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“And I Love Her” is a masterful composition by The Beatles that beautifully demonstrates their ability to mix pop songwriting with complexities of harmonic journey. The song is in the key of E Major, which is unique for being a popular song written by the Beatles in a major key. The main repeating chord progression of the Verse 3 is a progression that modulates between F# minor (the relative minor of A Major, which is the subdominant of E Major), and C# minor (the relative minor of E Major, the original key). The progression’s use of E6 at the end, which is a borrowed chord from the parallel minor (E minor), adds a unique flavor of sixth interval. Finally, it concludes on E6, a somewhat uncommon way to ground a song within a major key.

“Let It Be” by The Beatles is a song in the key of C Major. The chord progression featured in Verse 3 of the song, C – G – Am – Am/G – Fmaj7 – F6 – C – G – F – C/E – Dm7 – C, is a common progression in pop music. It has a repetitive structure and revolves around the I-V-vi-VI progression.

“Castles Made of Sand” by Jimi Hendrix is a psychedelic rock song that features a unique and colorful chord progression, blending major and minor tonalities in a way that creates tension and a sense of longing. The verse consists of a 12-chord progression that builds upon the foundation of the major key of C, even though it starts with the IV chord (F), which contributes to the song’s unusual character. The progression includes borrowed chords from the parallel minor and elements specific to Hendrix’s own style, making it a remarkable piece in terms of its harmonic complexity and eclecticism.

“Sour Times” by Portishead is largely written in the key of C# minor, with elements of modal interchange and chromaticism that contribute to its haunting, dark sound. The song exhibits a remarkable amount of harmonic complexity and non-diatonic harmony, which is a defining characteristic of the trip-hop genre. The piece makes use of intricate inversions and chromatic voice leading, along with a frequent use of sevenths and diminished chords for added tension.

“Undone – The Sweater Song” by Weezer is a grunge rock song from their debut album, “Weezer (The Blue Album)” released in 1994. The chord progression in Verse 2 seems to blend elements from both pop and rock genres, with some diatonic chords and a borrowed chord that adds an unexpected twist.

The Beatles – And I Love Her – Verse 2

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Chord Progression

[‘F#m’, ‘C#m’, ‘F#m’, ‘C#m’, ‘F#m’, ‘C#m’, ‘A’, ‘B7’, ‘E6’]

Chord Progression Analysis

The specific progression for Verse 2, [‘F#m’, ‘C#m’, ‘F#m’, ‘C#m’, ‘F#m’, ‘C#m’, ‘A’, ‘B7’, ‘E6’], can be analyzed like this:

“`
F# minor (‘i’)
C# minor (‘v’)
F# minor (‘i’)
C# minor (‘v’)
F# minor (‘i’)
C# minor (‘v’)
A major (‘VI’)
B7 major (‘V7’)
E6 major (‘II6’)
“`
Note: The ‘VI’ and ‘II6’ chords are borrowed from the parallel major key (F# major), which is a common technique used in popular music to bring color and variety to a song’s harmonic landscape.

Similar Chord Progressions

1. “Hotel California” by The Eagles also employs a similar technique of using a succession of minor chords with a surprising major chord to create a distinctive mood.

“`
B minor (‘i’)
F# major (‘V’)
A major (‘VII’)
E major (‘IV’)
G major (‘VI’)
D major (‘III’)
Em (‘v’)
“`
2. “Stairway to Heaven” by Led Zeppelin presents another similar chord progression in its verses:

“`
A minor (‘i’)
G major (‘VII’)
A minor (‘i’)
G major (‘VII’)
“`

These artists, like The Beatles, have made iconic impacts on popular music with their innovative uses of harmonic structure.

Musical Analysis

The music of “And I Love Her” utilizes repetition and subtle variation to engage the listener. The verses consist of a repeating i-v progression, establishing a sense of melancholy and longing. This is then broken up by the surprising major VI and V7 chords, which bring a brief, brighter feel to the music before resolving to the II6, reestablishing the minor tonality of the song. The consistent rhythmic pattern throughout the song is also an essential characteristic, with its distinctive 8th-note down strums, which contributes to its iconic sound.

Overall Analysis

“And I Love Her” by The Beatles is predominantly set within the key of F# minor. Apart from the chorus that momentarily modulates to the key of D minor, the verses embrace a darker, melancholic atmosphere portrayed by the minor keys. The tonal structure and chord progressions in the song are reflective of the band’s exploration of intricate harmonies, going beyond the simple three-chord structures of many contemporary pop songs of the time.

Style Analysis

The use of complex chord progressions and harmonic explorations is a definitive characteristic of The Beatles, particularly in their later works, and “And I Love Her” is a strong example of this. Borrowed chords are used for emotional impact and the unconventional conclusion on the II6 chord leaves the listener longing for resolution, a feeling which aligns with the song’s lyrical themes.

Chords in the Verse 2 section of And I Love Her by The Beatles are:

[‘F#m’, ‘C#m’, ‘F#m’, ‘C#m’, ‘F#m’, ‘C#m’, ‘A’, ‘B7’, ‘E6’]