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“Here Comes The Sun” is written by George Harrison from The Beatles and it is a key example of the band’s flirtation with what is commonly referred to as Mixolydian mode. The piece showcases their skillful blending of folk idioms with contemporary pop sensibilities.

“Hey Jude” goes through a clear progression, switching through the keys of D major, A major and G major. Like many Beatles songs, it cleverly varies between these keys in keeping with the melody and mood of the piece. The complexity of this progression is part of the song’s charm and helps exemplifies the band’s creative approach to composition.

The verse of “Megalomania” by Muse is characterized by distinctive harmonic progressions, dynamic contrasts, and notable melodic lines that are typical of the band’s alternative rock style. Throughout this verse, Muse uses common harmonic devices such as secondary dominants, diatonic and chromatic mediants, borrowed chords from parallel keys, and deceptive cadences to create a sense of tension and forward momentum.

The chord progression in the verse of Beck’s “Sexx Laws” is a blend of major and minor chords, which creates a unique and somewhat unpredictable sound. The progression shifts between the key of B major and G# minor, reflecting an adventurous approach to harmony. The style of this progression has a hint of funk and jazz, with a touch of blues.

The chord progression in the verse of Tyler, The Creator’s “Earfquake” is primarily based on a simple alternation between two chords, Bbmaj7 and Am7, with a brief excursion to Gm7 before returning to Am7. The simplicity and repetition of the progression creates a feeling of comfort and stability, while the use of major 7th and minor 7th chords adds a touch of sophistication and smoothness. The progression doesn’t follow a traditional functional harmony, but it effectively supports the melody and the overall vibe of the song.

The Beatles – Here Comes The Sun – Verse 1

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Chord Progression

[‘D’, ‘Dsus2’, ‘D’, ‘G’, ‘A7’, ‘A7sus4’, ‘D’, ‘Dsus4’, ‘D’, ‘G’, ‘A7’, ‘A7sus4’]

Chord Progression Analysis

Here’s the chord breakdown:

– D Major (I)
– Dsus2 (Isus2)
– D Major (I)
– G Major (IV)
– A7 (V7)
– A7sus4 (V7sus4)
– D Major (I)
– Dsus4 (Isus4)
– D Major (I)
– G Major (IV)
– A7 (V7)
– A7sus4 (V7sus4)

The Dsus2 and Dsus4 chords are primarily used as embellishing chords, giving a fresh twist to the music. They add a layer of intrigue and emphasize the change that’s being sung about. The A7sus4 acts as a colorful way to set up tension and resolution in the progression.

Similar Chord Progressions

The progression in “Here Comes The Sun” echoes other pieces by The Beatles and many artists in pop and folk music. An example is “Don’t Look Back in Anger” by Oasis:

Verse: [‘C’, ‘F’, ‘C’, ‘G’, ‘Am’, ‘E7sus4’, ‘Am7’, ‘G’] translates to:

– C Major (I)
– F Major (IV)
– C Major (I)
– G Major (V)
– A minor (vi)
– E7sus4 (iii7sus4)
– A minor7 (vi7)
– G Major (V)

This progression similarly uses major and suspended chords to lend tension, color, and movement to the music. The sus4 chords are characteristic to Oasis’ sound and commonly found in pop, rock and country music. The use of minor chords and sevenths makes the progression less predictable and more emotionally varied compared to Here Comes The Sun.

Musical Analysis

The song employs hooks using Dsus2 and Dsus4 to create a melodic drive in the repeating motif. The IV (G Major) and V7 (A7) chords give a traditional sense of tension and release, providing motion to the music. The use of A7sus4 before transitioning to the core D Major reinforces the movement in the composition.

Overall Analysis

“Here Comes The Sun” by The Beatles uses a D Major scale. The song primarily comprises chords built on the tonic or root note (D), which lends a consistent, grounded feel. This reflects the lyrics’ mood—contentment, renewed optimism, and a sense of homecoming with the arrival of the sun.

Style Analysis

“Here Comes The Sun” exemplifies the Beatles’ imaginative mix of traditional and improvisational style elements. In this case, it uses predominantly major and suspended chords in a fresh, ingenious combination. This compositional approach, using simple harmonies with slight variations (like suspensions), lends an upbeat and reaffirming character to the piece, which goes with the context of the lyrics.

Chords in the Verse 1 section of Here Comes The Sun by The Beatles are:

[‘D’, ‘Dsus2’, ‘D’, ‘G’, ‘A7’, ‘A7sus4’, ‘D’, ‘Dsus4’, ‘D’, ‘G’, ‘A7’, ‘A7sus4’]