Search

Related Music Theory Alchemy

The song “Let It Happen” by Tame Impala, which is in the key of A Major, uses a simple yet effective chord progression during its outro. The common pattern of I-vi-IIIIV (Major-minor-Suspended 4) recurs throughout. The G#sus4 chord provides a moment of tension before resolving back to the tonic and restarting the pattern. The progression concludes with an Emaj7 chord, which is a borrowed chord from the parallel minor.

“Sometimes It Snows In April” is commonly recognised as a hauntingly beautiful ballad that features gentle, intricate piano work and tender vocals. Musically, it explores a slightly complex harmonic structure that creates a profound emotive sound spectrum.

The Beatles’ “Something” is a soulful ballad from their 1969 album “Abbey Road.” It’s primarily composed in the key of C major, but features modulations to other keys throughout its duration. The harmony of this song is somewhat complicated, but still rooted in traditional practices. “Something” effectively uses borrowed chords—chords from parallel keys—to create a fresh and memorable sound.

“Island in the Sun” by Weezer is a popular song that features a simple and catchy chord progression. The intro progression creates a pleasant and comforting atmosphere, and it sets up the laid-back, summer vibe of the song. The chords are primarily diatonic to the key of G major, except for the borrowed chord from the parallel minor. The progression is quite common in pop and rock music, and it shares similarities with other famous songs.

Tame Impala – Yes Im Changing – Intro

Add To Favorites Remove From Favorites

< All Analyses

Chord Progression

[‘C’, ‘Csus2’, ‘Cadd9’, ‘C’, ‘Am’, ‘F’, ‘C’, ‘C’, ‘Csus2’, ‘Cadd9’, ‘C’, ‘Am’, ‘F’, ‘C’, ‘C’, ‘Csus2’, ‘Cadd9’, ‘C’, ‘Am’, ‘F’, ‘C’, ‘G’, ‘C’, ‘Csus2’, ‘Cadd9’, ‘C’, ‘Am’, ‘F’, ‘C’, ‘C’, ‘Csus2’, ‘Cadd9’, ‘C’, ‘Am’, ‘F’, ‘C’, ‘C’, ‘Csus2’, ‘Cadd9’, ‘C’, ‘Am’, ‘F’, ‘C’, ‘C’, ‘Csus2’, ‘Cadd9’, ‘C’, ‘Am’, ‘F’, ‘C’, ‘G’, ‘C’, ‘F’]

Chord Progression Analysis

C major (I) – Csus2 – C add9 – C major (I)
A minor (vi) – F Major (IV) – C Major (I)

G Major (V) – C major (I) – Csus2 – C add9 – C major (I)
A minor (vi) – F Major (IV) – C Major (I)

The Csus2 and C add9 chords are mere variations of the tonic chord and don’t really change the harmonic function of the progression.

“`
C Major (I)
Csus2 (Isus2)
Cadd9 (Iadd9)
A minor (vi)
F Major (IV)
G Major (V)
“`

Similar Chord Progressions

The classic I – vi – IV – I progression used in “Yes I’m Changing” is somewhat reminiscent of the progressions often used by The Beatles, with a bit of a psychedelic twist. For example, the song “Let it Be” uses the progression:

C Major (I) – G Major (V) – A minor (vi) – F Major (IV)

The frequent use of the tonic chord and resolution-sus2-add9 pattern also bears some resemblance to the work of Pink Floyd, particularly in the song “Comfortably Numb” which uses a progression with a similar feel:

B minor (i) – A major (VII) – G (VI) – E minor (iv)

However, these comparisons are general and subjective, the unique sound Tame Impala creates is quite its own.

Musical Analysis

This continuous return to the C Major chord (the tonic) creates a strong feeling of tonal center. The progression creates a sort of “floating” feeling, with little tension that resolves back to the home key. The use of the sus2 and add9 chords provide a more open and resonant sound, adding texture to the progression. The use of the V chord (G major) injects a small amount of tension into the progression and serves to lead the progression back to the I chord (C major) again.

Overall Analysis

“Yes I’m Changing” by Tame Impala uses a repetitive chord progression throughout the majority of the song, alternating primarily between the chords C, Csus2, Cadd9, Am, F, and G. This pattern is characterized by constant resolution with the tonic of the key, C Major. However, the progression occasionally diverges from the typical diatonic pattern by introducing a G Major chord, which is a V chord in the C Major scale.

Style Analysis

Tame Impala is known for blending psychedelic music with elements of pop, rock, and electronic music. The chord progression, with its consistent return to the tonic and the use of extended chords (sus2 and add9), aligns perfectly with this stylistic approach. The constant repetition, the use of floaty, atmospheric timbres, and the harmonic simplicity here are in line with the approach that Tame Impala often takes, making the music both accessible and slightly “trippy”.

Chords in the Intro section of Yes Im Changing by Tame Impala are:

[‘C’, ‘Csus2’, ‘Cadd9’, ‘C’, ‘Am’, ‘F’, ‘C’, ‘C’, ‘Csus2’, ‘Cadd9’, ‘C’, ‘Am’, ‘F’, ‘C’, ‘C’, ‘Csus2’, ‘Cadd9’, ‘C’, ‘Am’, ‘F’, ‘C’, ‘G’, ‘C’, ‘Csus2’, ‘Cadd9’, ‘C’, ‘Am’, ‘F’, ‘C’, ‘C’, ‘Csus2’, ‘Cadd9’, ‘C’, ‘Am’, ‘F’, ‘C’, ‘C’, ‘Csus2’, ‘Cadd9’, ‘C’, ‘Am’, ‘F’, ‘C’, ‘C’, ‘Csus2’, ‘Cadd9’, ‘C’, ‘Am’, ‘F’, ‘C’, ‘G’, ‘C’, ‘F’]