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Related Music Theory Alchemy

“Maxwell’s Silver Hammer” is a song by the English rock band the Beatles from their 1969 album Abbey Road. It was written by Paul McCartney. The song is primarily in the key of D Major and exhibits a mix of major, minor, and dominant seventh chords. This verse progression manifests the distinctive Beatles’ sound which often includes chromaticism and prevalence of secondary dominants that link the chords together, giving a smooth flow and color to the harmonic progression.

The song “Rocky Raccoon” by The Beatles features a intriguing chord progression typically employed in blues and folk music that creates a captivating storytelling-style musical framework. The verse using the provided chords weaves an interesting tale via major and minor fluctuations giving an emotional depth to the lyrics.

Vance Joy’s “Riptide” is a remarkably simple yet highly effective song written in the key of C Major. The song follows a repetitive I-vi-IV chord progression, which is only varied in the bridge where a minor seventh chord introduces tension before leading back to the song’s major tonality.

“Undone – The Sweater Song” by Weezer features a chorus with a simple, yet effective chord progression that combines the use of power chords with major chords. This combination gives the song its distinctive indie rock sound and contributes to its overall catchiness. The chorus is based on a four-chord progression with three different chords, where G5 power chord is followed by two major chords, C and D.

“The song When Doves Cry” by Prince features a very distinctive chord progression in its chorus section. Technically the song is written in a minor key, but the progression tends to flow in a way that feels almost like a major key at times. This is a common characteristic of many Prince songs, signifying the unique and innovative style of the artist.

The Beatles – Maxwells Silver Hammer – Chorus

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Chord Progression

[‘D’, ‘E7’, ‘A7’, ‘Em’, ‘A7’]

Chord Progression Analysis

The chorus involves a repeated sequence of ‘D’, ‘E7’, ‘A7’, ‘Em’, ‘A7’. In terms of Roman numeral analysis in the key of D major, the progression goes as follows:

– ‘D Major’ (‘I’)
– ‘E7’ (‘II7’)
– ‘A7’ (‘V7’)
– ‘E Minor’ (‘ii’)
– ‘A7’ (‘V7’)

“` Borrowed Chords: ‘E Minor’ (‘ii’) is a borrowed chord from the parallel minor key (D minor).“`

Similar Chord Progressions

A song with a similar progression is “Just the Way You Are” by Bruno Mars. The chorus uses the progression ‘D’, ‘Em’, ‘Bm’, ‘G’, ‘D’, ‘Em’, ‘A’. In terms of Roman numeral analysis:

– ‘D Major’ (‘I’)
– ‘E minor’ (‘ii’)
– ‘Bm’ (‘iii’)
– ‘G Major’ (‘IV’)
– ‘D Major’ (‘I’)
– ‘E minor’ (‘ii’)
– ‘A Major’ (‘V’)

Here, there is also a movement from the tonic ‘I’ to the minor ‘ii’, similar to the structure in “Maxwell’s Silver Hammer.” Both songs use this device to add a touch of emotion and tension in an otherwise upbeat and major progression.

Musical Analysis

The melody over this progression is catchy and simple, showcasing The Beatles’ knack for unforgettable hooks. The use of the borrowed ‘E minor’ chord adds a touch of unexpected surprise, deviating from the key of D major momentarily to create a hint of tension before resolving beautifully back to ‘A7’, the dominant chord.

Overall Analysis

“Maxwell’s Silver Hammer,” composed by Paul McCartney, is a pop song that sits in the key of D Major throughout. However, it does borrow chords from the parallel minor. This technique, known as modal interchange or borrowed chords, is common in popular music and especially in classical compositions by iconic bands like The Beatles.

Style Analysis

This progression embodies The Beatles’ innovative approach. While it begins in a rather conventional manner, using ‘I’, ‘II7’, and ‘V7’ chords, the sudden switch to the ‘ii’ chord borrowed from the parallel minor gives the chorus an unexpected twist. This Beatles’ use of modal interchange is a prominent part of their style.

Chords in the Chorus section of Maxwells Silver Hammer by The Beatles are:

[‘D’, ‘E7’, ‘A7’, ‘Em’, ‘A7’]