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Related Music Theory Alchemy

“And I Love Her” is a masterful composition by The Beatles that beautifully demonstrates their ability to mix pop songwriting with complexities of harmonic journey. The song is in the key of E Major, which is unique for being a popular song written by the Beatles in a major key. The main repeating chord progression of the Verse 3 is a progression that modulates between F# minor (the relative minor of A Major, which is the subdominant of E Major), and C# minor (the relative minor of E Major, the original key). The progression’s use of E6 at the end, which is a borrowed chord from the parallel minor (E minor), adds a unique flavor of sixth interval. Finally, it concludes on E6, a somewhat uncommon way to ground a song within a major key.

“A Hard Day’s Night” by the Beatles is in the key of G Major. According to the provided list, the song has an array of major, minor, and some of the seventh and suspended chords, which is quite typical for the pop and rock genres. The coda appears to be a cyclic repetition of a phrase involving a transition from a C Major to a G Major chord, before leading to the repeated sequence of D7sus4, Dm7 chords. The D7sus4 and Dm7 chords give an interesting tension and release effect, as the suspension wants to resolve to the minor chord, while the minor chord creates an expectation for a return to the root chord.

“Hallelujah” is a song by singer-songwriter Jeff Buckley and is a cover of a song originally written by Leonard Cohen. The song is in the key of C major and features a moderate tempo with a 6/8 time signature. This particular chord progression, taken from the second verse, consists mainly of diatonic chords found within the key, but also includes a few borrowed chords and a secondary dominant, giving the song a sense of tension and release.

“When You Die” by MGMT features a fairly unconventional chord progression that mixes elements of rock, pop, and classic psychedelia. The progression creates tension and intrigue through the use of extended harmonies, chromaticism, and borrowed chords. The distinctiveness of this progression contributes to the song’s unique sound.

“Wild Horses” by the Rolling Stones is performed in the key of G major. However, the initial chord progression beginning on B minor gives it a modal feel, specifically borrowing chords from G Lydian mode (IV of D Major). It’s an interesting mixture of folky rock with a touch of the blues, and the chord progression is largely based around the typical I-IV-V progression found in many rock songs, but with many deviations and additions.

Key: G Major

The Beatles – And I Love Her – Verse 2

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Chord Progression

[‘F#m’, ‘C#m’, ‘F#m’, ‘C#m’, ‘F#m’, ‘C#m’, ‘A’, ‘B7’, ‘E6’]

Chord Progression Analysis

The specific progression for Verse 2, [‘F#m’, ‘C#m’, ‘F#m’, ‘C#m’, ‘F#m’, ‘C#m’, ‘A’, ‘B7’, ‘E6’], can be analyzed like this:

“`
F# minor (‘i’)
C# minor (‘v’)
F# minor (‘i’)
C# minor (‘v’)
F# minor (‘i’)
C# minor (‘v’)
A major (‘VI’)
B7 major (‘V7’)
E6 major (‘II6’)
“`
Note: The ‘VI’ and ‘II6’ chords are borrowed from the parallel major key (F# major), which is a common technique used in popular music to bring color and variety to a song’s harmonic landscape.

Similar Chord Progressions

1. “Hotel California” by The Eagles also employs a similar technique of using a succession of minor chords with a surprising major chord to create a distinctive mood.

“`
B minor (‘i’)
F# major (‘V’)
A major (‘VII’)
E major (‘IV’)
G major (‘VI’)
D major (‘III’)
Em (‘v’)
“`
2. “Stairway to Heaven” by Led Zeppelin presents another similar chord progression in its verses:

“`
A minor (‘i’)
G major (‘VII’)
A minor (‘i’)
G major (‘VII’)
“`

These artists, like The Beatles, have made iconic impacts on popular music with their innovative uses of harmonic structure.

Musical Analysis

The music of “And I Love Her” utilizes repetition and subtle variation to engage the listener. The verses consist of a repeating i-v progression, establishing a sense of melancholy and longing. This is then broken up by the surprising major VI and V7 chords, which bring a brief, brighter feel to the music before resolving to the II6, reestablishing the minor tonality of the song. The consistent rhythmic pattern throughout the song is also an essential characteristic, with its distinctive 8th-note down strums, which contributes to its iconic sound.

Overall Analysis

“And I Love Her” by The Beatles is predominantly set within the key of F# minor. Apart from the chorus that momentarily modulates to the key of D minor, the verses embrace a darker, melancholic atmosphere portrayed by the minor keys. The tonal structure and chord progressions in the song are reflective of the band’s exploration of intricate harmonies, going beyond the simple three-chord structures of many contemporary pop songs of the time.

Style Analysis

The use of complex chord progressions and harmonic explorations is a definitive characteristic of The Beatles, particularly in their later works, and “And I Love Her” is a strong example of this. Borrowed chords are used for emotional impact and the unconventional conclusion on the II6 chord leaves the listener longing for resolution, a feeling which aligns with the song’s lyrical themes.

Chords in the Verse 2 section of And I Love Her by The Beatles are:

[‘F#m’, ‘C#m’, ‘F#m’, ‘C#m’, ‘F#m’, ‘C#m’, ‘A’, ‘B7’, ‘E6’]