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Related Music Theory Alchemy

“Rocky Raccoon” by The Beatles is noted for its eclectic blend of folk, country, and popular music styles. The song is written in G major and follows a fairly straightforward progression but with a couple of important twists.

The

“Across The Universe” by The Beatles, written mostly by John Lennon, is known for its rich and complex harmonic structures that added new dimensions to pop music. The song is predominately in the key of D major, with occasional borrowings from the parallel minor (D minor) and the closely-related key of B minor. The verse 1 progression – D, Bm, F#m, Em7, A, A7, D, Bm, F#m, Em7, Gm – creates an affectingly melancholic mood through its mix of major, minor and borrowed chords, producing a unique ambience that evokes a sense of cosmic contemplation, matching with the philosophical lyrics of the song.

The chord progression of “Beast Of Burden” by The Rolling Stones from verse 3 appears to be a standard pop/rock progression with a bit of melodic flavor. It features the chords of E major, B major, C# minor, and A major.

The song is in the key of E Major as that’s the chord the progression starts and ends with, and most of the chords are from the E major scale. There are no borrowed chords, and the progression is repetitive, maintaining a loop throughout most of the song.

Let’s move on to the detailed chord progression analysis, chord names, and their roman numerals.

“Since I’ve Been Loving You” is a blues-influenced rock ballad by Led Zeppelin. Its chord progression showcases the band’s eclectic mix of blues, rock, and jazz influences. The progression is characterized by a mix of diatonic and chromatically altered chords, reflecting a sophisticated understanding of harmony and emotional depth that is typical of Led Zeppelin’s music.

Verse 3 of Radiohead’s Motion Picture Soundtrack features a melancholic and non-functional chord progression that showcases the band’s use of interesting chord voicings as well as the mixture of major and minor modalities. The progression revolves around the G major, and shifts between borrowed chords and non-conventional chord extensions such as the sus2 chord. This approach is typical of alternative rock bands like Radiohead, which often stray away from traditional norms in favor of innovative and evocative harmonies.

The Beatles – Rocky Raccoon – Verse 3

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Chord Progression

[‘Am7’, ‘D7sus4’, ‘D7’, ‘G7’, ‘C’, ‘C/B’, ‘Am7’, ‘D7sus4’, ‘D7’, ‘G7’, ‘C’, ‘C/B’, ‘Am7’, ‘D7sus4’, ‘D7’, ‘G7’, ‘C’, ‘C/B’, ‘Am7’, ‘D7sus4’, ‘D7’, ‘G7’, ‘C’, ‘C/B’]

Chord Progression Analysis

Here are the full chord names and their Roman numerals:

“`
Am7 (‘vi7’)
D7sus4 (‘IV7sus4’ – Borrowed Chord)
D7 (‘IV7’ – Borrowed Chord)
G7 (‘VII7’)
C (‘I’)
C/B (‘I’/VII)
Am7 (‘vi7’)
D7sus4 (‘IV7sus4’ – Borrowed Chord)
D7 (‘IV7’ – Borrowed Chord)
G7 (‘VII7’)
C (‘I’)
C/B (‘I’/VII)
Am7 (‘vi7’)
D7sus4 (‘IV7sus4’ – Borrowed Chord)
D7 (‘IV7’ – Borrowed Chord)
G7 (‘VII7’)
C (‘I’)
C/B (‘I’/VII)
Am7 (‘vi7’)
D7sus4 (‘IV7sus4’ – Borrowed Chord)
D7 (‘IV7’ – Borrowed Chord)
G7 (‘VII7’)
C (‘I’)
C/B (‘I’/VII)
“`

Similar Chord Progressions

One can observe a somewhat similar chord progression in the Rolling Stones’ “Wild Horses”, employing a sequence of G, Am7, Bm, and G. “Tangled Up in Blue” by Bob Dylan also utilizes a mix of dominant and sustained chords, demonstrating a progression of A, G, D, Dsus4.

Musical Analysis

In this progression, the Beatles alternate between the vi7 and IV7 for tension before concluding on the I chord. The use of the IV7 chord (represented here as both a D7sus4 and a D7) is actually borrowed from the Dorian mode, which promotes a somewhat bluesy, soulful texture amidst the primarily diatonic context.

Overall Analysis

The Beatles’ “Rocky Raccoon” incorporates a repeating sequence of predominantly seventh chords, displaying a mix of minor, dominant, and sustained chords within the and C Major/A minor keys. This diversity contributes to the song’s unique harmony, and given its context in a folk rock style, the progression exudes a rustic, storytelling personality.

Style Analysis

“Rocky Raccoon” embodies the folk rock fusion that the Beatles were known for in their later years, with the progression’s rustic lyricism corresponding beautifully with the song’s narrative. Additionally, the progressive seventh chords and borrowed Dorian notes contribute to a nostalgic, western saloon style evocative of classic American folk music.

Chords in the Verse 3 section of Rocky Raccoon by The Beatles are:

[‘Am7’, ‘D7sus4’, ‘D7’, ‘G7’, ‘C’, ‘C/B’, ‘Am7’, ‘D7sus4’, ‘D7’, ‘G7’, ‘C’, ‘C/B’, ‘Am7’, ‘D7sus4’, ‘D7’, ‘G7’, ‘C’, ‘C/B’, ‘Am7’, ‘D7sus4’, ‘D7’, ‘G7’, ‘C’, ‘C/B’]