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Related Music Theory Alchemy

“Good Vibrations” by The Beach Boys is highly complex and represents an exceptional use of harmonic structuring. The richness of the piece lies in Brian Wilson’s innovative and unpredictable songwriting, who was making significant use of modulation at the time, constantly shifting keys, in this case especially during the transition bridge.

“God Only Knows” by The Beach Boys showcases the artistic depth and compositional craft of Brian Wilson, the band’s primary songwriter. The song utilizes a complex chord progression and key changes that are unconventional for pop music of its time. The chord progression creates a sense of constant mood transitions, similar to arias in Romantic era music.

“Castles Made Of Sand” is a song by Jimi Hendrix, featured on the 1967 album “Axis: Bold as Love.” The chord progression in the verse is notable for its use of both diatonic and chromatic chords, creating a complex harmonic structure that reflects the intricate guitar work and emotive lyrics of the song.

The chord progression in “Closer” by Nine Inch Nails is primarily centered around the Cm7 chord throughout the verses and pre-choruses, with the chorus briefly moving to the F major chord before returning back to Cm7. The song is in the key of C minor, and the chords used are mostly diatonic to the key, creating a dark and somewhat haunting atmosphere. The progression is simplistic but effective, establishing a strong sense of forward motion and tension that is fitting for the industrial rock style of the song.

“Eleanor Rigby’” is a song by The Beatles, released on their 1966 album “Revolver”. Being unusually somber and profound for a pop song, it showcases The Beatles’ expanding musical palette and their desire to move past the conventional parameters of popular music at the time. The song itself is crafted entirely around the key of E minor, with only occasional diversions to the IV chord (C Major). It strongly exhibits the use of Aeolian mode (commonly known as the ‘natural’ minor) and employs string quartet instrumentation, a unique stylistic pattern at that time.

The Beach Boys – Good Vibrations – Verse 1

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Chord Progression

[‘Dm’, ‘C’, ‘Bb’, ‘A’, ‘Dm’, ‘C’, ‘Bb’, ‘A’, ‘Dm’, ‘C’, ‘Bb’, ‘A’, ‘Dm’, ‘C’, ‘Bb’, ‘A’, ‘C’]

Chord Progression Analysis

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Here is a simplified version for Verse 1:

Dm – I
C – VII
Bb – VI
A – V

This progression repeats four times in the verse. The verse starts in D minor, and the chord progression descends by step, from Dm (I) to C (VII) to Bb (VI) and then to A (V). This sequence of chords is quite common in pop music.

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Similar Chord Progressions

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1) “Don’t Stop Believin” by Journey:

E – I
B – V
C#m – VI
A – IV

2) “Let It Be” by The Beatles:

C – I
G – V
Am – VI
F – IV
3) “Can You Feel The Love Tonight” by Elton John:

C – I
G – V
Am – VI
F – IV

Note that while these songs do not feature the exact same chord progression as “Good Vibrations,” they nonetheless follow a similar descending pattern, moving from the I chord to IV in their respective keys, illustrating how common this progression is in popular music.

Musical Analysis

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The descending chord progression provides a sense of melancholy along with settling tension. The dissonant tension of the minor chord “Dm” starts off the progression where it resolves to the more consonant major chord “C”. This process repeats as we move from “Bb” to the “A”. The repetition of this four chord sequence creates anticipation which is satisfied each time the sequence repeat again.

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Overall Analysis

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“Good Vibrations” by The Beach Boys employs a series of chord progressions that echo the rising tension and resolution in the song’s narrative. The song is primarily in the key of D minor, with moments of temporary modulation, which allows for colorful and unexpected harmonies to emerge. This harmonic and melodic complexity is one of the defining characteristics of Brian Wilson’s writing style, highlighting his ability to push the boundaries of pop music.

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Style Analysis

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This chord progression is a testament to The Beach Boys’ unique style of combining complex harmonic structures with the catchy, upbeat tempos typical of pop music. Wilson’s innovative and gifted arrangement skills are portrayed in his incorporation of unconventional instruments (i.e., theremin) and experimental studio techniques.

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Chords in the Verse 1 section of Good Vibrations by The Beach Boys are:

[‘Dm’, ‘C’, ‘Bb’, ‘A’, ‘Dm’, ‘C’, ‘Bb’, ‘A’, ‘Dm’, ‘C’, ‘Bb’, ‘A’, ‘Dm’, ‘C’, ‘Bb’, ‘A’, ‘C’]