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“Brown Sugar” by The Rolling Stones is based in the key of C major. The verse has a simple and catchy chord progression that primarily revolves around the I and IV chords in the key, with brief excursions to the dominant and a borrowed chord from the parallel minor key. This structure contributes to the song’s bluesy and rock’n’roll sound.

“Paint It Black” by The Rolling Stones is a famous Rock song heavily influenced by the Indian classical form of music called Raga rock. The song is written in E minor and it has a very distinctively descending minor key tonality. The chords progression in the verse sequence doesn’t follow the conventional rules of western tonal harmony as it navigates through various key centers, showcasing the bands exploration of exotic and unconventional songwriting.

The chord progression of the given segment from Muse’s “Apocalypse Please” reflects the band’s signature blend of rock, electronic, and classical music. The progression is in the key of F# minor and features some chromaticism and modal mixture, which is quite common in their style of music. The harmonic rhythm is mostly consistent, and the chords utilized provide a strong sense of direction and resolution throughout the verse.

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“Sour Times” by Portishead is a song with a complex and intriguing chord progression. It blends minor key tonality with modulations and chromaticism to give it a mysterious and brooding atmosphere. The song is primarily in the key of C# minor and features some borrowed chords and inversions that color the overall progression.

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“Let It Be” by The Beatles is a song in the key of C Major. The chord progression featured in Verse 3 of the song, C – G – Am – Am/G – Fmaj7 – F6 – C – G – F – C/E – Dm7 – C, is a common progression in pop music. It has a repetitive structure and revolves around the I-V-vi-VI progression.

The Rolling Stones – Brown Sugar – Verse 3

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Chord Progression

[‘C’, ‘C’, ‘C’, ‘C’, ‘C’, ‘C’, ‘C’, ‘F’, ‘F’, ‘F’, ‘F’, ‘F’, ‘F’, ‘F’, ‘C’, ‘C’, ‘C’, ‘C’, ‘C’, ‘C’, ‘C’, ‘Bb’, ‘C’, ‘Bb’, ‘G’, ‘G’, ‘C’, ‘C’, ‘C’, ‘C’, ‘C’, ‘G’, ‘C’, ‘C’, ‘C’, ‘C’, ‘C’]

Chord Progression Analysis

“`
C Major (I)
C Major (I)
C Major (I)
C Major (I)
C Major (I)
C Major (I)
C Major (I)
F Major (IV)
F Major (IV)
F Major (IV)
F Major (IV)
F Major (IV)
F Major (IV)
F Major (IV)
C Major (I)
C Major (I)
C Major (I)
C Major (I)
C Major (I)
C Major (I)
C Major (I)
Bb Major (bVII)
C Major (I)
Bb Major (bVII)
G Major (V)
G Major (V)
C Major (I)
C Major (I)
C Major (I)
C Major (I)
C Major (I)
G Major (V)
C Major (I)
C Major (I)
C Major (I)
C Major (I)
C Major (I)
“`

Similar Chord Progressions

The I-IV-bVII-V progression can be found in numerous songs across various genres, particularly in rock and pop music. Here are a few:

“Sweet Child O’ Mine” by Guns N’ Roses
“`
Db Major (I)
Ab Major (V)
Bb minor (vi)
Gb Major (IV)
Db Major (I)
Ab Major (V)
B Major (bVII)
“`

“Free Fallin’” by Tom Petty
“`
D Major (I)
D Major (I)
A Major (V)
G Major (IV)
B minor (IV)
A Major (V)
G Major (IV)
B Major (bVII)
“`

Note: Bear in mind that different songs might have variations in their chord progressions.

Musical Analysis

The aforementioned structure introduces tension and release within the song and provides a clear directional movement. The usage of the borrowed bVII chord (Bb) adds variety and deviates from the straightforward major key progression, transiently hinting at a Mixolydian mode. The solidly anchored harmonic rhythm also provides continuity and predictability.

Overall Analysis

The chord progression can be divided into three main sections (please see the details below). The first section is based around the I chord (C), the second section introduces the IV chord (F), then it returns to the I chord. The third section introduces a borrowed chord (bVII – Bb from C Mixolydian), a V chord (G), then returns to the I chord with a brief excursion back to the V chord. There is repetition in this section with the return to the I chord.

Style Analysis

Like many Rolling Stones songs, “Brown Sugar” is grounded in blues and rock. The borrowed bVII chord is a common trope in rock music that often comes from the Mixolydian mode, which is just a major scale with a flat 7th degree. The Rolling Stones are particularly known for their mixture of rock and blues stylings, and this chord progression reflects that well.

Chords in the Verse 3 section of Brown Sugar by The Rolling Stones are:

[‘C’, ‘C’, ‘C’, ‘C’, ‘C’, ‘C’, ‘C’, ‘F’, ‘F’, ‘F’, ‘F’, ‘F’, ‘F’, ‘F’, ‘C’, ‘C’, ‘C’, ‘C’, ‘C’, ‘C’, ‘C’, ‘Bb’, ‘C’, ‘Bb’, ‘G’, ‘G’, ‘C’, ‘C’, ‘C’, ‘C’, ‘C’, ‘G’, ‘C’, ‘C’, ‘C’, ‘C’, ‘C’]