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Related Music Theory Alchemy

“All My Loving” by The Beatles is written in the key of D Major. It’s pop and rock style includes elements of British Invasion and Merseybeat. It shows a common chord progression modified with additional chords and modulation.

“Dont Let Me Down” by The Beatles is a song that’s heavily grounded in the key of E Major, with some interesting use of borrowed chords for a richer, more emotional harmonic texture. The song is a fine example of The Beatles’ songwriting style, which often involves mixing diatonic chords with chromatic passing chords, borrowed chords, and secondary dominants.

The song “Closer” by Nine Inch Nails is based primarily around the C minor 7 chord, giving the song its dark and moody atmosphere. The song is in the key of C minor. This chord progression is repetitive and simple, allowing other aspects of the song, such as the lyrics and production, to take center stage.

“Castles Made of Sand” by Jimi Hendrix is a psychedelic rock song that features a unique and colorful chord progression, blending major and minor tonalities in a way that creates tension and a sense of longing. The verse consists of a 12-chord progression that builds upon the foundation of the major key of C, even though it starts with the IV chord (F), which contributes to the song’s unusual character. The progression includes borrowed chords from the parallel minor and elements specific to Hendrix’s own style, making it a remarkable piece in terms of its harmonic complexity and eclecticism.

“My Name Is Jonas” by Weezer is a 90s alternative rock song featuring a catchy chord progression and memorable melodies. The verse 2 chord progression consists of a repeated set of chords: C, G, Am, F. This progression is common in popular music and creates a sense of familiarity for the listener. The key is C Major.

The Beatles – All My Loving – Verse 2

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Chord Progression

[‘Em’, ‘A7’, ‘D’, ‘Bm’, ‘G’, ‘Em’, ‘C’, ‘A7’, ‘Em’, ‘A7’, ‘D’, ‘Bm’, ‘G’, ‘A’, ‘D’]

Chord Progression Analysis

Here is the chord progression for Verse 2 with its full chord names and their Roman numerals:

– E Minor (‘Em’) – vi
– A Dominant 7th (‘A7’) – V7
– D Major (‘D’) – I
– B Minor (‘Bm’) – vi
– G Major (‘G’) – IV
– E Minor (‘Em’) – vi
– C Major (‘C’) – II
– A Dominant 7th (‘A7’) – V7
– E Minor (‘Em’) – vi
– A Dominant 7th (‘A7’) – V7
– D Major (‘D’) – I
– B Minor (‘Bm’) – vi
– G Major (‘G’) – IV
– A Major (‘A’) – V
– D Major (‘D’) – I

Borrowed chord:

The C Major chord is a borrowed chord from the parallel minor key, D minor.

“`
C Major ‘II’
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Similar Chord Progressions

A similar chord progression can be found in “Cherry Wine” by Hozier, and structured as follows:

– E Minor (‘Em’)
– A Dominant 7th (‘A7’)
– D Major (‘D’)
– B Minor (‘Bm’)
– G Major (‘G’)
– E Minor (‘Em’)
– C Major (‘C’)
– D Major (‘D’)

Another similar chord progression is in “Stand by Me” by Ben E. King, as follows:

– G Major (‘G’)
– E Minor (‘Em’)
– C Major (‘C’)
– D Major (‘D’)

Musical Analysis

“All My Loving” prominently features a walking bassline and 2-beat percussive pattern that emblematic of the Merseybeat sound popular in the early 1960s. In particular, the use of E minor and D Major tonalities within the verse sections provides a unique colouring to the piece, lending a melancholic and contemplative undertone to the otherwise upbeat pop structure.

Overall Analysis

“All My Loving” by The Beatles is a mid-tempo pop song written in the key of E minor for the verse and D Major for the bridge and outro, featuring a distinct, upbeat walking bassline. The grey, almost mournful verses, along with the brighter, major-toned bridges and chorus, create a juxtaposition of feelings within the piece. The bridge also highlights The Beatles’ use of secondary dominants and chromaticism. Concluding in the tonic key of D Major, the song has an interesting interplay between Em and D Major throughout, which could be perceived as a Em: i, VI, III, II and D: vi, V7, I, vi, IV, ii, I progression.

Style Analysis

In terms of songwriting style, the dominant 7th chords give the piece a bluesy feel, while the fast tempo and 4/4 time signature make the track firmly a pop tune. The Beatles’ frequent change of chords and use of minor and major tonalities within the same piece introduces a certain depth to the song, and is a common technique used by the band in many of their songs.

Chords in the Verse 2 section of All My Loving by The Beatles are:

[‘Em’, ‘A7’, ‘D’, ‘Bm’, ‘G’, ‘Em’, ‘C’, ‘A7’, ‘Em’, ‘A7’, ‘D’, ‘Bm’, ‘G’, ‘A’, ‘D’]