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Related Music Theory Alchemy

The Beatles’ “Strawberry Fields Forever” is composed in the key of A Major, but utilizes a number of chord extensions and non-diatonic chords to create a dreamy, nostalgic soundscape fitting the song’s theme of reminiscing about childhood.

“Something” written by George Harrison from The Beatles majorly follows the key of C major and includes a few borrowed chords. There is a usage of secondary dominants and seventh chords which lend a harmonic complexity to the song. During the course of the song, the chords shift from the major scale to the parallel minor scale.

“Honky Tonk Women” is a classic blues-infused rock and roll track, like many songs by The Rolling Stones. The guitar riffs and solo (though not discussed here) clearly show blues influence in their use of the pentatonic scale and common blues licks.

The chord progression used for verse 2 is a typical example of a classic rock chord progression, with a key center around G, utilizing the dominant chords of the key in a I-IV-I-V-IV-I-IV-I progression.

“Sorry Seems to Be The Hardest Word” is in the key of E minor and shifts to the relative major (G major) at various points, it demonstrates Elton John’s mastery of the line between major and minor keys. It’s a melancholic song with a moderate tempo. The use of both minor and major chords in Elton John’s progression signifies the tension and release in the song’s melody and lyrics.

“Zombie” by The Cranberries is in the key of E minor. Its structure is generally pop and rock, with the power of distorted guitars and a heavy drumbeat complemented by Dolores O’Riordan’s haunting vocals. It utilizes a four-chord progression, which is common in many pop and rock tracks and has been a popular choice amongst songwriters for its simplicity and versatility.

The Beatles – Strawberry Fields Forever – Verse 2

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Chord Progression

[‘E’, ‘Emaj7’, ‘E7’, ‘F#m’, ‘E’, ‘D’, ‘D’, ‘E’, ‘A’, ‘F#m’, ‘D’, ‘E’, ‘D’, ‘A’]

Chord Progression Analysis

Following is your requested structure with chords from Verse 2:

“`
E (I)
Emaj7 (I maj7)
E7 (I7)
F#m (ii)
E (I)
D (bVII)
D (bVII)
E (I)
A (IV)
F#m (ii)
D (bVII)
E (I)
D (bVII)
A (IV)
“`
Here E7 is a dominant function to lead to A. D is a borrowed chord from E mixolydian mode.

Similar Chord Progressions

“Something” by The Beatles also employs a similar pattern using borrowed chords, though in a different key. Its progression amounts to:

“`
C (I)
Cmaj7 (I maj7)
C7 (I7)
F (IV)
D (bVI)
G (V)
G (V)
A (VI)
“`

Musical Analysis

In Verse 2, the progression initially alternates between the E (I) chord with variations, including the altercations to Emaj7 and E7, and the F#m (ii) chord assisting in the mood. Interestingly, the introduction of borrowed chord D (bVII) from the mixolydian mode and subsequent alternation between E and D creates a unique ambiguous tonality. This progression then resolves to A (IV) creating a sense of stability, only to start the cycle anew.

Overall Analysis

“Strawberry Fields Forever” by The Beatles is one of the excellent examples of the unique and complex style popular in the late 1960’s. It is in the key of E and further progresses to F# minor. The progression utilizes modal interchange, chromaticism, and unusual chord progressions to create a dreamlike and psychedelic landscape that perfectly suits the lyrical theme of the song.

Style Analysis

The Beatles had a unique way of fusing both traditional and unconventional harmonic concepts. This piece follows the same. The base key doesn’t remain stable and shifts from major key to its relative minor. Also, this song exhibits a modal interchange, with a switch to Mixolydian mode with the borrowed chord D (bVII) giving a different sonic flavor.

Chords in the Verse 2 section of Strawberry Fields Forever by The Beatles are:

[‘E’, ‘Emaj7’, ‘E7’, ‘F#m’, ‘E’, ‘D’, ‘D’, ‘E’, ‘A’, ‘F#m’, ‘D’, ‘E’, ‘D’, ‘A’]