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Related Music Theory Alchemy

“The Long And Winding Road” is in the key of D major. The chords are quite typical of pop music, however, The Beatles use of extensions and suspensions provide a unique complexity to the progression. The song dabbles in modal interchange as it borrows chords from parallel minor, a popular Beatles technique.

Across the Universe by The Beatles is a melancholic, introspective piece set in the key of D major, imbuing an overall sound spectrum that’s somber with a hint of hopeful resolution. The chord progression utilizes both diatonic and borrowed chords, making it both unusual and interesting.

“Castles Made of Sand” by Jimi Hendrix is a psychedelic rock song that features a unique and colorful chord progression, blending major and minor tonalities in a way that creates tension and a sense of longing. The verse consists of a 12-chord progression that builds upon the foundation of the major key of C, even though it starts with the IV chord (F), which contributes to the song’s unusual character. The progression includes borrowed chords from the parallel minor and elements specific to Hendrix’s own style, making it a remarkable piece in terms of its harmonic complexity and eclecticism.

“Heart Is A Drum” by Beck, from the album Morning Phase (2014), features a simple but effective chord progression in the key of C major. This song can be classified as alternative folk rock, and the harmonies used in the chord progression are quite common in this genre, as well as popular music in general. The progression creates a sense of nostalgia and emotional resonance, elevated by Beck’s lyricism and vocal delivery.

“Every Day Is Exactly The Same” by Nine Inch Nails is primarily composed in the key of E minor. The song consists of four sections: Verse 1, Chorus, Verse 2, and Bridge. The chord progressions in the song are relatively simple, with a distinct alternation between E and C chords in the verses, while the chorus and bridge sections feature a broader range of chords such as A, C, and G.

Chord Progression Analysis (Verse 2):
E minor (i), C major (VI), E minor (i), C major (VI), E minor (i), C major (VI), G major (III), F major (♭VII; borrowed chord from E Phrygian), E minor (i)

*G major (III) and F major (♭VII) are both non-diatonic chords in E minor, with the F major chord being borrowed from the E Phrygian mode.

The Beatles – The Long And Winding Road – Verse 2

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Chord Progression

[‘Bm’, ‘Gsus2/A’, ‘D’, ‘D7’, ‘G’, ‘Gmaj7’, ‘G’, ‘F#m’, ‘Bm’, ‘Em’, ‘A’, ‘D’, ‘D7’, ‘G’, ‘F#m’, ‘Bm’, ‘Em’, ‘A’, ‘D’]

Chord Progression Analysis

Verse 2 features the following chord progression:

“`
B minor (ii), Gsus2/A (IV), D major (I), D7 (I7), G major (IV), Gmaj7 (IV), G major (IV), F# minor (iii), B minor (ii), E minor (ii), A major (V), D major (I), D7 (I7), G major (IV), F# minor (iii), B minor (ii), E minor (ii), A major (V), D major (I)
“`

In this progression, the D7 adds a slight tension that is resolved by the following G chord. The use of the major seventh on the G creates a dreamy, smooth sound. The use of the ii, iii, and IV chords adds color and complexity to the sequence, contributing to its mournful tone.

Similar Chord Progressions

The Beatles’ innovative use of complex chord progressions has inspired countless other artists.

For instance, the song “God Only Knows” by The Beach Boys uses a progression with similar complexity and use of inversions:

“`
A major (I), B minor (ii), E (V), F# minor (vi), C# minor (iii), D major (IV), F#7 (VI7), B minor (ii), E major (V), A major (I), D major (IV), G minor (iv), D major(IV), E major (V), A major (I)
“`

Likewise, Billy Joel’s “Just the Way You Are” presents a chord sequence of similar sophistication:

“`
D major (I), Bm7 (vi), Emin7 (ii), Dmaj7 (I), Gmaj7 (IV), D/F# (I), Em7 (ii), Dmaj7 (I), G major (IV), F# minor (vi), Em7 (ii), A7 (V), D major (I), D7 (V7), Gmaj7 (IV), A7 (V7), D major (I)
“`

These examples demonstrate the widespread influence of The Beatles’ innovative chord progressions on popular music and their continued relevance in modern pop songwriting.

Musical Analysis

The musicianship within this track is reflective of the highly developed and mature compositional style of The Beatles’ later years; it includes the use of borrowed chords and added tensions, which were unusual for pop music of the time.

For example, the Gsus2/A chord is an example of a “slash” or polychord, a more sophisticated musical tool often seen in jazz music, which helps contribute to the song’s lush, full sound.

Overall Analysis

“The Long and Winding Road” by The Beatles is written in the key of D major and utilizes various chord progressions that contribute to its melancholic and nostalgic atmosphere.

Style Analysis

The Beatles were known for blending elements of various musical styles, including pop, rock, and more complex elements of classical and jazz harmony. The chord progression of “The Long and Winding Road” displays their knack for creating compelling, emotive music within the pop genre, while also pushing boundaries with more complex musical techniques.

Chords in the Verse 2 section of The Long And Winding Road by The Beatles are:

[‘Bm’, ‘Gsus2/A’, ‘D’, ‘D7’, ‘G’, ‘Gmaj7’, ‘G’, ‘F#m’, ‘Bm’, ‘Em’, ‘A’, ‘D’, ‘D7’, ‘G’, ‘F#m’, ‘Bm’, ‘Em’, ‘A’, ‘D’]