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“Can’t Buy Me Love,” a song by The Beatles, exhibits a style that’s emblematic of their earlier work, with a clear, upbeat tonality and an elegant yet straightforward chord progression. The tune is predominantly centred in the key of C major, but it utilizes both major and dominant 7th chords to create tension and resolution, modulating away from the home key. The particular progression you’ve given, ‘C7’, ‘F7’, ‘C’, isn’t rare and demonstrates the Beatles’ precision and understanding of pop and rock music’s creative possibilities.

“Hey Jude,” by The Beatles, is an iconic song. The chord progression is in the key of D major and it follows a sort of Variation on I-V-IV-I progression of many pop and rock songs. However, what makes this song extremely unique is its out-of-the-box structure and the experimental use of borrowed cords – it shows The Beatles’ fondness for combining elements of pop, rock and classical music and results in an emotional, powerful progression that resonates strongly with listeners.

The chord progression in the chorus of “Hoppipolla” by Sigur Rós can be considered as being in the key of B Major, featuring a mixture of diatonic and borrowed chords. The progression shows Sigur Rós’ signature atmospheric and emotive style, utilizing various harmonic techniques to create a lush chord progression.

The chord progression in the chorus of “Are We Still Friends” by Tyler, The Creator is a relatively simple yet effective progression that contains some characteristic elements of R&B and soul music. It includes a mixture of major and minor chords and a predominant use of dominant 7 chords (in this case, E7) to create a sense of tension and resolve within the progression. This progression is simple enough that it allows for the melody and lyrics to shine while still providing harmonic interest.

“Beast of Burden” by The Rolling Stones uses a common rock arrangement with a focus on the V, I, and vi chords. The distinguishing factor for this particular progression is its consistent use of inverted chords to create more linear, and stepwise, bass lines.

The Beatles – Cant Buy Me Love – Chorus

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Chord Progression

[‘Em’, ‘Am’, ‘Em’, ‘Am’, ‘Dm11’, ‘G13’, ‘C’, ‘C(7)’]

Chord Progression Analysis

Here’s the chord progression for the chorus:

– Em (“iii”);
– Am (“vi”);
– Em (“iii”);
– Am (“vi”);
– Dm11 (“ii11”);
– G13 (“V13”);
– C (“I”);
– C(7) (“I7”).

And here are the borrowed chords used in this progression:
Em, Am, and Dm11 are borrowed chords from the parallel minor key.

“`Markdown
– Em: Borrowed from C minor (“bIII”);
– Am: Borrowed from C minor (“vi”);
– Dm11: Borrowed from C minor (“ii11”).
“`

Similar Chord Progressions

A similar chord progression can be seen in Stevie Wonder’s “I Was Made To Love Her” in the key of F#:
F#m (“iii”), Bm (“vi”), F#m (“iii”), Bm (“vi”), G#m9 (“ii9”), C#9 (“V9”), F# (“I”), F#7 (“I7”).
This follows a similar pattern of descending minor thirds and the ii-V-I progression at the end, though the ii chord is a ninth as opposed to an eleventh as seen in “Can’t Buy Me Love”.

Musical Analysis

The chorus starts on the iii chord, which is the mediant of C Major, creating a sense of modulation. Then it shifts to the vi chord, providing an instance of borrowed chord from the C minor, which adds tension and emotional weight to the section. The progression then returns to the iii and again to vi. Finally, the song shifts to the ii11-V13-I progression – Dm11 to G13 to C. This is a classic jazz progression and it provides a smooth resolution back to the tonic. Lastly the phrase concludes with a C7, a dominant 7th chord, which indicates a return to the F major in the verse.

Overall Analysis

“Cant Buy Me Love” by The Beatles, is a song in the key of C Major, but it has an interesting harmonic structure, especially in the chorus. The song features a number of borrowed and secondary dominant chords to create tension that resolves into the tonic chord. The chorus’s progression can be seen as a series of descending minor thirds, with an unexpected shift to a ii-V-I progression which is quite popular in jazz music.

Style Analysis

This song is a great example of The Beatles’ indelible mark on popular music and their creative use of harmonic structure. Despite being rooted in pop/rock music, their incorporation of complex and jazz-like progressions such as the ii-V-I show their wide musical influences and innovation.

Chords in the Chorus section of Cant Buy Me Love by The Beatles are:

[‘Em’, ‘Am’, ‘Em’, ‘Am’, ‘Dm11’, ‘G13’, ‘C’, ‘C(7)’]