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Related Music Theory Alchemy

“And I Love Her” is a masterful composition by The Beatles that beautifully demonstrates their ability to mix pop songwriting with complexities of harmonic journey. The song is in the key of E Major, which is unique for being a popular song written by the Beatles in a major key. The main repeating chord progression of the Verse 3 is a progression that modulates between F# minor (the relative minor of A Major, which is the subdominant of E Major), and C# minor (the relative minor of E Major, the original key). The progression’s use of E6 at the end, which is a borrowed chord from the parallel minor (E minor), adds a unique flavor of sixth interval. Finally, it concludes on E6, a somewhat uncommon way to ground a song within a major key.

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“Let It Be” is one of The Beatles’ most popular songs and features a primarily major tonality (C Major), giving it its iconic uplifting and inspiring quality. The song’s chord progression is quite standard in terms of pop/rock music, yet it does include some interesting elements like inversions and a 7th chord to add variety and emotional depth.

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“Don’t Look Back In Anger” uses simple yet effective chord progressions common in pop/rock music. It incorporates both major and minor chords, showing some classic pop sensibilities. The song is situated in the key of C Major. Embedded within this progression are instances of borrowed chords – the E7 for instance, is a secondary dominant, often used to inject a bit of tension and to give strong resolution leading into the next chord.

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“Bohemian Rhapsody” is a multi-genre masterpiece that incorporates elements of ballad, opera, and hard rock, showcasing Queen’s versatility and musical potential. The song is mainly in the key of Bb major, but it aggressively utilizes modulations, chromaticism, borrowed chords, and modally mixed chords. The given chord progression is from the verse that follows the opera section, here Queen offers an unusual, nuanced chord progression that complements the surrounding sections.

“Give Me The Night” is a classic R&B and jazz-infused song by George Benson, released in 1980. The song was written by Rod Temperton and produced by Quincy Jones. It features a smooth, soulful groove, lush harmonies, and a sophisticated chord progression that is characteristic of the late 70s and early 80s R&B and jazz fusion style. The verse of the song makes use of diatonic chords with a few borrowed chords, giving the progression a rich and interesting harmonic content.

The Beatles – And I Love Her – Verse 2

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Chord Progression

[‘F#m’, ‘C#m’, ‘F#m’, ‘C#m’, ‘F#m’, ‘C#m’, ‘A’, ‘B7’, ‘E6’]

Chord Progression Analysis

The specific progression for Verse 2, [‘F#m’, ‘C#m’, ‘F#m’, ‘C#m’, ‘F#m’, ‘C#m’, ‘A’, ‘B7’, ‘E6’], can be analyzed like this:

“`
F# minor (‘i’)
C# minor (‘v’)
F# minor (‘i’)
C# minor (‘v’)
F# minor (‘i’)
C# minor (‘v’)
A major (‘VI’)
B7 major (‘V7’)
E6 major (‘II6’)
“`
Note: The ‘VI’ and ‘II6’ chords are borrowed from the parallel major key (F# major), which is a common technique used in popular music to bring color and variety to a song’s harmonic landscape.

Similar Chord Progressions

1. “Hotel California” by The Eagles also employs a similar technique of using a succession of minor chords with a surprising major chord to create a distinctive mood.

“`
B minor (‘i’)
F# major (‘V’)
A major (‘VII’)
E major (‘IV’)
G major (‘VI’)
D major (‘III’)
Em (‘v’)
“`
2. “Stairway to Heaven” by Led Zeppelin presents another similar chord progression in its verses:

“`
A minor (‘i’)
G major (‘VII’)
A minor (‘i’)
G major (‘VII’)
“`

These artists, like The Beatles, have made iconic impacts on popular music with their innovative uses of harmonic structure.

Musical Analysis

The music of “And I Love Her” utilizes repetition and subtle variation to engage the listener. The verses consist of a repeating i-v progression, establishing a sense of melancholy and longing. This is then broken up by the surprising major VI and V7 chords, which bring a brief, brighter feel to the music before resolving to the II6, reestablishing the minor tonality of the song. The consistent rhythmic pattern throughout the song is also an essential characteristic, with its distinctive 8th-note down strums, which contributes to its iconic sound.

Overall Analysis

“And I Love Her” by The Beatles is predominantly set within the key of F# minor. Apart from the chorus that momentarily modulates to the key of D minor, the verses embrace a darker, melancholic atmosphere portrayed by the minor keys. The tonal structure and chord progressions in the song are reflective of the band’s exploration of intricate harmonies, going beyond the simple three-chord structures of many contemporary pop songs of the time.

Style Analysis

The use of complex chord progressions and harmonic explorations is a definitive characteristic of The Beatles, particularly in their later works, and “And I Love Her” is a strong example of this. Borrowed chords are used for emotional impact and the unconventional conclusion on the II6 chord leaves the listener longing for resolution, a feeling which aligns with the song’s lyrical themes.

Chords in the Verse 2 section of And I Love Her by The Beatles are:

[‘F#m’, ‘C#m’, ‘F#m’, ‘C#m’, ‘F#m’, ‘C#m’, ‘A’, ‘B7’, ‘E6’]