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Related Music Theory Alchemy

The song constantly oscillates around C#m, which is the presumed root key. Harmonically, the 8-bar verse progression involves the frequent use of borrowed chords, as well as secondary dominants, which are frequently used in the Beatles’ compositions, to provide a colorful and subtle tension.

“Eight Days A Week” by The Beatles, released in 1965, is renowned for its catchy melodic phrases, tight harmonies, and distinctive use of chords. The song is firmly rooted in the key of D major, but there is an interesting use of borrowed chords.

Verse 2

“House of the Rising Sun” by The Animals features a repeating chord progression in a minor key that gives the song a haunting, melancholic feel. This progression moves through the circle of fifths, features borrowed chords from its relative major key and has a strong resolution from the dominant to the tonic.

“Come Together” by The Beatles, like many other Beatles songs, is known for its unique melody and innovative chord progressions. The song is written in the key of D minor and employs frequent use of bluesy pentatonic scale patterns. The meter is 4/4 (common time). The song is characterized by the use of common chords, with the exception of the Bm and Bm/A chords which are noteworthy.

“I Want To Hold Your Hand” by The Beatles is an excellent example of their innovative approach to harmony and chord progression. This song, written in the key of G major, features a common I-V-vi-III progression in the verses. It notably uses borrowed ‘B’ major and ‘B7’ chords from the parallel minor scale.

The Beatles – Because – Verse 1

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Chord Progression

[‘C#m’, ‘C#m’, ‘D#m7b5’, ‘G#7/D#’, ‘A’, ‘C#m’, ‘A9’, ‘A13’, ‘D’, ‘Ddim7’]

Chord Progression Analysis

Because’ chords are as follows:
C# Minor (‘i’)
C# Minor (‘i’)
D#m7b5 (‘iiø7th’)
G#7/D# (‘V7/ii’)
A major (‘VI’)
C#m (‘i’)
A9 (‘VI9’)
A13 (‘VI13’)
D major (‘bVII’)
Ddim7 (‘viio’)

“`shell
Borrowed chords: D major (‘bVII’ from parallel major), Ddim7 (‘viio’ from relative major)
“`

Similar Chord Progressions

While it’s hard to find identical chord progressions due to the Beatles’ unique complexity, similar exploration of harmony can be found in various pieces by other artists who also explored the boundary of conventional pop songwriting. An example is the Beach Boys’ “God Only Knows”, which uses many secondary dominants and borrowed chords as well.

Chords in “God Only Knows” are as follows: A (‘I’), E/G# (‘V6’), F#m7 (‘vi7’), D9/A (‘IV9/6’), G7/F (‘bVII7/4’), Am7 (‘v7’, borrowed from parallel minor), D13/A (‘IV13/6’), E7/G# (‘V7/6’), C#m7 (‘iii7’), F#13/B (‘vi13/6’), B7/Ab (‘V7/2’), Emaj7 (‘VII7’, borrowed from lydian).

Musical Analysis

The G#7/D# is a secondary dominant leading to the A major, treating A major as if it were the tonic momentarily (tonicization). The A9 and A13 further embellish the A major chord, adding complexity and color to the harmony. The D major introduces a brief modulation to the parallel major key, before leading to the Ddim7, which acts as a leading tone to the tonic chord, C#m.

Overall Analysis

The chord progression of “Because” by The Beatles demonstrates the band’s profound exploration of harmony. The song starts in the key of C# minor, revolves around this key, and includes various modulations and tonicizations to explore chords beyond the key. It heavily employs secondary dominants and borrowed chords, particularly the diminished 7th chords, which is not uncommon in Beatles’s songs. The chord progression has a dreamy and fluid flow due to these harmonic explorations.

Style Analysis

The Beatles, specifically George Martin and Paul McCartney, were well-known for their use of more complex harmonies beyond simple pop structures. “Because” embodies their late style, heavily influenced by classical music (especially Baroque and Romantic periods). The use of complex harmony throughout this song is distinct, utilizing secondary dominants, borrowed chords, and diminished seventh chords, adding an intricate depth and fluidity to their songwriting.

Chords in the Verse 1 section of Because by The Beatles are:

[‘C#m’, ‘C#m’, ‘D#m7b5’, ‘G#7/D#’, ‘A’, ‘C#m’, ‘A9’, ‘A13’, ‘D’, ‘Ddim7’]