Search

Related Music Theory Alchemy

“As Tears Go By” by The Rolling Stones is a popular song from the mid-60s that features a mix of major and minor chords along with modulations between closely related keys. The overall harmonic structure shares similarities with other rock and pop songs of that era, including The Beatles and Bob Dylan.

Base Key and

Dead Flowers by The Rolling Stones is a classic track that exhibits some very traditional aspects of popular music and blues-based rock. The song is in D major and follows a fairly standard chord progression, using only three chords (D, A, and G), which make up four-measure phrases that are repeated throughout this part of the song.

This chord progression from the verse of Tame Impala’s “Alter Ego” suggests a key of C major due to the recurring instances of Cmaj7. However, the presence of certain chords like Bm7 and Dm suggests that Kevin Parker is creatively “borrowing” chords from the parallel and associated keys (C minor, D minor) to create colorful departures from the primary tonality. The use of extended chords (7ths) and suspended chords (Bsus4) adds a sense of complexity and sophistication to the harmony. As can be seen, the chord progression mostly oscillates between Cmaj7, Bsus4, Bm7 before moving to Dm and Gm towards the end of the verse.

“Guilty as Sin?” by Taylor Swift uses a chord progression in the verse that reflects a more nuanced and reflective approach, suitable for a song with a contemplative or emotive theme. The interplay between minor and major seventh chords creates a lush, complex sound that elevates the song’s introspective and somewhat moody lyrical content.

“Something I Can Never Have” by Nine Inch Nails features a haunting and melancholic chord progression typical of the alternative rock and industrial rock genres. The tonality of the piece centers around the key of C major, with occasional borrowed chords and chromaticism adding emotional color and tension. The verse and chorus sections both feature a similar pattern of repeating chords as well as a descending bass line connecting the chords, giving the piece cohesion.

The Rolling Stones – As Tears Go By – Verse

Add To Favorites Remove From Favorites

< All Analyses

Chord Progression

G, A, C, D, G, A, C, D, C, D, G, D/F#, Em, C, D

Chord Progression Analysis

G major (I), A major (V/V), C major (IV from C), D major (V), G major (I), A major (V/V), C major (IV from C), D major (V), C major (IV), D major (V), G major (I), D major/F# (V6), E minor (vi), C major (IV), D major (V)

Borrowed Chords:
C Major (IV from C)

Similar Chord Progressions

1. “House of the Rising Sun” by The Animals
Am (i), C (III), D (IV), F (VI), Am (i), C (III), E (V), Am (i)

2. “Stand by Me” by Ben E. King
C major (I), A major (V/ii), F major (IV), G major (V)

3. “Let it Be” by The Beatles
C major (I), G major (V), A minor (vi), F major (IV), C major (I), F major (IV), C major (I), G major (V), F major (IV), C major (I)

These songs feature similar major and minor chord progressions, functional harmony, and the use of borrowed chords or secondary dominants, which similarly serve to add some unpredictability and variety to the progressions.

Musical Analysis

The chord progression starts with a G major chord, followed by an A major chord, which acts as a secondary dominant (V/V), pulling towards the D major chord. The presence of the C major chord, which is borrowed from the parallel key of C major, adds a touch of unpredictability and variety to the progression. The progression continues with a brief resolution to the tonic G major before moving to a D major chord with an F# in the bass, as a different voicing of the V chord. This leads to the E minor (vi) chord, creating a sense of tension, before returning to the C major (IV) and D major (V) chords, and finally resolving back to the G major (I) chord.

Overall Analysis

The song, “As Tears Go By” by The Rolling Stones, is primarily in the key of G major. Its chord progression contains elements of classic pop songwriting, particularly from the 1960s, featuring major and minor chords, functional harmony, and a few borrowed chords. The verse has a repeating chord sequence that eventually concludes with a resolution to the tonic chord.

Style Analysis

The use of functional harmony with major, minor, and borrowed chords in “As Tears Go By” gives it a classic pop songwriting style reminiscent of the 1960s era. The song has a melodic, lyrical quality that is characteristic of popular music from that time. Additionally, the structure of the chord progression, with resolving cadences and emphasis on the tonic, demonstrates a strong sense of tonality that is common in pop music across different time periods.

Chords in the Verse section of As Tears Go By by The Rolling Stones are:

G, A, C, D, G, A, C, D, C, D, G, D/F#, Em, C, D