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“Good Vibrations” by The Beach Boys is highly complex and represents an exceptional use of harmonic structuring. The richness of the piece lies in Brian Wilson’s innovative and unpredictable songwriting, who was making significant use of modulation at the time, constantly shifting keys, in this case especially during the transition bridge.

The chord progression for “Kokomo” by The Beach Boys is an example of sophisticated pop songwriting that combines elements of traditional tonal harmony, modal interchange (borrowed chords), and secondary dominants for dramatic effect. This song is in the key of C major.

Tame Impala’s “Let It Happen” is a song in A major key. The chord progression seems simple at first, with a repetitive motive throughout the verse but it creates a hypnotic effect that is very much in line with Tame Impala’s psychedelic style.

“Just The Two of Us” by Grover Washington Jr. is an easy-listening song, falling under R&B and jazz genres. It’s a classic example of the use of major 7th, dominant 7th, and minor 7th chords to create a rich, smooth harmonic texture. The chord progression is quite repetitive and follows a mixture of diatonic and chromatic movement.

“All My Loving” by the Beatles is a great example of their early ’60s pop style. This song’s verse chord progression is in the key of D Major with a mix of minor chords and 7th chords that add to the emotional intensity of the song. The composition blends pop simplicity with complex harmony, encapsulating the Beatles’ innovative songwriting.

The Beach Boys – Good Vibrations – Verse 1

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Chord Progression

[‘Dm’, ‘C’, ‘Bb’, ‘A’, ‘Dm’, ‘C’, ‘Bb’, ‘A’, ‘Dm’, ‘C’, ‘Bb’, ‘A’, ‘Dm’, ‘C’, ‘Bb’, ‘A’, ‘C’]

Chord Progression Analysis

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Here is a simplified version for Verse 1:

Dm – I
C – VII
Bb – VI
A – V

This progression repeats four times in the verse. The verse starts in D minor, and the chord progression descends by step, from Dm (I) to C (VII) to Bb (VI) and then to A (V). This sequence of chords is quite common in pop music.

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Similar Chord Progressions

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1) “Don’t Stop Believin” by Journey:

E – I
B – V
C#m – VI
A – IV

2) “Let It Be” by The Beatles:

C – I
G – V
Am – VI
F – IV
3) “Can You Feel The Love Tonight” by Elton John:

C – I
G – V
Am – VI
F – IV

Note that while these songs do not feature the exact same chord progression as “Good Vibrations,” they nonetheless follow a similar descending pattern, moving from the I chord to IV in their respective keys, illustrating how common this progression is in popular music.

Musical Analysis

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The descending chord progression provides a sense of melancholy along with settling tension. The dissonant tension of the minor chord “Dm” starts off the progression where it resolves to the more consonant major chord “C”. This process repeats as we move from “Bb” to the “A”. The repetition of this four chord sequence creates anticipation which is satisfied each time the sequence repeat again.

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Overall Analysis

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“Good Vibrations” by The Beach Boys employs a series of chord progressions that echo the rising tension and resolution in the song’s narrative. The song is primarily in the key of D minor, with moments of temporary modulation, which allows for colorful and unexpected harmonies to emerge. This harmonic and melodic complexity is one of the defining characteristics of Brian Wilson’s writing style, highlighting his ability to push the boundaries of pop music.

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Style Analysis

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This chord progression is a testament to The Beach Boys’ unique style of combining complex harmonic structures with the catchy, upbeat tempos typical of pop music. Wilson’s innovative and gifted arrangement skills are portrayed in his incorporation of unconventional instruments (i.e., theremin) and experimental studio techniques.

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Chords in the Verse 1 section of Good Vibrations by The Beach Boys are:

[‘Dm’, ‘C’, ‘Bb’, ‘A’, ‘Dm’, ‘C’, ‘Bb’, ‘A’, ‘Dm’, ‘C’, ‘Bb’, ‘A’, ‘Dm’, ‘C’, ‘Bb’, ‘A’, ‘C’]