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Related Music Theory Alchemy

“Good Vibrations” by The Beach Boys is highly complex and represents an exceptional use of harmonic structuring. The richness of the piece lies in Brian Wilson’s innovative and unpredictable songwriting, who was making significant use of modulation at the time, constantly shifting keys, in this case especially during the transition bridge.

“God Only Knows” by The Beach Boys showcases the artistic depth and compositional craft of Brian Wilson, the band’s primary songwriter. The song utilizes a complex chord progression and key changes that are unconventional for pop music of its time. The chord progression creates a sense of constant mood transitions, similar to arias in Romantic era music.

The chorus of “Right Where It Belongs” by Nine Inch Nails is built upon a repeating four-chord progression of Gm-Bb-F-C. This song is in the key of Bb major (with two flats in the key signature, Bb and Eb). All the chords used in this song are derived from the Bb major scale, which makes this a diatonic chord progression. There is no borrowed or chromatic harmony in this song.

The chord progression in the chorus of “Are We Still Friends” by Tyler, The Creator is a relatively simple yet effective progression that contains some characteristic elements of R&B and soul music. It includes a mixture of major and minor chords and a predominant use of dominant 7 chords (in this case, E7) to create a sense of tension and resolve within the progression. This progression is simple enough that it allows for the melody and lyrics to shine while still providing harmonic interest.

Muse’s “Can’t Take My Eyes Off You” is a rock interpretation of the classic 1967 pop song “Can’t Take My Eyes Off You” by Frankie Valli, which has been covered by various artists in different styles. The chord progression of the chorus is characterized by a series of diatonic chords, predominant in Western pop music. This progression follows a typical 1950’s “doowop” pattern present in countless pop and rock songs, utilizing the familiar circle of fourths movement (Dm-G-C) and establishing a straightforward harmonic rhythm.

Chord Progression Analysis with Roman Numerals (borrowed chords in code block):

D minor (iv) – G major (VII) – C major (I) – A minor (vi) – D minor (iv) – G major (VII) – C major (I) – A major (V/vi) – D minor (iv) – G major (VII) – C major (I) – A minor (vi) – D minor (iv) – G major (VII) – C major 7 (Imaj7) – C7 (I7) – C6 (I6) – C major (I) – Ab major (*bVI) – C major (I)

`* Ab major (bVI) is a borrowed chord from the parallel minor key (C minor).`

The Beach Boys – Good Vibrations – Chorus

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Chord Progression

[‘F’, ‘Bb’, ‘F’, ‘Bb’, ‘F’, ‘Bb’, ‘F’, ‘Bb’, ‘F’, ‘Bb’, ‘F’, ‘Bb’, ‘F’, ‘Bb’, ‘F’, ‘Bb’, ‘G’, ‘C’, ‘G’, ‘C’, ‘G’, ‘C’, ‘G’, ‘C’, ‘A’, ‘D’, ‘A’, ‘D’, ‘A’, ‘D’, ‘A’, ‘D’]

Chord Progression Analysis

“`
F Major (IV), Bb Major (bVII), F Major (IV), Bb Major (bVII),
F Major (IV), Bb Major (bVII), F Major (IV), Bb Major (bVII),
F Major (IV), Bb Major (bVII), F Major (IV), Bb Major (bVII),
F Major (IV), Bb Major (bVII),
G Major (V), C Major (I), G Major (V), C Major (I),
G Major (V), C Major (I), G Major (V), C Major (I),
A Major (IV), D Major (VII), A Major (IV), D Major (VII),
A Major (IV), D Major (VII), A Major (IV), D Major (VII).
“`

In the listed progression, Bb Major and D Major are borrowed chords from the parallel minor (A minor).

Similar Chord Progressions

John Lennon’s “Imagine” shares a similar use of the IV and bVII chords found in “Good Vibrations.” Here’s the chord progression –

“`
C Major (I), Cmaj7 (I7), F Major (IV), F Major (IV),
Dm (ii), Dm (ii), F Major (IV), F Major (IV),
C Major (I), Cmaj7 (I7), F Major (IV), F Major (IV),
Dm (ii), Dm (ii), F Major (IV), F Major (IV),
E7 (V), Am/E (vi/I), E7 (V), Am/E (vi/I),
E7 (V), Am/E (vi/I), E7 (VII/bIII), Am (vi).
“`

Note the Lennon song’s use of the IV chord as well as the bVII just like “Good Vibrations”. In “Imagine”, John Lennon uses these chords to create a dreamy, thoughtful atmosphere.

Musical Analysis

“Good Vibrations” is a great example of the Beach Boys’ harmonically adventurous style. The progression begins regularly, but the use of borrowed chords Bb major and D Major creates noticeable color. Using these borrowed chords, Brian Wilson achieves a modal mixture, borrowing from the parallel minor. The key modulation seen when shifting from F Major to G Major to A Major is an unexpected twist, adding to the song’s complexities.

Overall Analysis

The Beach Boys’ “Good Vibrations” presents an interesting mix of major and minor chords with excellent use of chord inversions and borrowings. The song is harmonically adventurous, showcasing the band’s pop mastery with Brian Wilson’s unmatched compositional skills. This song is primarily in the key of A Major, with many borrowed chords and modulation that creates its unique feel.

Style Analysis

The Beach Boys favor intricate harmonies and complex compositional structure, reflective of their primary songwriter, Brian Wilson’s, background in jazz and classical music. Their music features extensive use of extended harmony, borrowed chords, and modulations.

Chords in the Chorus section of Good Vibrations by The Beach Boys are:

[‘F’, ‘Bb’, ‘F’, ‘Bb’, ‘F’, ‘Bb’, ‘F’, ‘Bb’, ‘F’, ‘Bb’, ‘F’, ‘Bb’, ‘F’, ‘Bb’, ‘F’, ‘Bb’, ‘G’, ‘C’, ‘G’, ‘C’, ‘G’, ‘C’, ‘G’, ‘C’, ‘A’, ‘D’, ‘A’, ‘D’, ‘A’, ‘D’, ‘A’, ‘D’]