Search

Related Music Theory Alchemy

“The Less I Know The Better” by Tame Impala is in the key of E Major. The track has a unique blending of psych pop and synthrock, combining a funky bass line with Tame Impala’s signature synth timbre. Its harmonic structure is moderately complex and features some compelling chord progressions, with a few borrowed chords.

The song “Let It Happen” by Tame Impala, which is in the key of A Major, uses a simple yet effective chord progression during its outro. The common pattern of I-vi-IIIIV (Major-minor-Suspended 4) recurs throughout. The G#sus4 chord provides a moment of tension before resolving back to the tonic and restarting the pattern. The progression concludes with an Emaj7 chord, which is a borrowed chord from the parallel minor.

Across the Universe by The Beatles is a melancholic, introspective piece set in the key of D major, imbuing an overall sound spectrum that’s somber with a hint of hopeful resolution. The chord progression utilizes both diatonic and borrowed chords, making it both unusual and interesting.

“Comfortably Numb” is a song by Pink Floyd from their 1979 album, The Wall. It is written in the key of D major and has a slow, dreamy tempo. The second verse of the song features a chord progression that is a blend of major and minor chords, giving the song a sense of melancholy mixed with a calming atmosphere. It also deviates from the typical pop/rock chord progressions, signifying Pink Floyd’s distinct sound and innovative use of harmony.

“California Kids” by Weezer is a pop rock song with influences from alternative and power pop. The chord progression in Verse 2 shows a blend of diatonic and borrowed chords, which contributes to a slight sense of tension and resolution throughout the progression. The chords in the verse also exhibit movement by step (C to C/B) and a mixture of major and minor tonalities.

Tame Impala – The Less I Know The Better – Verse 2

Add To Favorites Remove From Favorites

Chord Progression

[‘G#m’, ‘C#m’, ‘B’, ‘E’, ‘G#m’, ‘C#m’, ‘B’, ‘E’, ‘G#m’, ‘C#m’, ‘B’, ‘B’, ‘E’, ‘G#m’, ‘C#m’, ‘B’, ‘B’, ‘E’]

Chord Progression Analysis

**

Here’s the detail analysis of the verse progression:

“`
G#m (‘iii’), C#m (‘vi’), B(‘V’), E(‘I’), G#m (‘iii’), C#m (‘vi’), B(‘V’), E(‘I’), G#m (‘iii’), C#m (‘vi’), B(‘V’), B(‘V’), E(‘I’), G#m (‘iii’), C#m (‘vi’), B(‘V’), B(‘V’), E(‘I’)
“`

In this case, the iii chord (G#m) is borrowed from E minor (the parallel minor).

**

Similar Chord Progressions

**

1. Coldplay’s “Fix You” has a similar progression during the chorus. Here is the progression:

“`
E(‘I’), B(‘V’), G#m(‘iii’), B(‘V’), E (‘I’)
“`

2. The Beatles – “A Hard Days Night” also involves modal interchange and a similar progression:

“`
G(‘I’), F(‘♭VII’), C(‘IV’), G(‘I’)
“`

Musical Analysis

**

Many popular songs use borrowed chords for giving depth and color to their progressions. The borrowed III chord can be used as a substitute for the I chord, add tension, or to modulate to a new key. Tame Impala has used the G#m (iii) chord to add color and tension to their E major progression.

**

Overall Analysis

**

The progression in the song “The Less I Know The Better” by Tame Impala shows a combination of borrowed chords and modal mixture, with most of the chords belonging to the key of E Major. The verse chords including G# minor, C# minor, B, and E, establish a strong use of modal interchange, borrowed from the parallel minor of E.

**

Style Analysis

**

The stylish use of borrowed chords, modal mixture, and cyclical chord progressions is a major element of Tame Impala’s sound. This song, in particular, maintains a consistent 4-chord progression with slight variation, a common feature in rock and pop music.

**

Chords in the Verse 2 section of The Less I Know The Better by Tame Impala are:

[‘G#m’, ‘C#m’, ‘B’, ‘E’, ‘G#m’, ‘C#m’, ‘B’, ‘E’, ‘G#m’, ‘C#m’, ‘B’, ‘B’, ‘E’, ‘G#m’, ‘C#m’, ‘B’, ‘B’, ‘E’]