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The Rolling Stones’ “As Tears Go By” is primarily in the key of G major and follows a Verse-Verse-Verse-Outro structure. The harmony is relatively simple, incorporating primarily diatonic chords from the G major scale as well as a few borrowed chords and inversions.

Chord Progression Analysis (Outro):
G Major (I) – A Major (V/vi, borrowed from E minor) – C Major (IV) – D Major (V) – G Major (I)

The chord progression can be divided into three main sections (please see the details below). The first section is based around the I chord (C), the second section introduces the IV chord (F), then it returns to the I chord. The third section introduces a borrowed chord (bVII – Bb from C Mixolydian), a V chord (G), then returns to the I chord with a brief excursion back to the V chord. There is repetition in this section with the return to the I chord.

“Tiny Dancer” by Elton John, written in the key of C Major, is a classic example of elaborate pop song writing. The chord progression features common primary and secondary chords in the key of C Major, along with some borrowed chords to add color. This combination makes for a memorable and melodic song.

The most unique feature of the song is how it slowly changes to the key of C minor in the second half of the verse, making use of two borrowed chords. This is a powerful tool in songwriting, as it can dramatically affect the emotional tone of the song. Lastly, this song demonstrates Elton John’s use of Coloristic harmony, through chromatically altered chords.

The chord progression in Radiohead’s “You And Whose Army” showcases the band’s unique style of blending chord progressions from different key centers, as well as their tendency to use borrowed chords. The progression consists largely of diatonic chords from the key of C# minor, but also features a few borrowed chords from D# minor and the parallel major key, C# Major.

“A Hard Day’s Night” by The Beatles, despite seeming to have a simple structure, is quite unique in its musical composition. The progression varies from standard rock, pop, and folk structure by integrating unique transitions and slightly unconventional chord choices.

Verse

The Rolling Stones – As Tears Go By – Verse

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Chord Progression

G, A, C, D, G, A, C, D, C, D, G, D/F#, Em, C, D

Chord Progression Analysis

G major (I), A major (V/V), C major (IV from C), D major (V), G major (I), A major (V/V), C major (IV from C), D major (V), C major (IV), D major (V), G major (I), D major/F# (V6), E minor (vi), C major (IV), D major (V)

Borrowed Chords:
C Major (IV from C)

Similar Chord Progressions

1. “House of the Rising Sun” by The Animals
Am (i), C (III), D (IV), F (VI), Am (i), C (III), E (V), Am (i)

2. “Stand by Me” by Ben E. King
C major (I), A major (V/ii), F major (IV), G major (V)

3. “Let it Be” by The Beatles
C major (I), G major (V), A minor (vi), F major (IV), C major (I), F major (IV), C major (I), G major (V), F major (IV), C major (I)

These songs feature similar major and minor chord progressions, functional harmony, and the use of borrowed chords or secondary dominants, which similarly serve to add some unpredictability and variety to the progressions.

Musical Analysis

The chord progression starts with a G major chord, followed by an A major chord, which acts as a secondary dominant (V/V), pulling towards the D major chord. The presence of the C major chord, which is borrowed from the parallel key of C major, adds a touch of unpredictability and variety to the progression. The progression continues with a brief resolution to the tonic G major before moving to a D major chord with an F# in the bass, as a different voicing of the V chord. This leads to the E minor (vi) chord, creating a sense of tension, before returning to the C major (IV) and D major (V) chords, and finally resolving back to the G major (I) chord.

Overall Analysis

The song, “As Tears Go By” by The Rolling Stones, is primarily in the key of G major. Its chord progression contains elements of classic pop songwriting, particularly from the 1960s, featuring major and minor chords, functional harmony, and a few borrowed chords. The verse has a repeating chord sequence that eventually concludes with a resolution to the tonic chord.

Style Analysis

The use of functional harmony with major, minor, and borrowed chords in “As Tears Go By” gives it a classic pop songwriting style reminiscent of the 1960s era. The song has a melodic, lyrical quality that is characteristic of popular music from that time. Additionally, the structure of the chord progression, with resolving cadences and emphasis on the tonic, demonstrates a strong sense of tonality that is common in pop music across different time periods.

Chords in the Verse section of As Tears Go By by The Rolling Stones are:

G, A, C, D, G, A, C, D, C, D, G, D/F#, Em, C, D