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Related Music Theory Alchemy

“Eight Days A Week” by The Beatles, released in 1965, is renowned for its catchy melodic phrases, tight harmonies, and distinctive use of chords. The song is firmly rooted in the key of D major, but there is an interesting use of borrowed chords.

Verse 2

“Maxwell’s Silver Hammer” is a Beatles song composed in the key of D Major. It’s a classic example of Paul McCartney’s knack for catchy pop songwriting. This song showcases McCartney’s affinity for borrowing chords to make his progressions more interesting.

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The given chord progression is from the fourth verse of “Megalomania” by Muse. It reflects a mix of classical and rock influences and showcases Muse’s signature harmonic choices, featuring borrowed chords and non-diatonic elements.

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The chord progression in verse 4 of “Since I’ve Been Loving You” has a striking mix of diatonic chords and chromatic chords that borrow from different modes, creating a unique and expressive progression found in the blues rock style. The progression features a predominantly minor tonality, with some tension points provided by the dominant seventh and major seventh chords.

The provided chord progression is quite simple, with a single chord (F) repeated four times. This type of progression creates a static or stable feel, with no harmonic tension to resolve. This chord progression alone isn’t enough to give a complete musical analysis, as it’s quite minimalistic, and it’s necessary to evaluate the progression in the context of the entire song. However, I can still offer some thoughts on the progression’s possible function, style notes, and similar chord progressions.

The Beatles – Eight Days A Week – Verse 4

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Chord Progression

[‘D’, ‘E7’, ‘G’, ‘D’, ‘D’, ‘E7’, ‘G’, ‘D’]

Chord Progression Analysis

The specific progression for Verse 4 is: D major (I), E dominant 7th (V7/V), G major (IV), D major (I), D major (I), E dominant 7th (V7/V), G major (IV), D major (I)

“`markdown
D Major (‘I’)
E Dominant 7th (‘V7/V’)
G Major (‘IV’)
D Major (‘I’)
D Major (‘I’)
E Dominant 7th (‘V7/V’)
G Major (‘IV’)
D Major (‘I’)
“`

Similar Chord Progressions

– “Every Breath You Take” by The Police:
“`markdown
G Major (‘I’)
E7 (‘V7/VI’)
C Major (‘IV’)
D Major (‘V’)
“`
– “Let It Be” by The Beatles:
“`markdown
C Major (‘I’)
G Dominant 7th (‘V7’)
A Minor (‘vi’)
F Major (‘IV’)
“`
These songs don’t have the exact same progression, but they do manipulate dominant chords in a similar way to create tension and release, just like “Eight Days a Week”. “Every Breath You Take” uses the E7 as a secondary dominant of the vi chord, and “Let It Be” uses the G7 to resolve to the IV chord.

Musical Analysis

Analyzing further, the E dominant 7th chord is a secondary dominant (also known as a borrowed chord) as it is not naturally occurring in the scale of D major. Secondary dominants are used to temporarily tonicize, or focus on, a certain chord in the scale. The E7 acts as the dominant of the A major, which is the next chord in the original version of the song. However, that A major is replaced with the G major, creating a surprising modulation to the IV which creates a tension-release dynamic.

Overall Analysis

The song “Eight Days a Week” by The Beatles is an interesting example of pop music songwriting from the mid 1960’s. It showcases Paul McCartney and John Lennon’s ability to use common chord progressions and tweak them in a unique and recognizable way. It utilizes a simple progression in the verse but what makes it different is their use of 7th and borrowed chords. The key of the song is D major.

Style Analysis

The utilization of the secondary dominant and IV chord in this way is a common signature in The Beatles’ music. They often used these techniques to add unique flavors and tension to their melodies and chord progressions, despite the seemingly simple chord structures. This ability to intricately construct and deconstruct progressions is a big part of their style that helped them stand out and become one of the most influential bands in history.

Chords in the Verse 4 section of Eight Days A Week by The Beatles are:

[‘D’, ‘E7’, ‘G’, ‘D’, ‘D’, ‘E7’, ‘G’, ‘D’]