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Related Music Theory Alchemy

The song “Let It Happen” by Tame Impala, which is in the key of A Major, uses a simple yet effective chord progression during its outro. The common pattern of I-vi-IIIIV (Major-minor-Suspended 4) recurs throughout. The G#sus4 chord provides a moment of tension before resolving back to the tonic and restarting the pattern. The progression concludes with an Emaj7 chord, which is a borrowed chord from the parallel minor.

The intro of “My Name Is Jonas” by Weezer is a simple, yet effective chord progression in the key of C major. The progression starts on the tonic, moves to a first inversion of a G6 chord, followed by an A minor chord, and finally back to the first inversion of the G6 chord. The progression has a circular nature, which adds to the song’s catchiness and memorability.

“Don’t Let The Sun Go Down On Me” by George Michael displays a sophisticated use of common-pop progression with some borrowed chords and secondary dominants. The progression displays the pop and soul music influence, with its powerful use of dominant and subdominant movements.

“This Masquerade” by George Benson is a jazz/R&B fusion piece with a smooth and laid-back feel. It features a slightly chromatic and sophisticated chord progression, complete with altered extensions and slash chords, resulting in a rich harmonic texture that is both soulful and intricate. The progression has some similarities to other jazz and R&B chord progressions used by artists such as Stevie Wonder, Donald Fagen (of Steely Dan), and Antonio Carlos Jobim.

Tame Impala – Yes Im Changing – Intro

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Chord Progression

[‘C’, ‘Csus2’, ‘Cadd9’, ‘C’, ‘Am’, ‘F’, ‘C’, ‘C’, ‘Csus2’, ‘Cadd9’, ‘C’, ‘Am’, ‘F’, ‘C’, ‘C’, ‘Csus2’, ‘Cadd9’, ‘C’, ‘Am’, ‘F’, ‘C’, ‘G’, ‘C’, ‘Csus2’, ‘Cadd9’, ‘C’, ‘Am’, ‘F’, ‘C’, ‘C’, ‘Csus2’, ‘Cadd9’, ‘C’, ‘Am’, ‘F’, ‘C’, ‘C’, ‘Csus2’, ‘Cadd9’, ‘C’, ‘Am’, ‘F’, ‘C’, ‘C’, ‘Csus2’, ‘Cadd9’, ‘C’, ‘Am’, ‘F’, ‘C’, ‘G’, ‘C’, ‘F’]

Chord Progression Analysis

C major (I) – Csus2 – C add9 – C major (I)
A minor (vi) – F Major (IV) – C Major (I)

G Major (V) – C major (I) – Csus2 – C add9 – C major (I)
A minor (vi) – F Major (IV) – C Major (I)

The Csus2 and C add9 chords are mere variations of the tonic chord and don’t really change the harmonic function of the progression.

“`
C Major (I)
Csus2 (Isus2)
Cadd9 (Iadd9)
A minor (vi)
F Major (IV)
G Major (V)
“`

Similar Chord Progressions

The classic I – vi – IV – I progression used in “Yes I’m Changing” is somewhat reminiscent of the progressions often used by The Beatles, with a bit of a psychedelic twist. For example, the song “Let it Be” uses the progression:

C Major (I) – G Major (V) – A minor (vi) – F Major (IV)

The frequent use of the tonic chord and resolution-sus2-add9 pattern also bears some resemblance to the work of Pink Floyd, particularly in the song “Comfortably Numb” which uses a progression with a similar feel:

B minor (i) – A major (VII) – G (VI) – E minor (iv)

However, these comparisons are general and subjective, the unique sound Tame Impala creates is quite its own.

Musical Analysis

This continuous return to the C Major chord (the tonic) creates a strong feeling of tonal center. The progression creates a sort of “floating” feeling, with little tension that resolves back to the home key. The use of the sus2 and add9 chords provide a more open and resonant sound, adding texture to the progression. The use of the V chord (G major) injects a small amount of tension into the progression and serves to lead the progression back to the I chord (C major) again.

Overall Analysis

“Yes I’m Changing” by Tame Impala uses a repetitive chord progression throughout the majority of the song, alternating primarily between the chords C, Csus2, Cadd9, Am, F, and G. This pattern is characterized by constant resolution with the tonic of the key, C Major. However, the progression occasionally diverges from the typical diatonic pattern by introducing a G Major chord, which is a V chord in the C Major scale.

Style Analysis

Tame Impala is known for blending psychedelic music with elements of pop, rock, and electronic music. The chord progression, with its consistent return to the tonic and the use of extended chords (sus2 and add9), aligns perfectly with this stylistic approach. The constant repetition, the use of floaty, atmospheric timbres, and the harmonic simplicity here are in line with the approach that Tame Impala often takes, making the music both accessible and slightly “trippy”.

Chords in the Intro section of Yes Im Changing by Tame Impala are:

[‘C’, ‘Csus2’, ‘Cadd9’, ‘C’, ‘Am’, ‘F’, ‘C’, ‘C’, ‘Csus2’, ‘Cadd9’, ‘C’, ‘Am’, ‘F’, ‘C’, ‘C’, ‘Csus2’, ‘Cadd9’, ‘C’, ‘Am’, ‘F’, ‘C’, ‘G’, ‘C’, ‘Csus2’, ‘Cadd9’, ‘C’, ‘Am’, ‘F’, ‘C’, ‘C’, ‘Csus2’, ‘Cadd9’, ‘C’, ‘Am’, ‘F’, ‘C’, ‘C’, ‘Csus2’, ‘Cadd9’, ‘C’, ‘Am’, ‘F’, ‘C’, ‘C’, ‘Csus2’, ‘Cadd9’, ‘C’, ‘Am’, ‘F’, ‘C’, ‘G’, ‘C’, ‘F’]