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Related Music Theory Alchemy

“The Long And Winding Road” is in the key of D major. The chords are quite typical of pop music, however, The Beatles use of extensions and suspensions provide a unique complexity to the progression. The song dabbles in modal interchange as it borrows chords from parallel minor, a popular Beatles technique.

“Eight Days A Week” by The Beatles is in the key of D major. The song features a handful of basic major and minor chords with a sprinkling of interesting harmonic developments such as the E7 transition chord and the use of the B minor chord which provide a rich palette of colors for the progression.

The chord progression in the bridge of Kali Uchis’ “After The Storm” consists of two alternating chords, Amaj7 and Dmaj7, played repeatedly. This progression is simple yet effective, creating a smooth and mellow atmosphere that matches well with the song’s overall neo-soul and R&B vibe. The arrangement is in the key of A Major and has a diatonic structure without any borrowed chords.

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“Here Comes the Sun” written by The Beatles is a seminal work from the Beatles’ output in pop music. The piece is composed in a modified strophic form with a circular pattern augmented with a repetitive and distinct bridge that modulates in key. The use of major chords and open voicings gives the song a sunny and positive feel, hence its title. It’s also notable for its mixed use of diatonic and borrowed chords, contributing to its unique sound.

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“I Am The Walrus” is a composition by The Beatles in which the song varies in key and progressive elements, with fascinating uses of borrowed chords from parallel modes and chromatic bass motion. The melody resides predominantly within a pentatonic framework, frequently rotating around subversions. The Bridge section beautifully showcases Beatles’ experimentation with descending chord progression built around chromatic movement.

The Beatles – The Long And Winding Road – Bridge

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Chord Progression

[‘D’, ‘G6’, ‘F#m’, ‘Em’, ‘A’, ‘D’, ‘G6’, ‘F#m’, ‘Em’, ‘A’]

Chord Progression Analysis

Here is the analysis of the bridge part of the song. The song is in the key of D major.

D (‘I’)
G6 (‘IV6’)
F#m (‘iii’)
Em (‘ii’)
A (‘V’)
D (‘I’)
G6 (‘IV6’)
F#m (‘iii’)
Em (‘ii’)
A (‘V’)

“`The borrowed chord here is the G6 (IV6), as it takes the G major chord from the D major key and adds the 6th note.“`

Similar Chord Progressions

A similar progression can be found in various ballads across different genres, considering the Beatles’ influence on contemporary music. An example of this is Elton John’s “Your Song.” While the song is in a different key (E-flat), a similar progression can be seen in its verses:

Eb (‘I’)
Ab (‘IV’)
Bb (‘V’)
Cm7 (‘vi7’)
Fm7 (‘ii7’)
Bb (‘V’)

In both songs, we can see a similar flow in the use of dominant and pre-dominant chords, leading back to the tonic. This is a standard feature of classical functional harmony, effectively employed in these popular ballads. Another crucial similarity is the intermixing of major and minor chords, which gives a unique flavor to both compositions.

Musical Analysis

The progression of this bridge is simple yet effective, with all chords drawn from the D major diatonic scale except for the G6. It starts on the tonic, D, and navigates the circle of fifths in a counter-clockwise direction until reaching the dominant, A, before returning once again to the tonic. This entire progression is then repeated, creating a satisfying symmetry within the bridge. The use of the major sixth in G6 serves to foreshadow the progression to F#m and give the progression an unexpectedly nostalgic quality, a classic Beatles touch.

Overall Analysis

“The Long And Winding Road” by The Beatles presents us with a classic example of their innovative approach to harmony and composition. Drawing from various sources of influence, the song incorporates elements of traditional pop ballad form with a hint of the Baroque harmonic palette. This song is an excellent study in complex harmony and modulation within a pop music context, a trait that underpins much of The Beatles’ later work.

Style Analysis

The Beatles often used borrowed chords and secondary dominants in their compositions, pushing the boundaries of what was commonly accepted in rock and pop music. The intricacy of this harmonic style created an appealing complexity that engaged listeners, leading to their enduring popularity.

Chords in the Bridge section of The Long And Winding Road by The Beatles are:

[‘D’, ‘G6’, ‘F#m’, ‘Em’, ‘A’, ‘D’, ‘G6’, ‘F#m’, ‘Em’, ‘A’]