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Related Music Theory Alchemy

The chord progression of “Beast Of Burden” by The Rolling Stones from verse 3 appears to be a standard pop/rock progression with a bit of melodic flavor. It features the chords of E major, B major, C# minor, and A major.

The song is in the key of E Major as that’s the chord the progression starts and ends with, and most of the chords are from the E major scale. There are no borrowed chords, and the progression is repetitive, maintaining a loop throughout most of the song.

Let’s move on to the detailed chord progression analysis, chord names, and their roman numerals.

“Beast of Burden,” by The Rolling Stones, a song characterized by a typical rock-pop structure, primarily uses a IV-chord loop in the key of E major. The chord progression in the outro follows a specific sequence: E, to B, to C#m, to A. The return to the E at the end of the progression gives it a circular feel that encourages cohesion.

“Little Red Corvette” by Prince is in the key of Gb Major. The song is a staple of 80’s pop and a good example of Prince’s signature sound of fusing elements from different genres, such as funk, pop, and rock. It’s a strong blend of complex chord progressions and simple, catchy melodic lines which adds a compelling depth to the music.

“Kiss” is a funk, synthpop song written, produced and performed by Prince. The song’s structure runs around a simple, repeated two-bar eight-note pattern, but what’s odd is the song’s key. Dotting between E and D, it’s hard to pin down definitively, but the song seems to be written in the ambiguous key of E Mixolydian/D major.

“Wild Horses” by The Rolling Stones is a rock ballad with a minor tonality and is composed in the key of G major. The song incorporates the use of modal interchange, more commonly referred to as borrowed chords, from the parallel minor. This common technique in rock music contributes to the melancholic and emotionally resonant feeling of the song.

The Rolling Stones – Beast Of Burden – Chorus

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Chord Progression

[‘A’, ‘E/G#’, ‘A’, ‘E/G#’, ‘B’]

Chord Progression Analysis

The chorus sequence [A, E/G#, A, E/G#, B] comes out as follows:

“`
A Major (‘IV’), E Major/G# (‘I’), A Major (‘IV’), E Major/G# (‘I’), B Major (‘V’)
“`

In context of E major, A Major is the IV, E Major is the I, and B Major is the V. The E/G# denotes an inversion, which means the G# (the 3rd of the E Major chord) is in the bass.

Similar Chord Progressions

1. “Sweet Child O’ Mine” by Guns N’ Roses, with the progression:

“`
D Major (‘IV’), A Major/E (‘I’), D Major (‘IV’), A Major/E (‘I’), E Major (‘V’)
“`

2. “Don’t Stop Believin’” by Journey, notably the chorus, with the progression:

“`
A Major (‘IV’), E Major/G# (‘I’), A Major (‘IV’), E Major/G# (‘I’), B Major (‘V’)
“`
These songs share similar progressions to “Beast of Burden”, employing the IV-I movement and utilizing inverted chords to create melodically interesting baselines.

Musical Analysis

In this progression, The Rolling Stones use an interesting combination of major, minor, and inverted chords to lend an unsettled yet still grounded feel to the song. The E/G# inversions serve as a passing tone, smoothing the transition between the A and B chords.

Overall Analysis

“Beast of Burden” by The Rolling Stones uses a common rock arrangement with a focus on the V, I, and vi chords. The distinguishing factor for this particular progression is its consistent use of inverted chords to create more linear, and stepwise, bass lines.

Style Analysis

The Rolling Stones often favor blues-influenced progressions, but “Beast of Burden” deviates from this slightly by interspersing more pop-esque IV-I movements. Still, the band’s rock ‘n’ roll roots declare themselves in the climactic shift from I to V, providing a punchy resolve.

Chords in the Chorus section of Beast Of Burden by The Rolling Stones are:

[‘A’, ‘E/G#’, ‘A’, ‘E/G#’, ‘B’]