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Related Music Theory Alchemy

“Rocky Raccoon” by The Beatles incorporates chords commonly associated with the genre of folk or country music. It is primarily built on a repetitive chord progression which consists of Am7, D7sus4, D7, G7, C, and C/B. There’s also a use of plenty of sevenths and suspensions to create a slightly jazzy feel. It’s also worth noting The Beatles’ penchant for chords that provide a mix of major and minor tonalities.

“Come Together”, released by The Beatles in 1969 on their Abbey Road album, is a rock song known for its catchy bass-line, cryptic lyrics and iconic chorus. It’s written in D minor key, a common key in rock music. Across the progression, there is not only an interesting mix of different chords but also a novel use of borrowed chords that play a significant role in making the song mysterious, intriguing, and unique.

The chord progression of “Beast Of Burden” by The Rolling Stones from verse 3 appears to be a standard pop/rock progression with a bit of melodic flavor. It features the chords of E major, B major, C# minor, and A major.

The song is in the key of E Major as that’s the chord the progression starts and ends with, and most of the chords are from the E major scale. There are no borrowed chords, and the progression is repetitive, maintaining a loop throughout most of the song.

Let’s move on to the detailed chord progression analysis, chord names, and their roman numerals.

The song “With A Little Help From My Friends” by The Beatles is written in the key of E major. The third verse is mostly consistent with the key, with the only chords used are E, F#m, and B.

“Yesterday” is predominantly composed in the key of F Major. The song is a classic in pop songwriting and showcases the effective use of borrowed chords to capture a unique, nostalgic sound that has made it one of the most covered songs in pop music. Specifically, in this verse, the use of secondary dominants and borrowed chords from the parallel minor key provides the song’s distinctive tonal color.

The Beatles – Rocky Raccoon – Verse 3

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Chord Progression

[‘Am7’, ‘D7sus4’, ‘D7’, ‘G7’, ‘C’, ‘C/B’, ‘Am7’, ‘D7sus4’, ‘D7’, ‘G7’, ‘C’, ‘C/B’, ‘Am7’, ‘D7sus4’, ‘D7’, ‘G7’, ‘C’, ‘C/B’, ‘Am7’, ‘D7sus4’, ‘D7’, ‘G7’, ‘C’, ‘C/B’]

Chord Progression Analysis

Here are the full chord names and their Roman numerals:

“`
Am7 (‘vi7’)
D7sus4 (‘IV7sus4’ – Borrowed Chord)
D7 (‘IV7’ – Borrowed Chord)
G7 (‘VII7’)
C (‘I’)
C/B (‘I’/VII)
Am7 (‘vi7’)
D7sus4 (‘IV7sus4’ – Borrowed Chord)
D7 (‘IV7’ – Borrowed Chord)
G7 (‘VII7’)
C (‘I’)
C/B (‘I’/VII)
Am7 (‘vi7’)
D7sus4 (‘IV7sus4’ – Borrowed Chord)
D7 (‘IV7’ – Borrowed Chord)
G7 (‘VII7’)
C (‘I’)
C/B (‘I’/VII)
Am7 (‘vi7’)
D7sus4 (‘IV7sus4’ – Borrowed Chord)
D7 (‘IV7’ – Borrowed Chord)
G7 (‘VII7’)
C (‘I’)
C/B (‘I’/VII)
“`

Similar Chord Progressions

One can observe a somewhat similar chord progression in the Rolling Stones’ “Wild Horses”, employing a sequence of G, Am7, Bm, and G. “Tangled Up in Blue” by Bob Dylan also utilizes a mix of dominant and sustained chords, demonstrating a progression of A, G, D, Dsus4.

Musical Analysis

In this progression, the Beatles alternate between the vi7 and IV7 for tension before concluding on the I chord. The use of the IV7 chord (represented here as both a D7sus4 and a D7) is actually borrowed from the Dorian mode, which promotes a somewhat bluesy, soulful texture amidst the primarily diatonic context.

Overall Analysis

The Beatles’ “Rocky Raccoon” incorporates a repeating sequence of predominantly seventh chords, displaying a mix of minor, dominant, and sustained chords within the and C Major/A minor keys. This diversity contributes to the song’s unique harmony, and given its context in a folk rock style, the progression exudes a rustic, storytelling personality.

Style Analysis

“Rocky Raccoon” embodies the folk rock fusion that the Beatles were known for in their later years, with the progression’s rustic lyricism corresponding beautifully with the song’s narrative. Additionally, the progressive seventh chords and borrowed Dorian notes contribute to a nostalgic, western saloon style evocative of classic American folk music.

Chords in the Verse 3 section of Rocky Raccoon by The Beatles are:

[‘Am7’, ‘D7sus4’, ‘D7’, ‘G7’, ‘C’, ‘C/B’, ‘Am7’, ‘D7sus4’, ‘D7’, ‘G7’, ‘C’, ‘C/B’, ‘Am7’, ‘D7sus4’, ‘D7’, ‘G7’, ‘C’, ‘C/B’, ‘Am7’, ‘D7sus4’, ‘D7’, ‘G7’, ‘C’, ‘C/B’]