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“The Long and Winding Road” by The Beatles is an iconic pop ballad renowned for its rich harmonic content. It employs both modal interchange and secondary dominants, thus securing its place as an exemplary piece in pop music harmony. Its dominant tonality is D Major, however, it makes use of many borrowed chords.

The chord progression of “Because” by The Beatles demonstrates the band’s profound exploration of harmony. The song starts in the key of C# minor, revolves around this key, and includes various modulations and tonicizations to explore chords beyond the key. It heavily employs secondary dominants and borrowed chords, particularly the diminished 7th chords, which is not uncommon in Beatles’s songs. The chord progression has a dreamy and fluid flow due to these harmonic explorations.

The given chord progression is from Beck’s song “Sexx Laws” and runs as follows: B, G#, B, G#, B, G#, A, F#. This progression features chords mainly from the B Major key, but includes borrowed chords from the parallel minor key as well. The harmonic movement showcases Beck’s interesting approach to songwriting and shows some influence from the soul and funk genres.

“Feels Like We Only Go Backwards” by Tame Impala is a psychedelic pop song notable for its dreamy, lo-fi sound and use of unconventional chord progressions. Musically, the song is written in the key of F major, but creatively uses chromatic mediants, borrowed chords, and modal interchange to establish a unique harmony. The song also uses dynamic contrast to create a dreamlike atmosphere, increasing the song’s overall psychedelic effect.

“Exit Music (For a Film)” by Radiohead features a unique and somewhat complex chord progression, particularly in the second verse. The song can be viewed as being in A minor, with various borrowed chords and non-diatonic chords. The chord progression reflects Radiohead’s experimental and innovative approach to harmony and songwriting.

The Beatles – The Long And Winding Road – Verse 2

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Chord Progression

[‘Bm’, ‘Gsus2/A’, ‘D’, ‘D7’, ‘G’, ‘Gmaj7’, ‘G’, ‘F#m’, ‘Bm’, ‘Em’, ‘A’, ‘D’, ‘D7’, ‘G’, ‘F#m’, ‘Bm’, ‘Em’, ‘A’, ‘D’]

Chord Progression Analysis

Verse 2 features the following chord progression:

“`
B minor (ii), Gsus2/A (IV), D major (I), D7 (I7), G major (IV), Gmaj7 (IV), G major (IV), F# minor (iii), B minor (ii), E minor (ii), A major (V), D major (I), D7 (I7), G major (IV), F# minor (iii), B minor (ii), E minor (ii), A major (V), D major (I)
“`

In this progression, the D7 adds a slight tension that is resolved by the following G chord. The use of the major seventh on the G creates a dreamy, smooth sound. The use of the ii, iii, and IV chords adds color and complexity to the sequence, contributing to its mournful tone.

Similar Chord Progressions

The Beatles’ innovative use of complex chord progressions has inspired countless other artists.

For instance, the song “God Only Knows” by The Beach Boys uses a progression with similar complexity and use of inversions:

“`
A major (I), B minor (ii), E (V), F# minor (vi), C# minor (iii), D major (IV), F#7 (VI7), B minor (ii), E major (V), A major (I), D major (IV), G minor (iv), D major(IV), E major (V), A major (I)
“`

Likewise, Billy Joel’s “Just the Way You Are” presents a chord sequence of similar sophistication:

“`
D major (I), Bm7 (vi), Emin7 (ii), Dmaj7 (I), Gmaj7 (IV), D/F# (I), Em7 (ii), Dmaj7 (I), G major (IV), F# minor (vi), Em7 (ii), A7 (V), D major (I), D7 (V7), Gmaj7 (IV), A7 (V7), D major (I)
“`

These examples demonstrate the widespread influence of The Beatles’ innovative chord progressions on popular music and their continued relevance in modern pop songwriting.

Musical Analysis

The musicianship within this track is reflective of the highly developed and mature compositional style of The Beatles’ later years; it includes the use of borrowed chords and added tensions, which were unusual for pop music of the time.

For example, the Gsus2/A chord is an example of a “slash” or polychord, a more sophisticated musical tool often seen in jazz music, which helps contribute to the song’s lush, full sound.

Overall Analysis

“The Long and Winding Road” by The Beatles is written in the key of D major and utilizes various chord progressions that contribute to its melancholic and nostalgic atmosphere.

Style Analysis

The Beatles were known for blending elements of various musical styles, including pop, rock, and more complex elements of classical and jazz harmony. The chord progression of “The Long and Winding Road” displays their knack for creating compelling, emotive music within the pop genre, while also pushing boundaries with more complex musical techniques.

Chords in the Verse 2 section of The Long And Winding Road by The Beatles are:

[‘Bm’, ‘Gsus2/A’, ‘D’, ‘D7’, ‘G’, ‘Gmaj7’, ‘G’, ‘F#m’, ‘Bm’, ‘Em’, ‘A’, ‘D’, ‘D7’, ‘G’, ‘F#m’, ‘Bm’, ‘Em’, ‘A’, ‘D’]