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This chorus from The Beatles’ “The Continuing Story Of Bungalow Bill” is an example of clever use of common chord transitions with several shifts in tonality. The chord progression uses the tonic key of C Major and F minor, showing complex modulation derived from modal interchange and secondary dominant techniques.

The outro of ‘Hey Jude’ by The Beatles is a prime example of a repeated chord progression, specifically a repeated loop of D-C-G-D. This progression is repeated throughout the last significant section of the song, often referred to as the “na na na” section, essentially becoming a kind of mantra or chant that brings the song to a sustained and palpable resolution.

“Dazed and Confused” by Led Zeppelin is a rock song that features a mix of blues and psychedelic elements. The chord progression in the verse is quite unconventional and may invoke a feeling of unease, which matches the song’s mysterious and somewhat disorienting theme.

The song, “As Tears Go By” by The Rolling Stones, is primarily in the key of G major. Its chord progression contains elements of classic pop songwriting, particularly from the 1960s, featuring major and minor chords, functional harmony, and a few borrowed chords. The verse has a repeating chord sequence that eventually concludes with a resolution to the tonic chord.

“Weekend Wars” by MGMT features a distinctive and slightly unconventional chord progression. The verse is in D minor and consists of 22 chords, providing a unique and somewhat complex harmonic landscape. The majority of the chords used are diatonic, but there are also borrowed chords and other non-diatonic chords which contribute to the song’s unique character.

Chord Progression:
Dm (i), C (VII), G (IV), C (VII), G (IV), F (III), Dm (i), C (VII), F (III), Am (v), F (III), Dm (i), C (VII), G (IV), C (VII), G (IV), F (III), Dm (i), C (VII), F (III), Am (v), F (III)

Dm – D minor
C – C major
G – G major (borrowed chord)
F – F major
Am – A minor

The Beatles – The Continuing Story Of Bungalow Bill – Verse

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Chord Progression

[‘Am’, ‘C’, ‘F’, ‘G’, ‘Am’, ‘C’, ‘F’, ‘G’, ‘E’, ‘G’, ‘Am’, ‘Fm’]

Chord Progression Analysis

The chord progression for the verse is analyzed as follows:

* A minor (i chord in A minor key)
* C major (III chord in A minor key / borrowed chord from A major)
* F major (VI chord in A minor key / borrowed chord from F major)
* G major (VII chord in A minor key / borrowed chord from G major)

`A minor (‘i’), C major (‘bIII’), F major (‘bVI’), G major (‘bVII’)`.

* E major (V chord in A minor key / borrowed chord from A major)
* G major (VII chord in A minor key / borrowed chord from G major)
* A minor (i chord in A minor key)
* F minor (VI chord in F minor key / borrowed chord from F minor)

`E major (‘V’), G major (‘bVII’), A minor (‘i’), F minor (‘iv’)`.

Similar Chord Progressions

The cyclical nature of the chord progression is reminiscent to other works like Radiohead’s “House of Cards”, which uses a similar sequence adjusted to different keys:

* B minor (i chord in B minor key)
* D major (VI chord in B minor key / borrowed chord from D major)
* G major (III chord in B minor key / borrowed chord from G major)
* A major (IV chord in B minor key)

`B minor (‘i’), D major (‘bVI’), G major (‘bIII’), A major (‘iv’)`.

In its core progression, this Radiohead’s song shares the use of a minor i chord, major IV, & suggestive borrowed chords, albeit in a different key.

Musical Analysis

The song features a cyclical four-chord progression that goes through A minor, C major, F major, and G major chords twice, invoking a sense of movement in the verse. The shift to E major provides a brief moment of tension before resolving back to A minor. The inclusion of F minor introduces a spookier, exotic sound that heightens the drama of the song, which is further intensified by the use of borrowed chords.

Overall Analysis

“The Continuing Story of Bungalow Bill” features a verse in A minor with a brief but significant shift to F minor, due to the use of borrowed chords or modal mixture. Notably, it showcases The Beatles’ sophisticated approach to harmonization, utilizing unconventional chord progressions & modulations that are cyclical.

Style Analysis

As for style notes, the Beatles were known for their innovative and unconventional use of harmony and melody. They frequently used borrowed chords and modal interchange, blending elements of different musical modes within a single song. “The Continuing Story of Bungalow Bill” exemplifies this approach, and the surprising shift to F minor contributes to its unique character.

Chords in the Verse section of The Continuing Story Of Bungalow Bill by The Beatles are:

[‘Am’, ‘C’, ‘F’, ‘G’, ‘Am’, ‘C’, ‘F’, ‘G’, ‘E’, ‘G’, ‘Am’, ‘Fm’]