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Related Music Theory Alchemy

The song constantly oscillates around C#m, which is the presumed root key. Harmonically, the 8-bar verse progression involves the frequent use of borrowed chords, as well as secondary dominants, which are frequently used in the Beatles’ compositions, to provide a colorful and subtle tension.

“I Am The Walrus” is a distinctive composition by the Beatles from their 1967 album “Magical Mystery Tour”. Known for its surreal lyrics and creative chord progression, the song displays the Beatles’ mastery of composition and their innovative use of harmony. The song features elements from psychedelic rock, a genre that the Beatles helped popularize during the mid-1960s.

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Generally, the chord progression follows the conventional guidelines of western music, utilizing strong resolution from B (V) to E (I). However, it also employs some harmony techniques very typical in pop/rock music, such as the use of slash chords and chord inversions (A/E, F#m7/E) to add harmonic interest. In addition, it incorporates chromatic mediant relationships (E to C#m) to create a sense of progression.

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“Strawberry Fields Forever” by The Beatles is a psychedelic rock song often regarded as one of their finest works. It’s innovative from both a melodic and harmonic perspective, using complex chord structures, chromatic touches, and key changes. The song is primarily in the key of E major.

Dead Flowers by The Rolling Stones is a classic track that exhibits some very traditional aspects of popular music and blues-based rock. The song is in D major and follows a fairly standard chord progression, using only three chords (D, A, and G), which make up four-measure phrases that are repeated throughout this part of the song.

The Beatles – Because – Verse 1

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Chord Progression

[‘C#m’, ‘C#m’, ‘D#m7b5’, ‘G#7/D#’, ‘A’, ‘C#m’, ‘A9’, ‘A13’, ‘D’, ‘Ddim7’]

Chord Progression Analysis

Because’ chords are as follows:
C# Minor (‘i’)
C# Minor (‘i’)
D#m7b5 (‘iiø7th’)
G#7/D# (‘V7/ii’)
A major (‘VI’)
C#m (‘i’)
A9 (‘VI9’)
A13 (‘VI13’)
D major (‘bVII’)
Ddim7 (‘viio’)

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Borrowed chords: D major (‘bVII’ from parallel major), Ddim7 (‘viio’ from relative major)
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Similar Chord Progressions

While it’s hard to find identical chord progressions due to the Beatles’ unique complexity, similar exploration of harmony can be found in various pieces by other artists who also explored the boundary of conventional pop songwriting. An example is the Beach Boys’ “God Only Knows”, which uses many secondary dominants and borrowed chords as well.

Chords in “God Only Knows” are as follows: A (‘I’), E/G# (‘V6’), F#m7 (‘vi7’), D9/A (‘IV9/6’), G7/F (‘bVII7/4’), Am7 (‘v7’, borrowed from parallel minor), D13/A (‘IV13/6’), E7/G# (‘V7/6’), C#m7 (‘iii7’), F#13/B (‘vi13/6’), B7/Ab (‘V7/2’), Emaj7 (‘VII7’, borrowed from lydian).

Musical Analysis

The G#7/D# is a secondary dominant leading to the A major, treating A major as if it were the tonic momentarily (tonicization). The A9 and A13 further embellish the A major chord, adding complexity and color to the harmony. The D major introduces a brief modulation to the parallel major key, before leading to the Ddim7, which acts as a leading tone to the tonic chord, C#m.

Overall Analysis

The chord progression of “Because” by The Beatles demonstrates the band’s profound exploration of harmony. The song starts in the key of C# minor, revolves around this key, and includes various modulations and tonicizations to explore chords beyond the key. It heavily employs secondary dominants and borrowed chords, particularly the diminished 7th chords, which is not uncommon in Beatles’s songs. The chord progression has a dreamy and fluid flow due to these harmonic explorations.

Style Analysis

The Beatles, specifically George Martin and Paul McCartney, were well-known for their use of more complex harmonies beyond simple pop structures. “Because” embodies their late style, heavily influenced by classical music (especially Baroque and Romantic periods). The use of complex harmony throughout this song is distinct, utilizing secondary dominants, borrowed chords, and diminished seventh chords, adding an intricate depth and fluidity to their songwriting.

Chords in the Verse 1 section of Because by The Beatles are:

[‘C#m’, ‘C#m’, ‘D#m7b5’, ‘G#7/D#’, ‘A’, ‘C#m’, ‘A9’, ‘A13’, ‘D’, ‘Ddim7’]