a borrowed chord A/C#.

The Rolling Stones – Honky Tonk Women – Chorus

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Chord Progression

[‘G’, ‘D’, ‘G’, ‘G’, ‘D’, ‘G’, ‘G’, ‘D’, ‘G’, ‘G’, ‘D’, ‘G’]

Chord Progression Analysis

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The chord progression of the chorus is simple, alternating between the tonic (G) and the dominant (D). Here is the full listing of the chord names and their corresponding roman numerals:

– G Major (‘I’)
– D Major (‘V’)
– G Major (‘I’)
– G Major (‘I’)
– D Major (‘V’)
– G Major (‘I’)
– G Major (‘I’)
– D Major (‘V’)
– G Major (‘I’)
– G Major (‘I’)
– D Major (‘V’)
– G Major (‘I’)

There’s no borrowed chord from a parallel key, so no specific chord in this progression counted as a borrowed chord.

“`code block
None borrowed chord
“`

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Similar Chord Progressions

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Bob Dylan’s “Blowin’ in the Wind” and Beatles’ “Let it Be” represent similar usage of I-V chord movement.

Bob Dylan’s “Blowin’ in the Wind” in the key of D Major often alternates between D (‘I’) and A (‘V’).

The Beatles’ “Let it Be” uses the I-V movement in its verse, alternating between C (‘I’) and G (‘V’) if we consider it in the key of C Major.

Musical Analysis

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“Honky Tonk Women” features a catchy, simple chord progression, which lends itself well to the bluesy, rock ‘n’ roll style of the Rolling Stones. The regular alternation between the tonic (‘I’) and the dominant (‘V’) creates a relaxed and consistent musical landscape, upon which the melody, lyrics and instrumental lines play out. This alternating I-V pattern hearkens back to basic 12-bar blues progressions, a key component of many rock and roll songs.

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Overall Analysis

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“Honky Tonk Women” by the Rolling Stones is a classic rock track steeped in the blues tradition. The song is played in the key of G Major and primarily uses chords G, C, A, and D.

**Chorus

Style Analysis

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The Rolling Stones style can be linked to the blues and earlier rock ‘n’ roll. With a straightforward, cyclic chord progression, “Honky Tonk Women” provides a sturdy structure for the catchy, narrative lyrics and Mick Jagger’s characteristic vocal performance. The song represents the band’s ability to update the blues for the rock era, combining the raw energy of rock with the emotional intensity of the blues.

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Chords in the Chorus section of Honky Tonk Women by The Rolling Stones are:

[‘G’, ‘D’, ‘G’, ‘G’, ‘D’, ‘G’, ‘G’, ‘D’, ‘G’, ‘G’, ‘D’, ‘G’]