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Related Music Theory Alchemy

“The Less I Know The Better” by Tame Impala is in the key of E Major. The track has a unique blending of psych pop and synthrock, combining a funky bass line with Tame Impala’s signature synth timbre. Its harmonic structure is moderately complex and features some compelling chord progressions, with a few borrowed chords.

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Feels Like We Only Go Backwards by Tame Impala uses very interesting chord progressions that convey a feeling of constant motion. The song is primarily in the key of F Major, as revealed by the majority of the chords (F, C, Gm). However, the chord progression in the verse introduces Dm and Cmaj7/G, showing some clever use of modal interchange, also known as borrowed chords.

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The given chord progression for Tyler, The Creator’s “Gone Gone” verse 2 is primarily in the key of Bb major with a mixture of chords from other modes. The progression displays a combination of diatonic and borrowed chords, exhibiting the stylistic blending commonly found in modern music such as jazz, R&B, and hip-hop.

“Paper Tiger” by Beck is a unique and stylistic piece, displaying a blend of various genres and influences. The verse 2 chord progression is quite simple, but the harmonic choices create tension and provide a sense of movement throughout the progression. Combining the elements of rock, folk, and alternative music, this chord progression is both intriguing and musically satisfying.

The piece “3’s and 7’s” by Queens of The Stone Age illustrates a fascinating blend of minor and major tonality, accented dissonances, and unexpected harmonic turns, which is characteristic of the band’s stoner rock and alternative metal style. The verse 2 chord progression is in A# minor and it sticks to a fairly repetitive three-chord progression of A#m – G# – F.

Tame Impala – The Less I Know The Better – Verse 2

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Chord Progression

[‘G#m’, ‘C#m’, ‘B’, ‘E’, ‘G#m’, ‘C#m’, ‘B’, ‘E’, ‘G#m’, ‘C#m’, ‘B’, ‘B’, ‘E’, ‘G#m’, ‘C#m’, ‘B’, ‘B’, ‘E’]

Chord Progression Analysis

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Here’s the detail analysis of the verse progression:

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G#m (‘iii’), C#m (‘vi’), B(‘V’), E(‘I’), G#m (‘iii’), C#m (‘vi’), B(‘V’), E(‘I’), G#m (‘iii’), C#m (‘vi’), B(‘V’), B(‘V’), E(‘I’), G#m (‘iii’), C#m (‘vi’), B(‘V’), B(‘V’), E(‘I’)
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In this case, the iii chord (G#m) is borrowed from E minor (the parallel minor).

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Similar Chord Progressions

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1. Coldplay’s “Fix You” has a similar progression during the chorus. Here is the progression:

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E(‘I’), B(‘V’), G#m(‘iii’), B(‘V’), E (‘I’)
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2. The Beatles – “A Hard Days Night” also involves modal interchange and a similar progression:

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G(‘I’), F(‘♭VII’), C(‘IV’), G(‘I’)
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Musical Analysis

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Many popular songs use borrowed chords for giving depth and color to their progressions. The borrowed III chord can be used as a substitute for the I chord, add tension, or to modulate to a new key. Tame Impala has used the G#m (iii) chord to add color and tension to their E major progression.

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Overall Analysis

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The progression in the song “The Less I Know The Better” by Tame Impala shows a combination of borrowed chords and modal mixture, with most of the chords belonging to the key of E Major. The verse chords including G# minor, C# minor, B, and E, establish a strong use of modal interchange, borrowed from the parallel minor of E.

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Style Analysis

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The stylish use of borrowed chords, modal mixture, and cyclical chord progressions is a major element of Tame Impala’s sound. This song, in particular, maintains a consistent 4-chord progression with slight variation, a common feature in rock and pop music.

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Chords in the Verse 2 section of The Less I Know The Better by Tame Impala are:

[‘G#m’, ‘C#m’, ‘B’, ‘E’, ‘G#m’, ‘C#m’, ‘B’, ‘E’, ‘G#m’, ‘C#m’, ‘B’, ‘B’, ‘E’, ‘G#m’, ‘C#m’, ‘B’, ‘B’, ‘E’]