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Related Music Theory Alchemy

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“Cant Buy Me Love” by The Beatles is a pure example of their early rock-and-roll style influenced by blues. It uses common chord progressions in rock and blues, such as the I-IV-V progression and the use of dominant 7th chords. The song is set in C major, and makes repeated use of the I-IV (C-F) progression. A significant feature in the song is the use of the dominant 7th chords (C7 and F7), which adds some bluesy quality to the song and also serves as a transition chord to the next chord in the progression.

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“Girl” is a song by The Beatles from their 1965 album “Rubber Soul”. The song is written in the key of E minor and it showcases the band’s ability to incorporate non-diatsubject resorting to non-diatonic progressions and utilizes various seventh chords to establish a more sophisticated and jazzy soundid progression. It’s important to note their use of the Dorian mode, which adds to the melodic and harmonic sophistication of the song. Moreover, the song exhibits the lyrical and songwriting depth of The Beatles.

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The chord progression in the chorus of “Lost Cause” by Beck showcases a simple yet effective pattern utilizing major chords and a dominant seventh chord, which creates tension and resolution throughout the progression. The song is in C major, and the chords predominantly follow the diatonic harmony of the key. The style is reminiscent of folk and alternative rock, with the harmony playing a significant role in evoking a sense of melancholy in the listener.

“Don’t Let The Sun Go Down On Me” is a pop song by Elton John from the album “Caribou,” released in 1974. The song is set in the key of C Major, with some interesting chord changes and borrowed chords that are rich and reflective of Elton John’s unique harmonic style. The chorus especially impresses with unexpected chord shifts, demonstrating a sophisticated songwriting technique.

The given chord progression is from the chorus of “Earfquake” by Tyler, The Creator, a contemporary hip-hop and neo-soul artist. The progression features a smooth and mellow tonality, characterized by the use of 7th chords. The chord progression is in the key of Bb Major and showcases the use of mostly diatonic chords with a repetition that contributes to the song’s catchy nature.

The Beatles – Cant Buy Me Love – Chorus

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Chord Progression

[‘Em’, ‘Am’, ‘Em’, ‘Am’, ‘Dm11’, ‘G13’, ‘C’, ‘C(7)’]

Chord Progression Analysis

Here’s the chord progression for the chorus:

– Em (“iii”);
– Am (“vi”);
– Em (“iii”);
– Am (“vi”);
– Dm11 (“ii11”);
– G13 (“V13”);
– C (“I”);
– C(7) (“I7”).

And here are the borrowed chords used in this progression:
Em, Am, and Dm11 are borrowed chords from the parallel minor key.

“`Markdown
– Em: Borrowed from C minor (“bIII”);
– Am: Borrowed from C minor (“vi”);
– Dm11: Borrowed from C minor (“ii11”).
“`

Similar Chord Progressions

A similar chord progression can be seen in Stevie Wonder’s “I Was Made To Love Her” in the key of F#:
F#m (“iii”), Bm (“vi”), F#m (“iii”), Bm (“vi”), G#m9 (“ii9”), C#9 (“V9”), F# (“I”), F#7 (“I7”).
This follows a similar pattern of descending minor thirds and the ii-V-I progression at the end, though the ii chord is a ninth as opposed to an eleventh as seen in “Can’t Buy Me Love”.

Musical Analysis

The chorus starts on the iii chord, which is the mediant of C Major, creating a sense of modulation. Then it shifts to the vi chord, providing an instance of borrowed chord from the C minor, which adds tension and emotional weight to the section. The progression then returns to the iii and again to vi. Finally, the song shifts to the ii11-V13-I progression – Dm11 to G13 to C. This is a classic jazz progression and it provides a smooth resolution back to the tonic. Lastly the phrase concludes with a C7, a dominant 7th chord, which indicates a return to the F major in the verse.

Overall Analysis

“Cant Buy Me Love” by The Beatles, is a song in the key of C Major, but it has an interesting harmonic structure, especially in the chorus. The song features a number of borrowed and secondary dominant chords to create tension that resolves into the tonic chord. The chorus’s progression can be seen as a series of descending minor thirds, with an unexpected shift to a ii-V-I progression which is quite popular in jazz music.

Style Analysis

This song is a great example of The Beatles’ indelible mark on popular music and their creative use of harmonic structure. Despite being rooted in pop/rock music, their incorporation of complex and jazz-like progressions such as the ii-V-I show their wide musical influences and innovation.

Chords in the Chorus section of Cant Buy Me Love by The Beatles are:

[‘Em’, ‘Am’, ‘Em’, ‘Am’, ‘Dm11’, ‘G13’, ‘C’, ‘C(7)’]