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Related Music Theory Alchemy

As this song has a distinct classical rock sound, you’ll see a mixture of major and minor chords. The progression is in the key of E major. The use of seventh chords and suspended chords provides a dense harmonic texture.

“For No One” is a song from The Beatles’ album Revolver, released in 1966. The song has a melancholic theme, represented quite well through a sophisticated chord progression that features significant use of the minor scale and infrequent use of chord extensions, such as 7th and suspended chords. It’s written primarily in C Major, but the chorus alternates between D Minor and A7, an interesting modal shift (Using structural chords from different modes).

The bridge of Beck’s “Think I’m In Love” is an interesting combination of chords, showcasing unusual harmonic choices and unexpected modulations. The tonal center of this progression appears to be ambiguous, as several key centers are explored throughout the progression, creating a sense of harmonic tension and release.

“Miss You” by The Rolling Stones is in the key of A minor. The main chord progression in the song is quite consistent — Am, Dm, Am, Am, Dm, Am, Am, Dm — with some variations in the bridge. The song’s chord progression is bluesy in nature, given the usage of minor chords and the parallel movement. In particular, the usage of E, the V chord in A Minor, gives a resolution back to the root chord (Am), which gives the song a sense of tension and release.

“When I Was Your Man” is a pop power ballad with a chord progression that tends to lean towards traditional pop and soul structures. It’s set in the key of C Major. However, the song has a few interesting deviations from the standard pop song structure.

The Beatles – Dont Let Me Down – BRIDGE

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Chord Progression

[‘E’, ‘B’, ‘B7’, ‘E’]

Chord Progression Analysis

– E Major (I)
– B Major (V)
– B7 Major (V7)
– E Major (I)

Any borrowed chord would be indicated by parentheses with a “b”, for instance, (bIII) would denote a borrowed minor III from the parallel minor key. However, in this progression, there are no borrowed chords, as all the chords listed are diatonic to the key of E Major.

Similar Chord Progressions

1. “Sweet Child ‘O Mine” by Guns N Roses. The song also exhibits a similar V-I progression:
– D Major (I)
– A Major (V)
– A7 Major (V7)
– D Major (I)

2. “Creep” by Radiohead. Similar use of a major V7 chord to add tension before resolving back to the tonic:
– G Major (I)
– B Major (III)
– B7 Major (III7)
– G Major (I)

All these songs show how a dominant seventh chord can be employed to evoke emotion, drive melody, and resolve tension in a composition.

Musical Analysis

This is a textbook example of a V-I progression, which is fundamental in Western music. It creates a powerful harmonic movement with a sense of finality, also known as a perfect cadence.

The B7 Major chord is often called a “dominant seventh” chord because it is built from the fifth note (the dominant) of the scale. In this case, it acts as a secondary dominant, seeking to resolve to E Major. This gives the progression a bluesy, tension-filled character before it finally resolves back to the tonic chord.

Overall Analysis

“Dont Let Me Down” by The Beatles is a song that’s heavily grounded in the key of E Major, with some interesting use of borrowed chords for a richer, more emotional harmonic texture. The song is a fine example of The Beatles’ songwriting style, which often involves mixing diatonic chords with chromatic passing chords, borrowed chords, and secondary dominants.

Style Analysis

The Beatles often employed seventh chords to add a sense of tension and release within their compositions. This progression somewhat echoes the progression in their earlier song “I Want to Hold Your Hand,” wherein The Beatles use a D7 as a dominant chord to tightly resolve back to G Major.

Chords in the Bridge section of Dont Let Me Down by The Beatles are:

[‘E’, ‘B’, ‘B7’, ‘E’]