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Related Music Theory Alchemy

As this song has a distinct classical rock sound, you’ll see a mixture of major and minor chords. The progression is in the key of E major. The use of seventh chords and suspended chords provides a dense harmonic texture.

“A Hard Day’s Night” by The Beatles is a song that was unusually complex and beautifully experimental. It uses rarely seen chord structures that emphasize both traditional tonality and borrowed tones from outside the key signature. This song is an excellent example of Beatles-style blending of rock & roll and pop music with elements of classical chord progressions and harmonies. It is also a great example of how The Beatles stretched the boundaries of diatonic harmony.

“The Long And Winding Road” by The Beatles presents us with a classic example of their innovative approach to harmony and composition. Drawing from various sources of influence, the song incorporates elements of traditional pop ballad form with a hint of the Baroque harmonic palette. This song is an excellent study in complex harmony and modulation within a pop music context, a trait that underpins much of The Beatles’ later work.

“Good Vibrations” by The Beach Boys is highly complex and represents an exceptional use of harmonic structuring. The richness of the piece lies in Brian Wilson’s innovative and unpredictable songwriting, who was making significant use of modulation at the time, constantly shifting keys, in this case especially during the transition bridge.

“Perfect” by The Smashing Pumpkins is written in the key of D major. The song takes a relatively standard and common approach in chord progression, particularly with the cyclical variations that have the onset within a classic pop/rock realm. The tonality and mid-tempo pacing give the song a melancholic and nostalgic tone.

The Beatles – Dont Let Me Down – BRIDGE

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Chord Progression

[‘E’, ‘B’, ‘B7’, ‘E’]

Chord Progression Analysis

– E Major (I)
– B Major (V)
– B7 Major (V7)
– E Major (I)

Any borrowed chord would be indicated by parentheses with a “b”, for instance, (bIII) would denote a borrowed minor III from the parallel minor key. However, in this progression, there are no borrowed chords, as all the chords listed are diatonic to the key of E Major.

Similar Chord Progressions

1. “Sweet Child ‘O Mine” by Guns N Roses. The song also exhibits a similar V-I progression:
– D Major (I)
– A Major (V)
– A7 Major (V7)
– D Major (I)

2. “Creep” by Radiohead. Similar use of a major V7 chord to add tension before resolving back to the tonic:
– G Major (I)
– B Major (III)
– B7 Major (III7)
– G Major (I)

All these songs show how a dominant seventh chord can be employed to evoke emotion, drive melody, and resolve tension in a composition.

Musical Analysis

This is a textbook example of a V-I progression, which is fundamental in Western music. It creates a powerful harmonic movement with a sense of finality, also known as a perfect cadence.

The B7 Major chord is often called a “dominant seventh” chord because it is built from the fifth note (the dominant) of the scale. In this case, it acts as a secondary dominant, seeking to resolve to E Major. This gives the progression a bluesy, tension-filled character before it finally resolves back to the tonic chord.

Overall Analysis

“Dont Let Me Down” by The Beatles is a song that’s heavily grounded in the key of E Major, with some interesting use of borrowed chords for a richer, more emotional harmonic texture. The song is a fine example of The Beatles’ songwriting style, which often involves mixing diatonic chords with chromatic passing chords, borrowed chords, and secondary dominants.

Style Analysis

The Beatles often employed seventh chords to add a sense of tension and release within their compositions. This progression somewhat echoes the progression in their earlier song “I Want to Hold Your Hand,” wherein The Beatles use a D7 as a dominant chord to tightly resolve back to G Major.

Chords in the Bridge section of Dont Let Me Down by The Beatles are:

[‘E’, ‘B’, ‘B7’, ‘E’]