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Related Music Theory Alchemy

“Across The Universe” by The Beatles, written mostly by John Lennon, is known for its rich and complex harmonic structures that added new dimensions to pop music. The song is predominately in the key of D major, with occasional borrowings from the parallel minor (D minor) and the closely-related key of B minor. The verse 1 progression – D, Bm, F#m, Em7, A, A7, D, Bm, F#m, Em7, Gm – creates an affectingly melancholic mood through its mix of major, minor and borrowed chords, producing a unique ambience that evokes a sense of cosmic contemplation, matching with the philosophical lyrics of the song.

This chorus from The Beatles’ “The Continuing Story Of Bungalow Bill” is an example of clever use of common chord transitions with several shifts in tonality. The chord progression uses the tonic key of C Major and F minor, showing complex modulation derived from modal interchange and secondary dominant techniques.

“Fake Plastic Trees” by Radiohead is a haunting and introspective ballad that features an evocative chord progression. The progression appears to have been influenced by alternative rock and combines elements of both major and minor tonalities, as well as non-diatonic and diatonic chords. This blend of harmonic flavors creates an unforgettable sound that is melancholic, yet beautiful.

“Since I’ve Been Loving You” by Led Zeppelin is a slow blues ballad with a rich harmonic palette, featuring expressive guitar solos and a passionate, longing vocal performance. The song is characterized by its use of chromaticism, borrowed chords, and seventh chords, which contribute to its intense, bluesy atmosphere. The chord progression for Verse 2 displays a moody and introspective tone, which serves as the perfect backdrop for the plaintive lyrics and the emotional solos throughout the piece.

Verse 2 of Grizzly Bear’s “Yet Again” presents a straightforward harmonic progression that is common in pop and indie rock music. This series of chords is mainly built around the key of A minor, and uses diatonic chords (those that naturally occur within the key) of this key. The recurring sequence (Am, G, C, F, F, Em, C, Dm) indicates a strong sense of familiarity and predictability, characteristic of many pop/rock anthologies.

The Beatles – Across The Universe – Verse 2

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Chord Progression

[‘D’, ‘Bm’, ‘F#m’, ‘Em7’, ‘A’, ‘A7’, ‘D’, ‘Bm’, ‘F#m’, ‘Em7’, ‘A’, ‘A7’]

Chord Progression Analysis

Here is the chord progression for Verse 2:

1. D Major (I)
2. B minor (vi)
3. F# minor (iii)
4. E minor 7 (ii7)
5. A Major (V)
6. A7 (V7)
7. D Major (I)
8. B minor (vi)
9. F# minor (iii)
10. E minor 7 (ii7)
11. A Major (V)
12. A7 (V7)

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E minor 7 is a borrowed chord from the parallel minor key (D minor).
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Similar Chord Progressions

Elton John’s “Your Song” features a similar chord progression:

1. Eb Major (I)
2. Bb minor (v)
3. G# minor (iii)
4. F minor 7 (ii7)
5. Bb Major (V)
6. Bb7 (V7)

The Police’s “Every Breath You Take” also shows a similar progression:

1. G Major (I)
2. E minor (vi)
3. B minor (iii)
4. A minor 7 (ii7)
5. D Major (IV)
6. D7 (IV7)

Musical Analysis

The progression starts with the tonic chord D major, providing a grounded, peaceful opening. It then progresses to B minor, the relative minor of D, adding a hint of sadness.

F# minor is the mediant chord, which often feels somewhat ambiguous due to its placement between the tonic and subdominant. Following F# minor is E minor 7, a borrowed chord from D minor that enhances the melancholy mood.

This progression concludes with a perfect cadence A Major to A7, exerting a strong pull back to the key’s tonic chord, D Major. This movement creates an emotional resolution after the melancholic journey through the previous chords.

Overall Analysis

Across the Universe by The Beatles is a melancholic, introspective piece set in the key of D major, imbuing an overall sound spectrum that’s somber with a hint of hopeful resolution. The chord progression utilizes both diatonic and borrowed chords, making it both unusual and interesting.

Style Analysis

Featuring a mix of major and minor as well as borrowed chords, this progression is characteristic of The Beatles’ ability to blend simple melodic elements with sophisticated harmonic techniques. The use of the borrowed chord (Em7) from the parallel minor key is a common Beatles’ trick to add colour, tension, and emotional depth, keeping the audience guessing.

Chords in the Verse 2 section of Across The Universe by The Beatles are:

[‘D’, ‘Bm’, ‘F#m’, ‘Em7’, ‘A’, ‘A7’, ‘D’, ‘Bm’, ‘F#m’, ‘Em7’, ‘A’, ‘A7’]