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Related Music Theory Alchemy

“Here Comes The Sun” is written by George Harrison from The Beatles and it is a key example of the band’s flirtation with what is commonly referred to as Mixolydian mode. The piece showcases their skillful blending of folk idioms with contemporary pop sensibilities.

“A Hard Day’s Night” by The Beatles, despite seeming to have a simple structure, is quite unique in its musical composition. The progression varies from standard rock, pop, and folk structure by integrating unique transitions and slightly unconventional chord choices.

Verse

With a Little Help from My Friends’ exists in a rich harmonic landscape typical of the Beatles. Here, we can see signature moves like mixing major/minor tonalities, borrowed chords, and unconventional harmonic progressions.

This particular section is mostly based in the key of F major and highlights Freddie Mercury’s love for moving from the classical I-ii-V progression to the jazz-inspired I-IV-ii-V, often followed by a jazzy II-V-I. In this part of the song, you will find some interesting use of borrowed chords and leading tones, contributing to the chromaticism that enriches the progression.

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The Beatles were known for their innovative use of musical elements, and this can be seen in “I Want To Hold Your Hand”. The song is largely in the key of G major, but it also has some borrowed chords from other keys. This variety creates a unique listening experience that keeps the song fresh.

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The Beatles – Here Comes The Sun – Bridge

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Chord Progression

[‘F’, ‘C’, ‘G/B’, ‘G’, ‘D’, ‘A7’]

Chord Progression Analysis

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For the bridge, the chords are: F (IV of C), C (I in C), G/B (V/V in C), G (V in C), D (V of G), A7 (V7 in D).

This progression goes: IV – I – second degree secondary dominant – V – dominant of the dominant or V/V – V7 in the original key.

In the song as a whole, it’s notable that the piece is in the key of D major, and yet the bridge starts in the key of C major. This is done through a pivot chord, the G chord (V in C), which is common to both keys (as V in the home key D major and IV in C major).

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Borrowed Chord: G (V of C)
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It’s being used as a pivot to facilitate a smooth transition from D major back to C major. This shows a great use of modal interchange, also known as borrowed chords.

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Similar Chord Progressions

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As with any successful and famous song, this chord progression influenced and was implemented by numerous artists.

1. “Good Vibrations” by The Beach Boys
The progression in the bridge of “Good Vibrations” goes G – B – D – F – A – C which is a IV – vi – I – iii – V – vii^o progression in G.

2. “Tiny Dancer” by Elton John
In the pre-chorus of “Tiny Dancer,” John uses similar movement with D – G – B – E, which is a I – IV – vi – ii progression in D.

3. “Sweet Child o’ Mine” by Guns N’ Roses
Guns N’ Roses uses a somewhat similar progression with D – C – G as I – ♭VII – IV in D for the intro of “Sweet Child o’ Mine.”

While these are not exactly the same progressions, they illustrate the influence and pervasiveness of the unique modal interchange found in “Here Comes The Sun.”

Musical Analysis

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The bridge modulates briefly to C from the original key of D major via a pivot on the G chord. The chords give a sense of resolution with IV – I, but build tension again with the usage of secondary dominants, leading back to the original key of D major.

The overall song also frequently uses suspensions, which resolves to create a sense of relief and happiness. The A7sus4 to A7 in the verses is a great example of this, where it creates tension and then resolves.

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Overall Analysis

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“Here Comes the Sun” written by The Beatles is a seminal work from the Beatles’ output in pop music. The piece is composed in a modified strophic form with a circular pattern augmented with a repetitive and distinct bridge that modulates in key. The use of major chords and open voicings gives the song a sunny and positive feel, hence its title. It’s also notable for its mixed use of diatonic and borrowed chords, contributing to its unique sound.

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Style Analysis

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George Harrison’s distinctive style is notable throughout this song, as seen through the usage of unique chord progressions and suspensions to create shifts in mood and tension within the song. Harrison also had a distinct preference for major keys, contributing to the positive and sunny disposition of the song.

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Chords in the Bridge section of Here Comes The Sun by The Beatles are:

[‘F’, ‘C’, ‘G/B’, ‘G’, ‘D’, ‘A7’]