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Related Music Theory Alchemy

“For No One” is a song from The Beatles’ album Revolver, released in 1966. The song has a melancholic theme, represented quite well through a sophisticated chord progression that features significant use of the minor scale and infrequent use of chord extensions, such as 7th and suspended chords. It’s written primarily in C Major, but the chorus alternates between D Minor and A7, an interesting modal shift (Using structural chords from different modes).

“Yesterday” by The Beatles showcases the innovative use of chord progressions that the group is known for. This song, unlike their other songs, includes borrowed chords and numerous secondary dominant chords. It also uses their favored approach of mixing chords from parallel major and minor scales, hence creating a ‘blended’ modal effect.

Moreover, it uses a mixolydian ♭7 in the main chord sequence, which is quite a popular trick among songwriters for shifting the tonic of a song.

The chord progression in Radiohead’s “You And Whose Army” showcases the band’s unique style of blending chord progressions from different key centers, as well as their tendency to use borrowed chords. The progression consists largely of diatonic chords from the key of C# minor, but also features a few borrowed chords from D# minor and the parallel major key, C# Major.

“Hoppipolla” by Sigur Rós is a dreamy and atmospheric piece that showcases the band’s unique style. The chord progression in the verse consists of D#m, E, D#m, and E chords, which creates a simple and elegant harmonic structure. The use of open strings and melodically moving chords in this progression reflects the ethereal nature of this piece. This progression can be found in both rock and alternative music genres, as it uses the powerful major and minor chords found throughout these styles. The repetitive nature of the chord progression mirrors the band’s tendency to use slow-building and evolving textures in their compositions.

The Beatles – All You Need Is Love – Verse

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Chord Progression

[‘G’, ‘D’, ‘Em’, ‘G’, ‘D’, ‘Em’, ‘Am’, ‘G’, ‘D’, ‘D’, ‘D7’, ‘D6’, ‘D’, ‘G’, ‘D’, ‘Em’, ‘G’, ‘D’, ‘Em’, ‘Am’, ‘G’, ‘D’, ‘D’, ‘D7’, ‘D6’, ‘D’]

Chord Progression Analysis

“`
– G Major (I)
– D Major (V)
– E minor (vi)
– G Major (I)
– D Major (V)
– E minor (vi)
– A minor (ii from borrowed G Mixolydian scale)
– G Major (I)
– D Major (V)
– D Major (V)
– D7 (V7 from borrowed D Mixolydian scale)
– D6 (V6 from borrowed D Mixolydian scale)
– D Major (V)
“`

Chord Progression:
“`
I – V – vi – I – V – vi – ii* – I – V – V – V7* – V6* – V
“`
(* indicates borrowed chords)

Similar Chord Progressions

“The Stones – Paint It Black” has a similar progression in the key of D minor. It borrows elements from the D Phrygian mode in a sense similar to how The Beatles employed the Mixolydian mode in “All You Need Is Love”.
“`
– E minor (v)
– D Major (IV)
– E minor (v)
– D Major (IV)
– A minor (iv from borrowed D Phrygian scale)
– E minor (v)
– D Major (IV)
– D Major (IV)
– D7 (IV7)
– D6 (IV6)
– D Major (IV)
“`

Chord Progression:
“`
v – IV – v – IV – iv* – v – IV – IV – IV7 – IV6 – IV
“`
(* indicates borrowed chords)

Musical Analysis

The progression opens and closes on the tonic chord (G major), establishing a clear sense of the home key. The movement from G to D (I-V) is a traditional cadence that drives the melody forward. The Am chord serves as a borrowed chord from the Mixolydian mode of G. The D7 and D6 chords are borrowed from the Mixolydian mode of D, providing a slight twist of character within the progression. The consistent inclusion of the V – I plagal cadence adds to the anthemic quality of the song.

Overall Analysis

“All You Need Is Love” is in the key of G major. The song primarily uses the chords within the key signature and has a relatively simple harmonic structure. However, the song does utilize a few distinct chord choices that contribute to its unique sonic character. The song applies modal interchange with an inclusion of A minor from the G Mixolydian mode and the D7 and D6 which evoke a hint of the D Mixolydian mode.

Style Analysis

The Beatles frequently played with Modal Interchange and borrowed chords in their songwriting, which is seen in this song. The Mixolydian mode, in particular, is a common choice for them, offering a major chapter sound with a flattened 7th degree for added bluesy feel. Furthermore, the reiteration of the same sequence enhances the song’s sing-along character at the heart of the Beatles public image.

Chords in the Verse section of All You Need Is Love by The Beatles are:

[‘G’, ‘D’, ‘Em’, ‘G’, ‘D’, ‘Em’, ‘Am’, ‘G’, ‘D’, ‘D’, ‘D7’, ‘D6’, ‘D’, ‘G’, ‘D’, ‘Em’, ‘G’, ‘D’, ‘Em’, ‘Am’, ‘G’, ‘D’, ‘D’, ‘D7’, ‘D6’, ‘D’]