Music Theory Alchemy

Search

Related Music Theory Alchemy

“Beast of Burden,” by The Rolling Stones, a song characterized by a typical rock-pop structure, primarily uses a IV-chord loop in the key of E major. The chord progression in the outro follows a specific sequence: E, to B, to C#m, to A. The return to the E at the end of the progression gives it a circular feel that encourages cohesion.

“Paint It Black” plays with minor tonality, which isn’t extremely common in rock and roll music of the era. The song is in the key of E minor and uses the chords Em, B, D, G, and A. The verse has an interesting use of harmonies, incorporating the minor i, major V, minor iv, major bIII, and major IV chords.

“Cant Buy Me Love” by The Beatles, is a song in the key of C Major, but it has an interesting harmonic structure, especially in the chorus. The song features a number of borrowed and secondary dominant chords to create tension that resolves into the tonic chord. The chorus’s progression can be seen as a series of descending minor thirds, with an unexpected shift to a ii-V-I progression which is quite popular in jazz music.

**

“Little Sister” by Queens of the Stone Age is based in the rock genre, featuring a simple melody with strong rhythmic components, built on a mix of power, suspended and major chords. The use of the C#5 and G#5/D# chords in the verses and the F#sus4-E-G#sus4 repetition in the chorus indicate an overall key signature of F# minor.

**

The Beach Boys’ “Good Vibrations” presents an interesting mix of major and minor chords with excellent use of chord inversions and borrowings. The song is harmonically adventurous, showcasing the band’s pop mastery with Brian Wilson’s unmatched compositional skills. This song is primarily in the key of A Major, with many borrowed chords and modulation that creates its unique feel.

The Rolling Stones – Beast Of Burden – Chorus

Add To Favorites Remove From Favorites

< All Analyses

Chord Progression

[‘A’, ‘E/G#’, ‘A’, ‘E/G#’, ‘B’]

Chord Progression Analysis

The chorus sequence [A, E/G#, A, E/G#, B] comes out as follows:

“`
A Major (‘IV’), E Major/G# (‘I’), A Major (‘IV’), E Major/G# (‘I’), B Major (‘V’)
“`

In context of E major, A Major is the IV, E Major is the I, and B Major is the V. The E/G# denotes an inversion, which means the G# (the 3rd of the E Major chord) is in the bass.

Similar Chord Progressions

1. “Sweet Child O’ Mine” by Guns N’ Roses, with the progression:

“`
D Major (‘IV’), A Major/E (‘I’), D Major (‘IV’), A Major/E (‘I’), E Major (‘V’)
“`

2. “Don’t Stop Believin’” by Journey, notably the chorus, with the progression:

“`
A Major (‘IV’), E Major/G# (‘I’), A Major (‘IV’), E Major/G# (‘I’), B Major (‘V’)
“`
These songs share similar progressions to “Beast of Burden”, employing the IV-I movement and utilizing inverted chords to create melodically interesting baselines.

Musical Analysis

In this progression, The Rolling Stones use an interesting combination of major, minor, and inverted chords to lend an unsettled yet still grounded feel to the song. The E/G# inversions serve as a passing tone, smoothing the transition between the A and B chords.

Overall Analysis

“Beast of Burden” by The Rolling Stones uses a common rock arrangement with a focus on the V, I, and vi chords. The distinguishing factor for this particular progression is its consistent use of inverted chords to create more linear, and stepwise, bass lines.

Style Analysis

The Rolling Stones often favor blues-influenced progressions, but “Beast of Burden” deviates from this slightly by interspersing more pop-esque IV-I movements. Still, the band’s rock ‘n’ roll roots declare themselves in the climactic shift from I to V, providing a punchy resolve.

Chords in the Chorus section of Beast Of Burden by The Rolling Stones are:

[‘A’, ‘E/G#’, ‘A’, ‘E/G#’, ‘B’]