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This chord progression is in the key of Am. The work can be seen as a mix of the Western tonal harmony, incorporating the use of inversions alongside nondiatonic chords. Tame Impala employs the elements of neo-psychedelia with unique chord progressions and arrangements. The alteration between two chords creates a revolving feeling, reinforcing the title “alter ego”.

The chord progression in the intro of “After the Storm” by Kali Uchis showcases a mix of diatonic and chromatic movements, borrowing elements from jazz and R&B. The use of 7th chords and an augmented chord suggests a harmonically rich and colorful tonality, creating an intriguing atmosphere that captures the listener’s attention.

The Beatles’ “Something” is a soulful ballad from their 1969 album “Abbey Road.” It’s primarily composed in the key of C major, but features modulations to other keys throughout its duration. The harmony of this song is somewhat complicated, but still rooted in traditional practices. “Something” effectively uses borrowed chords—chords from parallel keys—to create a fresh and memorable sound.

The chord progression in the intro of “Loner” by Kali Uchis is a mixture of simple diatonic harmony and some more complex non-diatonic chords, which creates a jazzy and ethereal atmosphere. It is a 4-chord progression that resolves on F#m, making it a loop. The style of this progression is reminiscent of the Neo-Soul genre, and it can be found in some other songs across various musical styles.

Tame Impala – Yes Im Changing – Intro

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Chord Progression

[‘C’, ‘Csus2’, ‘Cadd9’, ‘C’, ‘Am’, ‘F’, ‘C’, ‘C’, ‘Csus2’, ‘Cadd9’, ‘C’, ‘Am’, ‘F’, ‘C’, ‘C’, ‘Csus2’, ‘Cadd9’, ‘C’, ‘Am’, ‘F’, ‘C’, ‘G’, ‘C’, ‘Csus2’, ‘Cadd9’, ‘C’, ‘Am’, ‘F’, ‘C’, ‘C’, ‘Csus2’, ‘Cadd9’, ‘C’, ‘Am’, ‘F’, ‘C’, ‘C’, ‘Csus2’, ‘Cadd9’, ‘C’, ‘Am’, ‘F’, ‘C’, ‘C’, ‘Csus2’, ‘Cadd9’, ‘C’, ‘Am’, ‘F’, ‘C’, ‘G’, ‘C’, ‘F’]

Chord Progression Analysis

C major (I) – Csus2 – C add9 – C major (I)
A minor (vi) – F Major (IV) – C Major (I)

G Major (V) – C major (I) – Csus2 – C add9 – C major (I)
A minor (vi) – F Major (IV) – C Major (I)

The Csus2 and C add9 chords are mere variations of the tonic chord and don’t really change the harmonic function of the progression.

“`
C Major (I)
Csus2 (Isus2)
Cadd9 (Iadd9)
A minor (vi)
F Major (IV)
G Major (V)
“`

Similar Chord Progressions

The classic I – vi – IV – I progression used in “Yes I’m Changing” is somewhat reminiscent of the progressions often used by The Beatles, with a bit of a psychedelic twist. For example, the song “Let it Be” uses the progression:

C Major (I) – G Major (V) – A minor (vi) – F Major (IV)

The frequent use of the tonic chord and resolution-sus2-add9 pattern also bears some resemblance to the work of Pink Floyd, particularly in the song “Comfortably Numb” which uses a progression with a similar feel:

B minor (i) – A major (VII) – G (VI) – E minor (iv)

However, these comparisons are general and subjective, the unique sound Tame Impala creates is quite its own.

Musical Analysis

This continuous return to the C Major chord (the tonic) creates a strong feeling of tonal center. The progression creates a sort of “floating” feeling, with little tension that resolves back to the home key. The use of the sus2 and add9 chords provide a more open and resonant sound, adding texture to the progression. The use of the V chord (G major) injects a small amount of tension into the progression and serves to lead the progression back to the I chord (C major) again.

Overall Analysis

“Yes I’m Changing” by Tame Impala uses a repetitive chord progression throughout the majority of the song, alternating primarily between the chords C, Csus2, Cadd9, Am, F, and G. This pattern is characterized by constant resolution with the tonic of the key, C Major. However, the progression occasionally diverges from the typical diatonic pattern by introducing a G Major chord, which is a V chord in the C Major scale.

Style Analysis

Tame Impala is known for blending psychedelic music with elements of pop, rock, and electronic music. The chord progression, with its consistent return to the tonic and the use of extended chords (sus2 and add9), aligns perfectly with this stylistic approach. The constant repetition, the use of floaty, atmospheric timbres, and the harmonic simplicity here are in line with the approach that Tame Impala often takes, making the music both accessible and slightly “trippy”.

Chords in the Intro section of Yes Im Changing by Tame Impala are:

[‘C’, ‘Csus2’, ‘Cadd9’, ‘C’, ‘Am’, ‘F’, ‘C’, ‘C’, ‘Csus2’, ‘Cadd9’, ‘C’, ‘Am’, ‘F’, ‘C’, ‘C’, ‘Csus2’, ‘Cadd9’, ‘C’, ‘Am’, ‘F’, ‘C’, ‘G’, ‘C’, ‘Csus2’, ‘Cadd9’, ‘C’, ‘Am’, ‘F’, ‘C’, ‘C’, ‘Csus2’, ‘Cadd9’, ‘C’, ‘Am’, ‘F’, ‘C’, ‘C’, ‘Csus2’, ‘Cadd9’, ‘C’, ‘Am’, ‘F’, ‘C’, ‘C’, ‘Csus2’, ‘Cadd9’, ‘C’, ‘Am’, ‘F’, ‘C’, ‘G’, ‘C’, ‘F’]