Music Theory Alchemy

Search

Related Music Theory Alchemy

“I Am The Walrus” is a distinctive composition by the Beatles from their 1967 album “Magical Mystery Tour”. Known for its surreal lyrics and creative chord progression, the song displays the Beatles’ mastery of composition and their innovative use of harmony. The song features elements from psychedelic rock, a genre that the Beatles helped popularize during the mid-1960s.

“Can’t Buy Me Love,” a song by The Beatles, exhibits a style that’s emblematic of their earlier work, with a clear, upbeat tonality and an elegant yet straightforward chord progression. The tune is predominantly centred in the key of C major, but it utilizes both major and dominant 7th chords to create tension and resolution, modulating away from the home key. The particular progression you’ve given, ‘C7’, ‘F7’, ‘C’, isn’t rare and demonstrates the Beatles’ precision and understanding of pop and rock music’s creative possibilities.

“Time to Pretend” by MGMT is a psychedelic pop/rock song that incorporates elements of electronic and indie rock music. The chord progression in the pre-chorus, which we will specifically analyze, shows MGMT’s experimentation with harmonic structure, drawing influences from both traditional classical and popular music techniques.

“Give Me The Night” is a smooth jazz, R&B, and funk-infused composition by George Benson. The pre-chorus is particularly interesting, as it features a brief but captivating chord progression that navigates through a variety of moods before looping back to the main progression or chorus of the song.

The song “Closer” by Nine Inch Nails is written in C minor key, and the overall structure of the song consists of a verse, pre-chorus, and a chorus. The progression is simple yet effective in creating a dark and moody atmosphere, consistent with the industrial rock genre that characterizes Nine Inch Nails’ music.

Pre-Chorus 1 –

The Beatles – I Am The Walrus – Pre-Chorus 1

Add To Favorites Remove From Favorites

< All Analyses

Chord Progression

[‘A’, ‘A/G’, ‘Dadd9/F#’, ‘F’, ‘G’, ‘A’, ‘A/G’, ‘F’, ‘B7’]

Chord Progression Analysis

“`text
Full Chord Name (Roman Numeral)
A (‘I’)
A/G (‘I/VII’)
Dadd9/F# (‘IV/V’)
F (‘bVI’)
G (‘VII’)
A (‘I’)
A/G (‘I/VII’)
F (‘bVI’)
B7 (‘II7’)
“`

Here, ‘F’ is a borrowed chord typically from the parallel minor key (i.e., ‘bVI’).

Similar Chord Progressions

This kind of eclectic chord progression is found not just in The Beatles’ catalog. It is echoed in the works of other artists such as in Brian Wilson’s compositions for the Beach Boys, for example, the song “God Only Knows” employs a similar kind of unconventional tonality and key changes.

Progression in God Only Knows:

“`text
Full Chord Name (Roman Numeral)
A (‘I’)
Bm (‘ii’)
D (‘IV’)
G (‘VII’)
A (‘I’)
F7 (‘bVI7’)
B7 (‘II7’)
“`

Musical Analysis

In the pre-chorus, the chord progression starts on ‘A’ (the tonic), descending via an A/G (a slash chord adding color to the progression), to Dadd9/F# (a typical IV chord), further augmented with a F# bass note. The ‘F’ chord acts as a borrowed chord from the parallel minor, providing a colorful textural shift within the progression. This is followed by a traditional G and a return to the tonic ‘A’, further cascading through A/G and F, and finally resolving to a B7. The B7 acts as a secondary dominant that points towards the ‘E’, which becomes the key for the upcoming part of the song.

Overall Analysis

“I Am The Walrus” is a composition by The Beatles that showcases a variety of chord progressions, rhythmic sensibilities, and melodic explorations that are representative of their signature sound. The song’s structure presents a complex and unorthodox harmonic design that is characteristic of The Beatles’ later experimental phase.

The pre-chorus 1 [‘A’, ‘A/G’, ‘Dadd9/F#’, ‘F’, ‘G’, ‘A’, ‘A/G’, ‘F’, ‘B7’] presents a series of descending bass notes provided by the root movement of these chords- from A to G (in ‘A/G’) to F# (in ‘Dadd9/F#’) and then repeated. This technique significantly enhances the melodic content of this progression. From a stylistic perspective, the song’s chord progression is enriched by the functional interplay of diatonic and non-diatonic elements over a changing tonal landscape.

Style Analysis

As typical with many Beatles compositions, the progression moves beyond the confines of traditional pop music tonality of their era. The use of borrowed chords such as F (bVI), and the slash chord A/G (‘I/VII’), contribute to a sense of harmonic complexity and tension. This progression exhibits their fondness for chromatic movement and innovative chord changes, subtly shifting key centers.

Chords in the Pre-Chorus 1 section of I Am The Walrus by The Beatles are:

[‘A’, ‘A/G’, ‘Dadd9/F#’, ‘F’, ‘G’, ‘A’, ‘A/G’, ‘F’, ‘B7’]