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Related Music Theory Alchemy

“Eight Days A Week” by The Beatles is in the key of D major. The song features a handful of basic major and minor chords with a sprinkling of interesting harmonic developments such as the E7 transition chord and the use of the B minor chord which provide a rich palette of colors for the progression.

The song “I Will” by The Beatles is an example of their unique and sophisticated approach to pop songwriting, demonstrating their comprehensive mastery of harmony within the pop idiom. The majority of the harmonies used in the song are diatonic to the key of C major, however there are several instances of borrowed chords that add color and complexity to the song’s overall harmonic structure.

“Feeling Good” by Muse is a cover of the original song written by English composers Leslie Bricusse and Anthony Newley in 1964. The Muse version was released in 2001 and is featured on their second studio album, “Origin of Symmetry.” The song is heavily influenced by the genres of jazz, soul, and R&B, while the Muse rendition adds a more modern rock sound to the mix.

“Paint It Black” by The Rolling Stones is a famous Rock song heavily influenced by the Indian classical form of music called Raga rock. The song is written in E minor and it has a very distinctively descending minor key tonality. The chords progression in the verse sequence doesn’t follow the conventional rules of western tonal harmony as it navigates through various key centers, showcasing the bands exploration of exotic and unconventional songwriting.

“Start Me Up” by The Rolling Stones is a classic rock song that utilizes a common I-IV chord progression primarily in the key of D major. Like many rock songs from their era, the arrangement is simple yet effective, designed to showcase the strong rhythm and melody rather than complex harmonies.

The Beatles – Eight Days A Week – Verse 4

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Chord Progression

[‘D’, ‘E7’, ‘G’, ‘D’, ‘D’, ‘E7’, ‘G’, ‘D’]

Chord Progression Analysis

The specific progression for Verse 4 is: D major (I), E dominant 7th (V7/V), G major (IV), D major (I), D major (I), E dominant 7th (V7/V), G major (IV), D major (I)

“`markdown
D Major (‘I’)
E Dominant 7th (‘V7/V’)
G Major (‘IV’)
D Major (‘I’)
D Major (‘I’)
E Dominant 7th (‘V7/V’)
G Major (‘IV’)
D Major (‘I’)
“`

Similar Chord Progressions

– “Every Breath You Take” by The Police:
“`markdown
G Major (‘I’)
E7 (‘V7/VI’)
C Major (‘IV’)
D Major (‘V’)
“`
– “Let It Be” by The Beatles:
“`markdown
C Major (‘I’)
G Dominant 7th (‘V7’)
A Minor (‘vi’)
F Major (‘IV’)
“`
These songs don’t have the exact same progression, but they do manipulate dominant chords in a similar way to create tension and release, just like “Eight Days a Week”. “Every Breath You Take” uses the E7 as a secondary dominant of the vi chord, and “Let It Be” uses the G7 to resolve to the IV chord.

Musical Analysis

Analyzing further, the E dominant 7th chord is a secondary dominant (also known as a borrowed chord) as it is not naturally occurring in the scale of D major. Secondary dominants are used to temporarily tonicize, or focus on, a certain chord in the scale. The E7 acts as the dominant of the A major, which is the next chord in the original version of the song. However, that A major is replaced with the G major, creating a surprising modulation to the IV which creates a tension-release dynamic.

Overall Analysis

The song “Eight Days a Week” by The Beatles is an interesting example of pop music songwriting from the mid 1960’s. It showcases Paul McCartney and John Lennon’s ability to use common chord progressions and tweak them in a unique and recognizable way. It utilizes a simple progression in the verse but what makes it different is their use of 7th and borrowed chords. The key of the song is D major.

Style Analysis

The utilization of the secondary dominant and IV chord in this way is a common signature in The Beatles’ music. They often used these techniques to add unique flavors and tension to their melodies and chord progressions, despite the seemingly simple chord structures. This ability to intricately construct and deconstruct progressions is a big part of their style that helped them stand out and become one of the most influential bands in history.

Chords in the Verse 4 section of Eight Days A Week by The Beatles are:

[‘D’, ‘E7’, ‘G’, ‘D’, ‘D’, ‘E7’, ‘G’, ‘D’]