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Related Music Theory Alchemy

“God Only Knows” by The Beach Boys is one of their most well-known pieces and a primary example of the sophisticated harmonic writing characteristic of the group’s 1966 “Pet Sounds” record. This piece is particularly designed in the key of A major. The Outro of the song includes the following chords: ‘A’, ‘E/G#’, ‘F#m7’, ‘E/G#’ and many other chords throughout the song with complex chord changes that might not be typical in a pop song, but are characteristic of the band’s sound.

The chord progression for “Kokomo” by The Beach Boys is an example of sophisticated pop songwriting that combines elements of traditional tonal harmony, modal interchange (borrowed chords), and secondary dominants for dramatic effect. This song is in the key of C major.

The progression starts on the suspended II chord of the key, which anticipates resolution either to the tonic (E major) or the supertonic (F# minor). However, it instead moves to the dominant minor (C# minor), suggesting a borrowed chord from the parallel minor (E minor). The D major chord which concludes the progression is a borrowed II from E minor as well.

“The Continuing Story of Bungalow Bill” features a verse in A minor with a brief but significant shift to F minor, due to the use of borrowed chords or modal mixture. Notably, it showcases The Beatles’ sophisticated approach to harmonization, utilizing unconventional chord progressions & modulations that are cyclical.

“Hey Jude,” by The Beatles, is an iconic song. The chord progression is in the key of D major and it follows a sort of Variation on I-V-IV-I progression of many pop and rock songs. However, what makes this song extremely unique is its out-of-the-box structure and the experimental use of borrowed cords – it shows The Beatles’ fondness for combining elements of pop, rock and classical music and results in an emotional, powerful progression that resonates strongly with listeners.

The Beach Boys – God Only Knows – Verse

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Chord Progression

[‘D/A’, ‘Bm6’, ‘F#m’, ‘F#m7’, ‘B/A’, ‘E/B’, ‘Cdim’, ‘E/B’, ‘A#m7b5’, ‘A’, ‘E/G#’, ‘F#m7’, ‘E’]

Chord Progression Analysis

1. D/A: D major chord over A (‘IV64)
2. Bm6: B minor, 6th chord in D major (‘vi6)
3. F#m: F# minor chord (‘iii in A)
4. F#m7: F# minor seventh chord (‘iii7 in A)
5. B/A: B major chord over A (‘V64/V)
6. E/B: E major over B (‘V64)
7. Cdim: C diminished chord (‘ii° in B)
8. E/B: E major over B (‘V64)
9. A#m7b5: A sharp minor 7th flat 5th chord (°vii7 in B)
10. A: A major chord (‘I in A)
11. E/G#: E major over G# (‘V6 in A)
12. F#m7: F# minor 7th chord (‘vi7 in A)
13. E: E major chord (‘V in A)

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The borrowed chords here are B major over A (a secondary dominant, or ‘borrowed’ from the key of E) and A#m7b5 (half-diminished chord borrowed from the key of B).
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Similar Chord Progressions

Whilst “God Only Knows” features unique chord progression, there are other artists known for their experimental approach to harmony such as Stevie Wonder and The Beatles.

1. “You Never Give Me Your Money” by The Beatles, with its distinctive segment of Em7 – A7 – Dmaj7 – D7, also exhibits interesting chord movement.
2. “As” by Stevie Wonder, especially in its chorus with the progression Bm7 – E11 – Amaj7, directly creates a dramatic tone by temporary modulation from A major to B minor before returning to the home key again.

However, it is worth noting that “God Only Knows” is seen as particularly unique due to its intricate weaving of borrowed chords and multiple key changes within its brief 2:52 duration.

Musical Analysis

The use of borrowed chords and intricate progressions creates an almost narrative soundscape. A good example is the progression from F#m7 to B/A. It evokes a feeling of longing due to the half-step motion from the submediant to the secondary dominant of the dominant. The use of secondary dominants and leading-tone chords enhances the sense of key movement and harmonic tension and release.

Overall Analysis

“God Only Knows” by The Beach Boys showcases the artistic depth and compositional craft of Brian Wilson, the band’s primary songwriter. The song utilizes a complex chord progression and key changes that are unconventional for pop music of its time. The chord progression creates a sense of constant mood transitions, similar to arias in Romantic era music.

Style Analysis

In “God Only Knows,” The Beach Boys leverage unexpected but pleasantly surprising chord changes and harmonic developments, a characteristic common to Brian Wilson’s songwriting. This sophistication, combined with the song’s orchestration and layered harmonies, imbues the music with a symphonic feel that sets The Beach Boys apart from their contemporaries.

Chords in the Verse section of God Only Knows by The Beach Boys are:

[‘D/A’, ‘Bm6’, ‘F#m’, ‘F#m7’, ‘B/A’, ‘E/B’, ‘Cdim’, ‘E/B’, ‘A#m7b5’, ‘A’, ‘E/G#’, ‘F#m7’, ‘E’]