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“Good Vibrations” by The Beach Boys is highly complex and represents an exceptional use of harmonic structuring. The richness of the piece lies in Brian Wilson’s innovative and unpredictable songwriting, who was making significant use of modulation at the time, constantly shifting keys, in this case especially during the transition bridge.

The Beach Boys’ “Good Vibrations” presents an interesting mix of major and minor chords with excellent use of chord inversions and borrowings. The song is harmonically adventurous, showcasing the band’s pop mastery with Brian Wilson’s unmatched compositional skills. This song is primarily in the key of A Major, with many borrowed chords and modulation that creates its unique feel.

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“Paint It, Black” by The Rolling Stones is arranged in a minor key, specifically E minor. The verse chord progression of the song exhibits a fairly common pattern in 60’s rock and pop music, incorporating the use of both diatonic chords and borrowed chords from the parallel major key.

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The song “I Will” by The Beatles is an example of their unique and sophisticated approach to pop songwriting, demonstrating their comprehensive mastery of harmony within the pop idiom. The majority of the harmonies used in the song are diatonic to the key of C major, however there are several instances of borrowed chords that add color and complexity to the song’s overall harmonic structure.

“Fake Plastic Trees” by Radiohead is a melancholic song with an emotional chord progression. The song is in the key of A Major and features a mixture of diatonic chords, suspended chords, and extended chords that create a sense of yearning and tension. The verse is characterized by a cyclical progression that begins and ends on the tonic (A), providing a sense of unresolved tension. This helps to support the song’s themes of artificiality and dissatisfaction.

The Beach Boys – Good Vibrations – Verse 1

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Chord Progression

[‘Dm’, ‘C’, ‘Bb’, ‘A’, ‘Dm’, ‘C’, ‘Bb’, ‘A’, ‘Dm’, ‘C’, ‘Bb’, ‘A’, ‘Dm’, ‘C’, ‘Bb’, ‘A’, ‘C’]

Chord Progression Analysis

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Here is a simplified version for Verse 1:

Dm – I
C – VII
Bb – VI
A – V

This progression repeats four times in the verse. The verse starts in D minor, and the chord progression descends by step, from Dm (I) to C (VII) to Bb (VI) and then to A (V). This sequence of chords is quite common in pop music.

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Similar Chord Progressions

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1) “Don’t Stop Believin” by Journey:

E – I
B – V
C#m – VI
A – IV

2) “Let It Be” by The Beatles:

C – I
G – V
Am – VI
F – IV
3) “Can You Feel The Love Tonight” by Elton John:

C – I
G – V
Am – VI
F – IV

Note that while these songs do not feature the exact same chord progression as “Good Vibrations,” they nonetheless follow a similar descending pattern, moving from the I chord to IV in their respective keys, illustrating how common this progression is in popular music.

Musical Analysis

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The descending chord progression provides a sense of melancholy along with settling tension. The dissonant tension of the minor chord “Dm” starts off the progression where it resolves to the more consonant major chord “C”. This process repeats as we move from “Bb” to the “A”. The repetition of this four chord sequence creates anticipation which is satisfied each time the sequence repeat again.

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Overall Analysis

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“Good Vibrations” by The Beach Boys employs a series of chord progressions that echo the rising tension and resolution in the song’s narrative. The song is primarily in the key of D minor, with moments of temporary modulation, which allows for colorful and unexpected harmonies to emerge. This harmonic and melodic complexity is one of the defining characteristics of Brian Wilson’s writing style, highlighting his ability to push the boundaries of pop music.

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Style Analysis

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This chord progression is a testament to The Beach Boys’ unique style of combining complex harmonic structures with the catchy, upbeat tempos typical of pop music. Wilson’s innovative and gifted arrangement skills are portrayed in his incorporation of unconventional instruments (i.e., theremin) and experimental studio techniques.

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Chords in the Verse 1 section of Good Vibrations by The Beach Boys are:

[‘Dm’, ‘C’, ‘Bb’, ‘A’, ‘Dm’, ‘C’, ‘Bb’, ‘A’, ‘Dm’, ‘C’, ‘Bb’, ‘A’, ‘Dm’, ‘C’, ‘Bb’, ‘A’, ‘C’]