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The Rolling Stones’ “As Tears Go By” is primarily in the key of G major and follows a Verse-Verse-Verse-Outro structure. The harmony is relatively simple, incorporating primarily diatonic chords from the G major scale as well as a few borrowed chords and inversions.

Chord Progression Analysis (Outro):
G Major (I) – A Major (V/vi, borrowed from E minor) – C Major (IV) – D Major (V) – G Major (I)

“Heartbreaker” by The Rolling Stones is a rock song that exhibits some fundamental rock and blues progressions and chord changes. The chorus of the song is a three-chord progression [E, G, C] that repeats four times.

The given chord progression belongs to the verse 2 of the song “Apocalypse Please” by Muse. This progression reflects the band’s signature style that combines elements of rock, classical, and electronic music. The chords follow a pattern that combines both diatonic and chromatic movement, creating a dramatic and intense feel. A unique feature in this progression is the use of slash chords, which adds further harmonic interest.

“Purple Haze” by Jimi Hendrix is a classic example of psychedelic rock and blues-infused music from the late 1960s. This particular chord progression, found in Verse 2, demonstrates Hendrix’s innovative approach to harmony and showcases his integration of blues and rock influences.

Chord Progression Analysis (Roman Numerals):
E7#9 (I), G (bIII), A (IV), E (I)

Borrowed Chord:
`G (bIII)` – This chord is borrowed from the parallel minor key of E minor.

“Somewhere Only We Know” by Keane is a pop/rock song written in the key of A Major, although the chord progression given seems to be transposed to the key of C Major. It is characterized by its use of repeated motifs and sequenced chord progressions to create a sense of familiarity and typical of the pop genre.

The Rolling Stones – As Tears Go By – Verse 2

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Chord Progression

G, A, C, D, G, A, C, D, C, D, G, D/F#, Em, C, D

Chord Progression Analysis

The base key for the song is G Major, as the majority of the chords belongs to the key of G Major. Here is the full listing for the Verse 2 chord progression with roman numerals:

G Major (I), A Major (V/IV), C Major (IV), D Major (V), G Major (I), A Major (V/IV), C Major (IV), D Major (V), C Major (IV), D Major (V), G Major (I), D Major/F# (V6), E minor (vi), C Major (IV), D Major (V).

Note that the A Major chord functions as a secondary dominant (V/IV), which momentarily modulates to the closely related key of C Major.

Similar Chord Progressions

Several artists have used similar chord progressions in their songs. Here are a few examples:

1. The Beatles – “Let It Be”:
C Major (I), G Major (V), A minor (vi), F Major (IV), C Major (I), G Major (V), F Major (IV), C Major (I)

2. Bob Dylan – “Like A Rolling Stone”:
C Major (I), D Major (V/V), E minor (iii), F Major (IV), G Major (V), C Major (I)

These songs feature similar instances of secondary dominant chords and modulations between closely related keys, providing harmonic interest and movement throughout the songs.

Musical Analysis

The second verse of “As Tears Go By” builds mainly on the I-IV-V progression, which is a common chord progression in rock and pop music. The use of secondary dominant (V/IV) and the modulation between G Major and C Major creates a sense of movement and interest throughout the verse, providing harmonic richness.

Overall Analysis

“As Tears Go By” by The Rolling Stones is a popular song from the mid-60s that features a mix of major and minor chords along with modulations between closely related keys. The overall harmonic structure shares similarities with other rock and pop songs of that era, including The Beatles and Bob Dylan.

Base Key and

Style Analysis

“As Tears Go By” showcases a mix of folk rock and pop ballad styles, characterized by its poignant melody and rich harmonic progressions. The song reflects the influence of pop and rock music from the era, including The Beatles’ early works.

Chords in the Verse 2 section of As Tears Go By by The Rolling Stones are:

G, A, C, D, G, A, C, D, C, D, G, D/F#, Em, C, D