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Related Music Theory Alchemy

“God Only Knows” by The Beach Boys is one of their most well-known pieces and a primary example of the sophisticated harmonic writing characteristic of the group’s 1966 “Pet Sounds” record. This piece is particularly designed in the key of A major. The Outro of the song includes the following chords: ‘A’, ‘E/G#’, ‘F#m7’, ‘E/G#’ and many other chords throughout the song with complex chord changes that might not be typical in a pop song, but are characteristic of the band’s sound.

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“Good Vibrations” by The Beach Boys employs a series of chord progressions that echo the rising tension and resolution in the song’s narrative. The song is primarily in the key of D minor, with moments of temporary modulation, which allows for colorful and unexpected harmonies to emerge. This harmonic and melodic complexity is one of the defining characteristics of Brian Wilson’s writing style, highlighting his ability to push the boundaries of pop music.

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“Little Sister” by Queens of the Stone Age is in C# minor and features an interesting blend of simple cycle of power chords, articulating a I – V/v – III – V progression during verses. The track is heavy but also melodic, built from a four-chord pattern that creates a mesmerizing tonality within the rock genre.

“Tiny Dancer” by Elton John, written in the key of C Major, is a classic example of elaborate pop song writing. The chord progression features common primary and secondary chords in the key of C Major, along with some borrowed chords to add color. This combination makes for a memorable and melodic song.

The most unique feature of the song is how it slowly changes to the key of C minor in the second half of the verse, making use of two borrowed chords. This is a powerful tool in songwriting, as it can dramatically affect the emotional tone of the song. Lastly, this song demonstrates Elton John’s use of Coloristic harmony, through chromatically altered chords.

The chord progression in “Ramona” by Beck is a blend of diatonic and chromatic harmony with some borrowed chords from outside the key. The piece is in the key of G major, and it features several instances of voice leading, smooth transitions between chords, and the occasional unexpected chord that adds interest and depth to the progression.

The Beach Boys – God Only Knows – Verse

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Chord Progression

[‘D/A’, ‘Bm6’, ‘F#m’, ‘F#m7’, ‘B/A’, ‘E/B’, ‘Cdim’, ‘E/B’, ‘A#m7b5’, ‘A’, ‘E/G#’, ‘F#m7’, ‘E’]

Chord Progression Analysis

1. D/A: D major chord over A (‘IV64)
2. Bm6: B minor, 6th chord in D major (‘vi6)
3. F#m: F# minor chord (‘iii in A)
4. F#m7: F# minor seventh chord (‘iii7 in A)
5. B/A: B major chord over A (‘V64/V)
6. E/B: E major over B (‘V64)
7. Cdim: C diminished chord (‘ii° in B)
8. E/B: E major over B (‘V64)
9. A#m7b5: A sharp minor 7th flat 5th chord (°vii7 in B)
10. A: A major chord (‘I in A)
11. E/G#: E major over G# (‘V6 in A)
12. F#m7: F# minor 7th chord (‘vi7 in A)
13. E: E major chord (‘V in A)

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The borrowed chords here are B major over A (a secondary dominant, or ‘borrowed’ from the key of E) and A#m7b5 (half-diminished chord borrowed from the key of B).
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Similar Chord Progressions

Whilst “God Only Knows” features unique chord progression, there are other artists known for their experimental approach to harmony such as Stevie Wonder and The Beatles.

1. “You Never Give Me Your Money” by The Beatles, with its distinctive segment of Em7 – A7 – Dmaj7 – D7, also exhibits interesting chord movement.
2. “As” by Stevie Wonder, especially in its chorus with the progression Bm7 – E11 – Amaj7, directly creates a dramatic tone by temporary modulation from A major to B minor before returning to the home key again.

However, it is worth noting that “God Only Knows” is seen as particularly unique due to its intricate weaving of borrowed chords and multiple key changes within its brief 2:52 duration.

Musical Analysis

The use of borrowed chords and intricate progressions creates an almost narrative soundscape. A good example is the progression from F#m7 to B/A. It evokes a feeling of longing due to the half-step motion from the submediant to the secondary dominant of the dominant. The use of secondary dominants and leading-tone chords enhances the sense of key movement and harmonic tension and release.

Overall Analysis

“God Only Knows” by The Beach Boys showcases the artistic depth and compositional craft of Brian Wilson, the band’s primary songwriter. The song utilizes a complex chord progression and key changes that are unconventional for pop music of its time. The chord progression creates a sense of constant mood transitions, similar to arias in Romantic era music.

Style Analysis

In “God Only Knows,” The Beach Boys leverage unexpected but pleasantly surprising chord changes and harmonic developments, a characteristic common to Brian Wilson’s songwriting. This sophistication, combined with the song’s orchestration and layered harmonies, imbues the music with a symphonic feel that sets The Beach Boys apart from their contemporaries.

Chords in the Verse section of God Only Knows by The Beach Boys are:

[‘D/A’, ‘Bm6’, ‘F#m’, ‘F#m7’, ‘B/A’, ‘E/B’, ‘Cdim’, ‘E/B’, ‘A#m7b5’, ‘A’, ‘E/G#’, ‘F#m7’, ‘E’]