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Related Music Theory Alchemy

This chorus from The Beatles’ “The Continuing Story Of Bungalow Bill” is an example of clever use of common chord transitions with several shifts in tonality. The chord progression uses the tonic key of C Major and F minor, showing complex modulation derived from modal interchange and secondary dominant techniques.

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This chord progression from the verse of Tame Impala’s “Alter Ego” suggests a key of C major due to the recurring instances of Cmaj7. However, the presence of certain chords like Bm7 and Dm suggests that Kevin Parker is creatively “borrowing” chords from the parallel and associated keys (C minor, D minor) to create colorful departures from the primary tonality. The use of extended chords (7ths) and suspended chords (Bsus4) adds a sense of complexity and sophistication to the harmony. As can be seen, the chord progression mostly oscillates between Cmaj7, Bsus4, Bm7 before moving to Dm and Gm towards the end of the verse.

“All You Need Is Love” is in the key of G major. The song primarily uses the chords within the key signature and has a relatively simple harmonic structure. However, the song does utilize a few distinct chord choices that contribute to its unique sonic character. The song applies modal interchange with an inclusion of A minor from the G Mixolydian mode and the D7 and D6 which evoke a hint of the D Mixolydian mode.

The Beatles – The Continuing Story Of Bungalow Bill – Verse

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Chord Progression

[‘Am’, ‘C’, ‘F’, ‘G’, ‘Am’, ‘C’, ‘F’, ‘G’, ‘E’, ‘G’, ‘Am’, ‘Fm’]

Chord Progression Analysis

The chord progression for the verse is analyzed as follows:

* A minor (i chord in A minor key)
* C major (III chord in A minor key / borrowed chord from A major)
* F major (VI chord in A minor key / borrowed chord from F major)
* G major (VII chord in A minor key / borrowed chord from G major)

`A minor (‘i’), C major (‘bIII’), F major (‘bVI’), G major (‘bVII’)`.

* E major (V chord in A minor key / borrowed chord from A major)
* G major (VII chord in A minor key / borrowed chord from G major)
* A minor (i chord in A minor key)
* F minor (VI chord in F minor key / borrowed chord from F minor)

`E major (‘V’), G major (‘bVII’), A minor (‘i’), F minor (‘iv’)`.

Similar Chord Progressions

The cyclical nature of the chord progression is reminiscent to other works like Radiohead’s “House of Cards”, which uses a similar sequence adjusted to different keys:

* B minor (i chord in B minor key)
* D major (VI chord in B minor key / borrowed chord from D major)
* G major (III chord in B minor key / borrowed chord from G major)
* A major (IV chord in B minor key)

`B minor (‘i’), D major (‘bVI’), G major (‘bIII’), A major (‘iv’)`.

In its core progression, this Radiohead’s song shares the use of a minor i chord, major IV, & suggestive borrowed chords, albeit in a different key.

Musical Analysis

The song features a cyclical four-chord progression that goes through A minor, C major, F major, and G major chords twice, invoking a sense of movement in the verse. The shift to E major provides a brief moment of tension before resolving back to A minor. The inclusion of F minor introduces a spookier, exotic sound that heightens the drama of the song, which is further intensified by the use of borrowed chords.

Overall Analysis

“The Continuing Story of Bungalow Bill” features a verse in A minor with a brief but significant shift to F minor, due to the use of borrowed chords or modal mixture. Notably, it showcases The Beatles’ sophisticated approach to harmonization, utilizing unconventional chord progressions & modulations that are cyclical.

Style Analysis

As for style notes, the Beatles were known for their innovative and unconventional use of harmony and melody. They frequently used borrowed chords and modal interchange, blending elements of different musical modes within a single song. “The Continuing Story of Bungalow Bill” exemplifies this approach, and the surprising shift to F minor contributes to its unique character.

Chords in the Verse section of The Continuing Story Of Bungalow Bill by The Beatles are:

[‘Am’, ‘C’, ‘F’, ‘G’, ‘Am’, ‘C’, ‘F’, ‘G’, ‘E’, ‘G’, ‘Am’, ‘Fm’]