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Related Music Theory Alchemy

“And I Love Her” is a masterful composition by The Beatles that beautifully demonstrates their ability to mix pop songwriting with complexities of harmonic journey. The song is in the key of E Major, which is unique for being a popular song written by the Beatles in a major key. The main repeating chord progression of the Verse 3 is a progression that modulates between F# minor (the relative minor of A Major, which is the subdominant of E Major), and C# minor (the relative minor of E Major, the original key). The progression’s use of E6 at the end, which is a borrowed chord from the parallel minor (E minor), adds a unique flavor of sixth interval. Finally, it concludes on E6, a somewhat uncommon way to ground a song within a major key.

“In My Life” is a song written by The Beatles which stands as a hallmarks of their inventive songwriting and command of complex musical structures. The song is primarily in the key of A Major, but it employs a number of borrowed chords and modal interchange to create a more interesting and richer harmonic landscape. The melody, rhythm, and lyrics of this song are poignant and memorable, making “In My Life” an enduring classic in the Beatles’ catalog.

The chord progression in the verse 2 of Megalomania by Muse is predominantly in the key of E minor, with several chromatic and borrowed chords that give the progression a unique character. This progression consists of 16 chords and features an interesting mix of diatonic chords, secondary dominants, and borrowed chords that contribute to the dramatic and dark atmosphere of the piece.

The chord progression in the verse of “Time To Pretend” by MGMT is primarily built around the key of D major. It features a simple and repetitive structure, with some variations. The chords used are mainly triads and simple extensions, with the occasional use of suspended chords (Dsus2) to create tension and release. The progression showcases the band’s ability to create an engaging and immersive soundscape, while keeping the harmony relatively simple.

“Sorry Seems to Be The Hardest Word” is in the key of E minor and shifts to the relative major (G major) at various points, it demonstrates Elton John’s mastery of the line between major and minor keys. It’s a melancholic song with a moderate tempo. The use of both minor and major chords in Elton John’s progression signifies the tension and release in the song’s melody and lyrics.

The Beatles – And I Love Her – Verse 2

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Chord Progression

[‘F#m’, ‘C#m’, ‘F#m’, ‘C#m’, ‘F#m’, ‘C#m’, ‘A’, ‘B7’, ‘E6’]

Chord Progression Analysis

The specific progression for Verse 2, [‘F#m’, ‘C#m’, ‘F#m’, ‘C#m’, ‘F#m’, ‘C#m’, ‘A’, ‘B7’, ‘E6’], can be analyzed like this:

“`
F# minor (‘i’)
C# minor (‘v’)
F# minor (‘i’)
C# minor (‘v’)
F# minor (‘i’)
C# minor (‘v’)
A major (‘VI’)
B7 major (‘V7’)
E6 major (‘II6’)
“`
Note: The ‘VI’ and ‘II6’ chords are borrowed from the parallel major key (F# major), which is a common technique used in popular music to bring color and variety to a song’s harmonic landscape.

Similar Chord Progressions

1. “Hotel California” by The Eagles also employs a similar technique of using a succession of minor chords with a surprising major chord to create a distinctive mood.

“`
B minor (‘i’)
F# major (‘V’)
A major (‘VII’)
E major (‘IV’)
G major (‘VI’)
D major (‘III’)
Em (‘v’)
“`
2. “Stairway to Heaven” by Led Zeppelin presents another similar chord progression in its verses:

“`
A minor (‘i’)
G major (‘VII’)
A minor (‘i’)
G major (‘VII’)
“`

These artists, like The Beatles, have made iconic impacts on popular music with their innovative uses of harmonic structure.

Musical Analysis

The music of “And I Love Her” utilizes repetition and subtle variation to engage the listener. The verses consist of a repeating i-v progression, establishing a sense of melancholy and longing. This is then broken up by the surprising major VI and V7 chords, which bring a brief, brighter feel to the music before resolving to the II6, reestablishing the minor tonality of the song. The consistent rhythmic pattern throughout the song is also an essential characteristic, with its distinctive 8th-note down strums, which contributes to its iconic sound.

Overall Analysis

“And I Love Her” by The Beatles is predominantly set within the key of F# minor. Apart from the chorus that momentarily modulates to the key of D minor, the verses embrace a darker, melancholic atmosphere portrayed by the minor keys. The tonal structure and chord progressions in the song are reflective of the band’s exploration of intricate harmonies, going beyond the simple three-chord structures of many contemporary pop songs of the time.

Style Analysis

The use of complex chord progressions and harmonic explorations is a definitive characteristic of The Beatles, particularly in their later works, and “And I Love Her” is a strong example of this. Borrowed chords are used for emotional impact and the unconventional conclusion on the II6 chord leaves the listener longing for resolution, a feeling which aligns with the song’s lyrical themes.

Chords in the Verse 2 section of And I Love Her by The Beatles are:

[‘F#m’, ‘C#m’, ‘F#m’, ‘C#m’, ‘F#m’, ‘C#m’, ‘A’, ‘B7’, ‘E6’]