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Related Music Theory Alchemy

“Here Comes The Sun” by The Beatles uses a D Major scale. The song primarily comprises chords built on the tonic or root note (D), which lends a consistent, grounded feel. This reflects the lyrics’ mood—contentment, renewed optimism, and a sense of homecoming with the arrival of the sun.

The Beatles’ “With A Little Help From My Friends” is in the key of E major and the coda chord progression special in its context. It is a clear example of a piece from the pop or rock genre exhibiting a distinctive use of chord progressions and modulation without adhering strictly to the classical traditions. Common prevailing characteristics of music by The Beatles are exemplified in this piece through its use of borrowed chords, chromatic mediants, and modal interchange, providing a distinct harmonic color and texture.

The chord progression appears to be in the key of Bb Major, and showcases various diatonic chords along with a few borrowed chords. This progression is characterized by a blend of smooth and rich harmony, primarily due to the use of 7th chords and suspensions. The introduction of the dominant B7 chord adds interest, making the progression more unpredictable and complex.

“Good Vibrations” by The Beach Boys is highly complex and represents an exceptional use of harmonic structuring. The richness of the piece lies in Brian Wilson’s innovative and unpredictable songwriting, who was making significant use of modulation at the time, constantly shifting keys, in this case especially during the transition bridge.

“When I Was Your Man” is a pop power ballad with a chord progression that tends to lean towards traditional pop and soul structures. It’s set in the key of C Major. However, the song has a few interesting deviations from the standard pop song structure.

The Beatles – Here Comes The Sun – Bridge

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Chord Progression

[‘F’, ‘C’, ‘G/B’, ‘G’, ‘D’, ‘A7’]

Chord Progression Analysis

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For the bridge, the chords are: F (IV of C), C (I in C), G/B (V/V in C), G (V in C), D (V of G), A7 (V7 in D).

This progression goes: IV – I – second degree secondary dominant – V – dominant of the dominant or V/V – V7 in the original key.

In the song as a whole, it’s notable that the piece is in the key of D major, and yet the bridge starts in the key of C major. This is done through a pivot chord, the G chord (V in C), which is common to both keys (as V in the home key D major and IV in C major).

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Borrowed Chord: G (V of C)
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It’s being used as a pivot to facilitate a smooth transition from D major back to C major. This shows a great use of modal interchange, also known as borrowed chords.

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Similar Chord Progressions

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As with any successful and famous song, this chord progression influenced and was implemented by numerous artists.

1. “Good Vibrations” by The Beach Boys
The progression in the bridge of “Good Vibrations” goes G – B – D – F – A – C which is a IV – vi – I – iii – V – vii^o progression in G.

2. “Tiny Dancer” by Elton John
In the pre-chorus of “Tiny Dancer,” John uses similar movement with D – G – B – E, which is a I – IV – vi – ii progression in D.

3. “Sweet Child o’ Mine” by Guns N’ Roses
Guns N’ Roses uses a somewhat similar progression with D – C – G as I – ♭VII – IV in D for the intro of “Sweet Child o’ Mine.”

While these are not exactly the same progressions, they illustrate the influence and pervasiveness of the unique modal interchange found in “Here Comes The Sun.”

Musical Analysis

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The bridge modulates briefly to C from the original key of D major via a pivot on the G chord. The chords give a sense of resolution with IV – I, but build tension again with the usage of secondary dominants, leading back to the original key of D major.

The overall song also frequently uses suspensions, which resolves to create a sense of relief and happiness. The A7sus4 to A7 in the verses is a great example of this, where it creates tension and then resolves.

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Overall Analysis

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“Here Comes the Sun” written by The Beatles is a seminal work from the Beatles’ output in pop music. The piece is composed in a modified strophic form with a circular pattern augmented with a repetitive and distinct bridge that modulates in key. The use of major chords and open voicings gives the song a sunny and positive feel, hence its title. It’s also notable for its mixed use of diatonic and borrowed chords, contributing to its unique sound.

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Style Analysis

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George Harrison’s distinctive style is notable throughout this song, as seen through the usage of unique chord progressions and suspensions to create shifts in mood and tension within the song. Harrison also had a distinct preference for major keys, contributing to the positive and sunny disposition of the song.

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Chords in the Bridge section of Here Comes The Sun by The Beatles are:

[‘F’, ‘C’, ‘G/B’, ‘G’, ‘D’, ‘A7’]