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Related Music Theory Alchemy

“God Only Knows” by The Beach Boys is one of their most well-known pieces and a primary example of the sophisticated harmonic writing characteristic of the group’s 1966 “Pet Sounds” record. This piece is particularly designed in the key of A major. The Outro of the song includes the following chords: ‘A’, ‘E/G#’, ‘F#m7’, ‘E/G#’ and many other chords throughout the song with complex chord changes that might not be typical in a pop song, but are characteristic of the band’s sound.

“Good Vibrations” by The Beach Boys is highly complex and represents an exceptional use of harmonic structuring. The richness of the piece lies in Brian Wilson’s innovative and unpredictable songwriting, who was making significant use of modulation at the time, constantly shifting keys, in this case especially during the transition bridge.

“Knives Out” by Radiohead features a chord progression that combines elements of rock and jazz with a touch of chromaticism. The harmony is based in the key of C minor, but it also borrows chords from the parallel major key, creating an interesting mix of major and minor tonalities. The overall feel of the piece is melancholic and introspective, with various chord relationships contributing to this mood.

“Two Weeks” by Grizzly Bear exhibits a common pop chord progression and harmonic rhythm. The chords are primarily in root position, which contributes to the song’s straightforward and accessible sound. Stylistically, the track shows the band’s indie-rock influences and features a prominent piano part that drives the harmony.

“Weekend Wars” by MGMT features a distinctive and slightly unconventional chord progression. The verse is in D minor and consists of 22 chords, providing a unique and somewhat complex harmonic landscape. The majority of the chords used are diatonic, but there are also borrowed chords and other non-diatonic chords which contribute to the song’s unique character.

Chord Progression:
Dm (i), C (VII), G (IV), C (VII), G (IV), F (III), Dm (i), C (VII), F (III), Am (v), F (III), Dm (i), C (VII), G (IV), C (VII), G (IV), F (III), Dm (i), C (VII), F (III), Am (v), F (III)

Dm – D minor
C – C major
G – G major (borrowed chord)
F – F major
Am – A minor

The Beach Boys – God Only Knows – Verse

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Chord Progression

[‘D/A’, ‘Bm6’, ‘F#m’, ‘F#m7’, ‘B/A’, ‘E/B’, ‘Cdim’, ‘E/B’, ‘A#m7b5’, ‘A’, ‘E/G#’, ‘F#m7’, ‘E’]

Chord Progression Analysis

1. D/A: D major chord over A (‘IV64)
2. Bm6: B minor, 6th chord in D major (‘vi6)
3. F#m: F# minor chord (‘iii in A)
4. F#m7: F# minor seventh chord (‘iii7 in A)
5. B/A: B major chord over A (‘V64/V)
6. E/B: E major over B (‘V64)
7. Cdim: C diminished chord (‘ii° in B)
8. E/B: E major over B (‘V64)
9. A#m7b5: A sharp minor 7th flat 5th chord (°vii7 in B)
10. A: A major chord (‘I in A)
11. E/G#: E major over G# (‘V6 in A)
12. F#m7: F# minor 7th chord (‘vi7 in A)
13. E: E major chord (‘V in A)

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The borrowed chords here are B major over A (a secondary dominant, or ‘borrowed’ from the key of E) and A#m7b5 (half-diminished chord borrowed from the key of B).
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Similar Chord Progressions

Whilst “God Only Knows” features unique chord progression, there are other artists known for their experimental approach to harmony such as Stevie Wonder and The Beatles.

1. “You Never Give Me Your Money” by The Beatles, with its distinctive segment of Em7 – A7 – Dmaj7 – D7, also exhibits interesting chord movement.
2. “As” by Stevie Wonder, especially in its chorus with the progression Bm7 – E11 – Amaj7, directly creates a dramatic tone by temporary modulation from A major to B minor before returning to the home key again.

However, it is worth noting that “God Only Knows” is seen as particularly unique due to its intricate weaving of borrowed chords and multiple key changes within its brief 2:52 duration.

Musical Analysis

The use of borrowed chords and intricate progressions creates an almost narrative soundscape. A good example is the progression from F#m7 to B/A. It evokes a feeling of longing due to the half-step motion from the submediant to the secondary dominant of the dominant. The use of secondary dominants and leading-tone chords enhances the sense of key movement and harmonic tension and release.

Overall Analysis

“God Only Knows” by The Beach Boys showcases the artistic depth and compositional craft of Brian Wilson, the band’s primary songwriter. The song utilizes a complex chord progression and key changes that are unconventional for pop music of its time. The chord progression creates a sense of constant mood transitions, similar to arias in Romantic era music.

Style Analysis

In “God Only Knows,” The Beach Boys leverage unexpected but pleasantly surprising chord changes and harmonic developments, a characteristic common to Brian Wilson’s songwriting. This sophistication, combined with the song’s orchestration and layered harmonies, imbues the music with a symphonic feel that sets The Beach Boys apart from their contemporaries.

Chords in the Verse section of God Only Knows by The Beach Boys are:

[‘D/A’, ‘Bm6’, ‘F#m’, ‘F#m7’, ‘B/A’, ‘E/B’, ‘Cdim’, ‘E/B’, ‘A#m7b5’, ‘A’, ‘E/G#’, ‘F#m7’, ‘E’]