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Related Music Theory Alchemy

“Come Together” by The Beatles, like many other Beatles songs, is known for its unique melody and innovative chord progressions. The song is written in the key of D minor and employs frequent use of bluesy pentatonic scale patterns. The meter is 4/4 (common time). The song is characterized by the use of common chords, with the exception of the Bm and Bm/A chords which are noteworthy.

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“Cant Buy Me Love” by The Beatles is a pure example of their early rock-and-roll style influenced by blues. It uses common chord progressions in rock and blues, such as the I-IV-V progression and the use of dominant 7th chords. The song is set in C major, and makes repeated use of the I-IV (C-F) progression. A significant feature in the song is the use of the dominant 7th chords (C7 and F7), which adds some bluesy quality to the song and also serves as a transition chord to the next chord in the progression.

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The song “Yellow” by Coldplay uses a fairly standard pop/rock chord progression in the key of G major. It comprises three chords for the main progression: G Major (I), D Major (V), and Cmaj7 (IV7).

The chord progression featured in Radiohead’s “Motion Picture Soundtrack” Verse 2 is a four-chord loop that moves from G major to C major (acting as a suspension) and B minor (with an added 9th), creating an interesting mix of tonalities and suspensions. The progression establishes G major as the tonal center but continually moves away from it, creating a sense of ambiguity.

The chord progression in Muse’s “Endlessly” from Verse 2 is a mix of diatonic chords and a borrowed chord from the parallel major key. The progression has a melancholic feel, utilizing suspended chords to create tension and release. The use of both minor and major chords provides a balanced sound, giving the piece its unique character.

The Beatles – Come Together – Verse 2

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Chord Progression

[‘Dm’, ‘Dm’, ‘A’, ‘G’]

Chord Progression Analysis

The chord progression for Verse 2 is quite repetitive and groovy, making heavy use of the D minor pentatonic scale. The chord progression is as follows:

D minor: Dm (‘i’)
D minor: Dm (‘i’)
A Major: A (‘V’)
G Major: G (‘IV’)

The chords ‘IV’ (G Major) and ‘V’ (A Major) are not naturally occurring in the D minor scale. Therefore, ‘IV’ and ‘V’ are borrowed chords from the D Major scale.

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Borrowed Chords: IV (G Major), V (A Major)
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Similar Chord Progressions

Many rock and pop songs also use borrowed chords to add intrigue and interest to their progressions. While not exactly the same, a few examples include:

1. “Hey Joe” by Jimi Hendrix: C (‘I’), G (‘V’), D (‘II’), A (‘VI’), E (‘III’)
2. “Sweet Home Alabama” by Lynyrd Skynyrd: D (‘I’), C (‘bVII’), G (‘IV’)

Note that these progressions do not copy “Come Together” exactly, but they do share similarities in terms of the borrowing and key modulation techniques used.

Musical Analysis

The constant repetition of Dm gives a sense of both groove and subtly darker undercurrent, helping to underscore the moodiness of the song. The transition from ‘i’ to ‘V’ (Dm to A) forms the basis of a deceptive cadence, or interrupted cadence, which contributes to the powerful surprise and tension when the progression changes on the last two chords. The borrowed chords, ‘IV’ and ‘V’, create a shift in mood, highlighting the Beatles’ innovative use of borrowing and key modulation that was characteristic of their late career.

Overall Analysis

“Come Together”, released by The Beatles in 1969 on their Abbey Road album, is a rock song known for its catchy bass-line, cryptic lyrics and iconic chorus. It’s written in D minor key, a common key in rock music. Across the progression, there is not only an interesting mix of different chords but also a novel use of borrowed chords that play a significant role in making the song mysterious, intriguing, and unique.

Style Analysis

“Come Together” reflects The Beatles’ evolution from their early pop roots to a more mature, experimental rock sound. The innovative use of borrowed chords, the darker tonality provided by D minor, and the subtle complexity of the progression show the band’s penchant for breaking the traditional songwriting mold. The use of repetitive, rhythmic groove in the bass-line, coupled with the extensive use of a minor pentatonic scale, also suggests influences from blues and early rock ‘n roll.

Chords in the Verse 2 section of Come Together by The Beatles are:

[‘Dm’, ‘Dm’, ‘A’, ‘G’]