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“Across The Universe” by The Beatles, written mostly by John Lennon, is known for its rich and complex harmonic structures that added new dimensions to pop music. The song is predominately in the key of D major, with occasional borrowings from the parallel minor (D minor) and the closely-related key of B minor. The verse 1 progression – D, Bm, F#m, Em7, A, A7, D, Bm, F#m, Em7, Gm – creates an affectingly melancholic mood through its mix of major, minor and borrowed chords, producing a unique ambience that evokes a sense of cosmic contemplation, matching with the philosophical lyrics of the song.

“Yesterday” by The Beatles is a classic Pop song in F Major maintaining a 2/2 time signature. The song changes the chords frequently to create a rich harmonic texture, and is known for its iconic descending guitar melody.

“Let It Happen” by Tame Impala is characterized by its psychedelic and experimental nuances. It features an overall bright and uplifting tone despite its use of some more complex chords. The song ska common in pop music. The chord progression in question has a strong melodic sensibility demonstrating Kevin Parker’s ability to incorporate complex musical ideas into a pop format.

The chord progression in question is from the verse 2 of Weezer’s “The Good Life.” It is a pop-rock song in the key of G major, and the progression features common chords found in the key, with one borrowed chord – B7 – to add a touch of tension and harmonic interest.

Chord Progression Analysis (with Roman Numerals):
G Major (I) – D Major (V) – A minor (ii) – E Major (VI) – G Major (I) – D Major (V) – A minor (ii) – E Major (VI) – G Major (I) – D Major (V) – A minor (ii) – E Major (VI) – G Major (I) – D Major (V) – A minor (ii) – E Major (VI) – G Major (I) – D Major (V) – A minor (ii) – B7 (`V7/iii`)

The borrowed chord in question is the B7, which is borrowed from the relative minor key (E minor) and functions as a secondary dominant to the iii chord (B minor).

“Bohemian Rhapsody” is a multi-genre masterpiece that incorporates elements of ballad, opera, and hard rock, showcasing Queen’s versatility and musical potential. The song is mainly in the key of Bb major, but it aggressively utilizes modulations, chromaticism, borrowed chords, and modally mixed chords. The given chord progression is from the verse that follows the opera section, here Queen offers an unusual, nuanced chord progression that complements the surrounding sections.

The Beatles – Across The Universe – Verse 2

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Chord Progression

[‘D’, ‘Bm’, ‘F#m’, ‘Em7’, ‘A’, ‘A7’, ‘D’, ‘Bm’, ‘F#m’, ‘Em7’, ‘A’, ‘A7’]

Chord Progression Analysis

Here is the chord progression for Verse 2:

1. D Major (I)
2. B minor (vi)
3. F# minor (iii)
4. E minor 7 (ii7)
5. A Major (V)
6. A7 (V7)
7. D Major (I)
8. B minor (vi)
9. F# minor (iii)
10. E minor 7 (ii7)
11. A Major (V)
12. A7 (V7)

“`
E minor 7 is a borrowed chord from the parallel minor key (D minor).
“`

Similar Chord Progressions

Elton John’s “Your Song” features a similar chord progression:

1. Eb Major (I)
2. Bb minor (v)
3. G# minor (iii)
4. F minor 7 (ii7)
5. Bb Major (V)
6. Bb7 (V7)

The Police’s “Every Breath You Take” also shows a similar progression:

1. G Major (I)
2. E minor (vi)
3. B minor (iii)
4. A minor 7 (ii7)
5. D Major (IV)
6. D7 (IV7)

Musical Analysis

The progression starts with the tonic chord D major, providing a grounded, peaceful opening. It then progresses to B minor, the relative minor of D, adding a hint of sadness.

F# minor is the mediant chord, which often feels somewhat ambiguous due to its placement between the tonic and subdominant. Following F# minor is E minor 7, a borrowed chord from D minor that enhances the melancholy mood.

This progression concludes with a perfect cadence A Major to A7, exerting a strong pull back to the key’s tonic chord, D Major. This movement creates an emotional resolution after the melancholic journey through the previous chords.

Overall Analysis

Across the Universe by The Beatles is a melancholic, introspective piece set in the key of D major, imbuing an overall sound spectrum that’s somber with a hint of hopeful resolution. The chord progression utilizes both diatonic and borrowed chords, making it both unusual and interesting.

Style Analysis

Featuring a mix of major and minor as well as borrowed chords, this progression is characteristic of The Beatles’ ability to blend simple melodic elements with sophisticated harmonic techniques. The use of the borrowed chord (Em7) from the parallel minor key is a common Beatles’ trick to add colour, tension, and emotional depth, keeping the audience guessing.

Chords in the Verse 2 section of Across The Universe by The Beatles are:

[‘D’, ‘Bm’, ‘F#m’, ‘Em7’, ‘A’, ‘A7’, ‘D’, ‘Bm’, ‘F#m’, ‘Em7’, ‘A’, ‘A7’]