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“Maxwell’s Silver Hammer” by The Beatles is a track that showcases the band’s fondness for creating complex and textured compositions by combining multiple melody lines with innovative chord sequences in a pop rock context. It features numerous musical styles, including pop, rock, and music hall, which reflects the band’s eclectic musical influences. The Coda of the song takes place in the key of D major.

“A Hard Day’s Night” by The Beatles, despite seeming to have a simple structure, is quite unique in its musical composition. The progression varies from standard rock, pop, and folk structure by integrating unique transitions and slightly unconventional chord choices.

Verse

The chorus of “Hate This And I’ll Love You” by Muse features a highly chromatic and non-diatonic chord progression, with a myriad of borrowed chords and some distinctive rock sound. The key within which the progression is based seems to shift between E minor and B minor, with a mixture of Major and minor chords throughout.

The song “I Want to Hold Your Hand” by The Beatles is cheerful and upbeat, with accessible melodies that catch the audience’s attention immediately. The rhythm is contagious and gives a happy atmosphere to the whole song. It is a perfect example of the early influences of rock ‘n’ roll on The Beatles, with a chord progression that is quite common in pop/rock music but showcases The Beatles’ ability to create fresh and unique melodic ideas.

“Time” by Pink Floyd is a progressive rock song from their iconic album, The Dark Side of the Moon (1973). The listed chords form the harmonic basis of the chorus section. The harmony is characterized by diatonic major seventh chords, interspersed with a few borrowed chords. The chorus features a fluctuating major/minor tonality, giving the song an emotional and contemplative feel.

The Beatles – Maxwells Silver Hammer – Chorus

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Chord Progression

[‘D’, ‘E7’, ‘A7’, ‘Em’, ‘A7’]

Chord Progression Analysis

The chorus involves a repeated sequence of ‘D’, ‘E7’, ‘A7’, ‘Em’, ‘A7’. In terms of Roman numeral analysis in the key of D major, the progression goes as follows:

– ‘D Major’ (‘I’)
– ‘E7’ (‘II7’)
– ‘A7’ (‘V7’)
– ‘E Minor’ (‘ii’)
– ‘A7’ (‘V7’)

“` Borrowed Chords: ‘E Minor’ (‘ii’) is a borrowed chord from the parallel minor key (D minor).“`

Similar Chord Progressions

A song with a similar progression is “Just the Way You Are” by Bruno Mars. The chorus uses the progression ‘D’, ‘Em’, ‘Bm’, ‘G’, ‘D’, ‘Em’, ‘A’. In terms of Roman numeral analysis:

– ‘D Major’ (‘I’)
– ‘E minor’ (‘ii’)
– ‘Bm’ (‘iii’)
– ‘G Major’ (‘IV’)
– ‘D Major’ (‘I’)
– ‘E minor’ (‘ii’)
– ‘A Major’ (‘V’)

Here, there is also a movement from the tonic ‘I’ to the minor ‘ii’, similar to the structure in “Maxwell’s Silver Hammer.” Both songs use this device to add a touch of emotion and tension in an otherwise upbeat and major progression.

Musical Analysis

The melody over this progression is catchy and simple, showcasing The Beatles’ knack for unforgettable hooks. The use of the borrowed ‘E minor’ chord adds a touch of unexpected surprise, deviating from the key of D major momentarily to create a hint of tension before resolving beautifully back to ‘A7’, the dominant chord.

Overall Analysis

“Maxwell’s Silver Hammer,” composed by Paul McCartney, is a pop song that sits in the key of D Major throughout. However, it does borrow chords from the parallel minor. This technique, known as modal interchange or borrowed chords, is common in popular music and especially in classical compositions by iconic bands like The Beatles.

Style Analysis

This progression embodies The Beatles’ innovative approach. While it begins in a rather conventional manner, using ‘I’, ‘II7’, and ‘V7’ chords, the sudden switch to the ‘ii’ chord borrowed from the parallel minor gives the chorus an unexpected twist. This Beatles’ use of modal interchange is a prominent part of their style.

Chords in the Chorus section of Maxwells Silver Hammer by The Beatles are:

[‘D’, ‘E7’, ‘A7’, ‘Em’, ‘A7’]