Music Theory Alchemy

Search

Related Music Theory Alchemy

“Here Comes The Sun” is written by George Harrison from The Beatles and it is a key example of the band’s flirtation with what is commonly referred to as Mixolydian mode. The piece showcases their skillful blending of folk idioms with contemporary pop sensibilities.

“Come Together”, released by The Beatles in 1969 on their Abbey Road album, is a rock song known for its catchy bass-line, cryptic lyrics and iconic chorus. It’s written in D minor key, a common key in rock music. Across the progression, there is not only an interesting mix of different chords but also a novel use of borrowed chords that play a significant role in making the song mysterious, intriguing, and unique.

The chord progression from the bridge of Weezer’s “Buddy Holly” is in the key of A major. The progression presents a strong sense of tonality and features common rock/pop techniques, such as diatonic chord progressions, inversions, and the use of the minor subdominant.

“When I Was Your Man” is a pop power ballad with a chord progression that tends to lean towards traditional pop and soul structures. It’s set in the key of C Major. However, the song has a few interesting deviations from the standard pop song structure.

“Dont Let Me Down” by The Beatles is a song that’s heavily grounded in the key of E Major, with some interesting use of borrowed chords for a richer, more emotional harmonic texture. The song is a fine example of The Beatles’ songwriting style, which often involves mixing diatonic chords with chromatic passing chords, borrowed chords, and secondary dominants.

The Beatles – Here Comes The Sun – Bridge

Add To Favorites Remove From Favorites

< All Analyses

Chord Progression

[‘F’, ‘C’, ‘G/B’, ‘G’, ‘D’, ‘A7’]

Chord Progression Analysis

**

For the bridge, the chords are: F (IV of C), C (I in C), G/B (V/V in C), G (V in C), D (V of G), A7 (V7 in D).

This progression goes: IV – I – second degree secondary dominant – V – dominant of the dominant or V/V – V7 in the original key.

In the song as a whole, it’s notable that the piece is in the key of D major, and yet the bridge starts in the key of C major. This is done through a pivot chord, the G chord (V in C), which is common to both keys (as V in the home key D major and IV in C major).

“`
Borrowed Chord: G (V of C)
“`
It’s being used as a pivot to facilitate a smooth transition from D major back to C major. This shows a great use of modal interchange, also known as borrowed chords.

**

Similar Chord Progressions

**

As with any successful and famous song, this chord progression influenced and was implemented by numerous artists.

1. “Good Vibrations” by The Beach Boys
The progression in the bridge of “Good Vibrations” goes G – B – D – F – A – C which is a IV – vi – I – iii – V – vii^o progression in G.

2. “Tiny Dancer” by Elton John
In the pre-chorus of “Tiny Dancer,” John uses similar movement with D – G – B – E, which is a I – IV – vi – ii progression in D.

3. “Sweet Child o’ Mine” by Guns N’ Roses
Guns N’ Roses uses a somewhat similar progression with D – C – G as I – ♭VII – IV in D for the intro of “Sweet Child o’ Mine.”

While these are not exactly the same progressions, they illustrate the influence and pervasiveness of the unique modal interchange found in “Here Comes The Sun.”

Musical Analysis

**

The bridge modulates briefly to C from the original key of D major via a pivot on the G chord. The chords give a sense of resolution with IV – I, but build tension again with the usage of secondary dominants, leading back to the original key of D major.

The overall song also frequently uses suspensions, which resolves to create a sense of relief and happiness. The A7sus4 to A7 in the verses is a great example of this, where it creates tension and then resolves.

**

Overall Analysis

**

“Here Comes the Sun” written by The Beatles is a seminal work from the Beatles’ output in pop music. The piece is composed in a modified strophic form with a circular pattern augmented with a repetitive and distinct bridge that modulates in key. The use of major chords and open voicings gives the song a sunny and positive feel, hence its title. It’s also notable for its mixed use of diatonic and borrowed chords, contributing to its unique sound.

**

Style Analysis

**

George Harrison’s distinctive style is notable throughout this song, as seen through the usage of unique chord progressions and suspensions to create shifts in mood and tension within the song. Harrison also had a distinct preference for major keys, contributing to the positive and sunny disposition of the song.

**

Chords in the Bridge section of Here Comes The Sun by The Beatles are:

[‘F’, ‘C’, ‘G/B’, ‘G’, ‘D’, ‘A7’]