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This chorus from The Beatles’ “The Continuing Story Of Bungalow Bill” is an example of clever use of common chord transitions with several shifts in tonality. The chord progression uses the tonic key of C Major and F minor, showing complex modulation derived from modal interchange and secondary dominant techniques.

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“Let It Be” is one of The Beatles’ most popular songs and features a primarily major tonality (C Major), giving it its iconic uplifting and inspiring quality. The song’s chord progression is quite standard in terms of pop/rock music, yet it does include some interesting elements like inversions and a 7th chord to add variety and emotional depth.

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“Buddy Holly” by Weezer is a power-pop/alternative rock song from their debut studio album “Weezer” (also known as the Blue Album) released in 1994. The verse chord progression features diatonic chords from the A major key, along with some inversions and techniques borrowed from other musical styles such as blues and rock.

“God Only Knows” by The Beach Boys showcases the artistic depth and compositional craft of Brian Wilson, the band’s primary songwriter. The song utilizes a complex chord progression and key changes that are unconventional for pop music of its time. The chord progression creates a sense of constant mood transitions, similar to arias in Romantic era music.

The progression starts on the suspended II chord of the key, which anticipates resolution either to the tonic (E major) or the supertonic (F# minor). However, it instead moves to the dominant minor (C# minor), suggesting a borrowed chord from the parallel minor (E minor). The D major chord which concludes the progression is a borrowed II from E minor as well.

The Beatles – The Continuing Story Of Bungalow Bill – Verse

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Chord Progression

[‘Am’, ‘C’, ‘F’, ‘G’, ‘Am’, ‘C’, ‘F’, ‘G’, ‘E’, ‘G’, ‘Am’, ‘Fm’]

Chord Progression Analysis

The chord progression for the verse is analyzed as follows:

* A minor (i chord in A minor key)
* C major (III chord in A minor key / borrowed chord from A major)
* F major (VI chord in A minor key / borrowed chord from F major)
* G major (VII chord in A minor key / borrowed chord from G major)

`A minor (‘i’), C major (‘bIII’), F major (‘bVI’), G major (‘bVII’)`.

* E major (V chord in A minor key / borrowed chord from A major)
* G major (VII chord in A minor key / borrowed chord from G major)
* A minor (i chord in A minor key)
* F minor (VI chord in F minor key / borrowed chord from F minor)

`E major (‘V’), G major (‘bVII’), A minor (‘i’), F minor (‘iv’)`.

Similar Chord Progressions

The cyclical nature of the chord progression is reminiscent to other works like Radiohead’s “House of Cards”, which uses a similar sequence adjusted to different keys:

* B minor (i chord in B minor key)
* D major (VI chord in B minor key / borrowed chord from D major)
* G major (III chord in B minor key / borrowed chord from G major)
* A major (IV chord in B minor key)

`B minor (‘i’), D major (‘bVI’), G major (‘bIII’), A major (‘iv’)`.

In its core progression, this Radiohead’s song shares the use of a minor i chord, major IV, & suggestive borrowed chords, albeit in a different key.

Musical Analysis

The song features a cyclical four-chord progression that goes through A minor, C major, F major, and G major chords twice, invoking a sense of movement in the verse. The shift to E major provides a brief moment of tension before resolving back to A minor. The inclusion of F minor introduces a spookier, exotic sound that heightens the drama of the song, which is further intensified by the use of borrowed chords.

Overall Analysis

“The Continuing Story of Bungalow Bill” features a verse in A minor with a brief but significant shift to F minor, due to the use of borrowed chords or modal mixture. Notably, it showcases The Beatles’ sophisticated approach to harmonization, utilizing unconventional chord progressions & modulations that are cyclical.

Style Analysis

As for style notes, the Beatles were known for their innovative and unconventional use of harmony and melody. They frequently used borrowed chords and modal interchange, blending elements of different musical modes within a single song. “The Continuing Story of Bungalow Bill” exemplifies this approach, and the surprising shift to F minor contributes to its unique character.

Chords in the Verse section of The Continuing Story Of Bungalow Bill by The Beatles are:

[‘Am’, ‘C’, ‘F’, ‘G’, ‘Am’, ‘C’, ‘F’, ‘G’, ‘E’, ‘G’, ‘Am’, ‘Fm’]