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“And I Love Her” is a masterful composition by The Beatles that beautifully demonstrates their ability to mix pop songwriting with complexities of harmonic journey. The song is in the key of E Major, which is unique for being a popular song written by the Beatles in a major key. The main repeating chord progression of the Verse 3 is a progression that modulates between F# minor (the relative minor of A Major, which is the subdominant of E Major), and C# minor (the relative minor of E Major, the original key). The progression’s use of E6 at the end, which is a borrowed chord from the parallel minor (E minor), adds a unique flavor of sixth interval. Finally, it concludes on E6, a somewhat uncommon way to ground a song within a major key.

The chord progression of “I Want To Hold Your Hand” by The Beatles is particularly interesting for its use of key changes and borrowed chords. It reflects both the catchy driving pop rock melody signature of early Beatles and the sophistication of harmonic innovation, which defines their later work.

“Time” by Pink Floyd is a progressive rock song that features an uncommon chord progression with some unique harmonic choices. The Verse 2 progression has a strong sense of tonal ambiguity and the chords often fluctuate between major and minor tonalities. This contributes to the emotional depth and complexity of the song, which is characteristic of Pink Floyd’s music.

“Feels Like We Only Go Backwards” by Tame Impala is a psychedelic pop song notable for its dreamy, lo-fi sound and use of unconventional chord progressions. Musically, the song is written in the key of F major, but creatively uses chromatic mediants, borrowed chords, and modal interchange to establish a unique harmony. The song also uses dynamic contrast to create a dreamlike atmosphere, increasing the song’s overall psychedelic effect.

“Dont Stop Me Now” by Queen has a key of F major. The song takes you on a journey of a unique blend of chords and progression. Freddie Mercury and the entire band are known for their diverse songwriting abilities, apparent in ‘Don’t Stop Me Now’. The chord progression in Verse 2 hints a story-telling stalwart of pop music production – the major-to-relative-minor movement (I to vi), with some interesting additions of minor seven, major seven and diminished seventh chords, giving it a more sophisticated feel.

The Beatles – And I Love Her – Verse 2

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Chord Progression

[‘F#m’, ‘C#m’, ‘F#m’, ‘C#m’, ‘F#m’, ‘C#m’, ‘A’, ‘B7’, ‘E6’]

Chord Progression Analysis

The specific progression for Verse 2, [‘F#m’, ‘C#m’, ‘F#m’, ‘C#m’, ‘F#m’, ‘C#m’, ‘A’, ‘B7’, ‘E6’], can be analyzed like this:

“`
F# minor (‘i’)
C# minor (‘v’)
F# minor (‘i’)
C# minor (‘v’)
F# minor (‘i’)
C# minor (‘v’)
A major (‘VI’)
B7 major (‘V7’)
E6 major (‘II6’)
“`
Note: The ‘VI’ and ‘II6’ chords are borrowed from the parallel major key (F# major), which is a common technique used in popular music to bring color and variety to a song’s harmonic landscape.

Similar Chord Progressions

1. “Hotel California” by The Eagles also employs a similar technique of using a succession of minor chords with a surprising major chord to create a distinctive mood.

“`
B minor (‘i’)
F# major (‘V’)
A major (‘VII’)
E major (‘IV’)
G major (‘VI’)
D major (‘III’)
Em (‘v’)
“`
2. “Stairway to Heaven” by Led Zeppelin presents another similar chord progression in its verses:

“`
A minor (‘i’)
G major (‘VII’)
A minor (‘i’)
G major (‘VII’)
“`

These artists, like The Beatles, have made iconic impacts on popular music with their innovative uses of harmonic structure.

Musical Analysis

The music of “And I Love Her” utilizes repetition and subtle variation to engage the listener. The verses consist of a repeating i-v progression, establishing a sense of melancholy and longing. This is then broken up by the surprising major VI and V7 chords, which bring a brief, brighter feel to the music before resolving to the II6, reestablishing the minor tonality of the song. The consistent rhythmic pattern throughout the song is also an essential characteristic, with its distinctive 8th-note down strums, which contributes to its iconic sound.

Overall Analysis

“And I Love Her” by The Beatles is predominantly set within the key of F# minor. Apart from the chorus that momentarily modulates to the key of D minor, the verses embrace a darker, melancholic atmosphere portrayed by the minor keys. The tonal structure and chord progressions in the song are reflective of the band’s exploration of intricate harmonies, going beyond the simple three-chord structures of many contemporary pop songs of the time.

Style Analysis

The use of complex chord progressions and harmonic explorations is a definitive characteristic of The Beatles, particularly in their later works, and “And I Love Her” is a strong example of this. Borrowed chords are used for emotional impact and the unconventional conclusion on the II6 chord leaves the listener longing for resolution, a feeling which aligns with the song’s lyrical themes.

Chords in the Verse 2 section of And I Love Her by The Beatles are:

[‘F#m’, ‘C#m’, ‘F#m’, ‘C#m’, ‘F#m’, ‘C#m’, ‘A’, ‘B7’, ‘E6’]