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Related Music Theory Alchemy

“The Less I Know The Better” by Tame Impala is in the key of E Major. The track has a unique blending of psych pop and synthrock, combining a funky bass line with Tame Impala’s signature synth timbre. Its harmonic structure is moderately complex and features some compelling chord progressions, with a few borrowed chords.

This chord progression from the verse of Tame Impala’s “Alter Ego” suggests a key of C major due to the recurring instances of Cmaj7. However, the presence of certain chords like Bm7 and Dm suggests that Kevin Parker is creatively “borrowing” chords from the parallel and associated keys (C minor, D minor) to create colorful departures from the primary tonality. The use of extended chords (7ths) and suspended chords (Bsus4) adds a sense of complexity and sophistication to the harmony. As can be seen, the chord progression mostly oscillates between Cmaj7, Bsus4, Bm7 before moving to Dm and Gm towards the end of the verse.

“Undone – The Sweater Song” by Weezer is a grunge rock song from their debut album, “Weezer (The Blue Album)” released in 1994. The chord progression in Verse 2 seems to blend elements from both pop and rock genres, with some diatonic chords and a borrowed chord that adds an unexpected twist.

“Give Me The Night” is a classic R&B and jazz-infused song by George Benson, released in 1980. The song was written by Rod Temperton and produced by Quincy Jones. It features a smooth, soulful groove, lush harmonies, and a sophisticated chord progression that is characteristic of the late 70s and early 80s R&B and jazz fusion style. The verse of the song makes use of diatonic chords with a few borrowed chords, giving the progression a rich and interesting harmonic content.

“Landslide” by The Smashing Pumpkins is a cover of a popular folk-rock song by Fleetwood Mac. In this song, The Smashing Pumpkins show their alternative rock style, while also paying homage to the folk-rock genre and especially to the founder of Folk-Rock “Fleetwood Mac”. The chords used throughout the song are predominantly composed in the key of G major, with the occasional use of a common borrowed chord (Am) from the G minor key.

Tame Impala – The Less I Know The Better – Verse 2

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Chord Progression

[‘G#m’, ‘C#m’, ‘B’, ‘E’, ‘G#m’, ‘C#m’, ‘B’, ‘E’, ‘G#m’, ‘C#m’, ‘B’, ‘B’, ‘E’, ‘G#m’, ‘C#m’, ‘B’, ‘B’, ‘E’]

Chord Progression Analysis

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Here’s the detail analysis of the verse progression:

“`
G#m (‘iii’), C#m (‘vi’), B(‘V’), E(‘I’), G#m (‘iii’), C#m (‘vi’), B(‘V’), E(‘I’), G#m (‘iii’), C#m (‘vi’), B(‘V’), B(‘V’), E(‘I’), G#m (‘iii’), C#m (‘vi’), B(‘V’), B(‘V’), E(‘I’)
“`

In this case, the iii chord (G#m) is borrowed from E minor (the parallel minor).

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Similar Chord Progressions

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1. Coldplay’s “Fix You” has a similar progression during the chorus. Here is the progression:

“`
E(‘I’), B(‘V’), G#m(‘iii’), B(‘V’), E (‘I’)
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2. The Beatles – “A Hard Days Night” also involves modal interchange and a similar progression:

“`
G(‘I’), F(‘♭VII’), C(‘IV’), G(‘I’)
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Musical Analysis

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Many popular songs use borrowed chords for giving depth and color to their progressions. The borrowed III chord can be used as a substitute for the I chord, add tension, or to modulate to a new key. Tame Impala has used the G#m (iii) chord to add color and tension to their E major progression.

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Overall Analysis

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The progression in the song “The Less I Know The Better” by Tame Impala shows a combination of borrowed chords and modal mixture, with most of the chords belonging to the key of E Major. The verse chords including G# minor, C# minor, B, and E, establish a strong use of modal interchange, borrowed from the parallel minor of E.

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Style Analysis

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The stylish use of borrowed chords, modal mixture, and cyclical chord progressions is a major element of Tame Impala’s sound. This song, in particular, maintains a consistent 4-chord progression with slight variation, a common feature in rock and pop music.

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Chords in the Verse 2 section of The Less I Know The Better by Tame Impala are:

[‘G#m’, ‘C#m’, ‘B’, ‘E’, ‘G#m’, ‘C#m’, ‘B’, ‘E’, ‘G#m’, ‘C#m’, ‘B’, ‘B’, ‘E’, ‘G#m’, ‘C#m’, ‘B’, ‘B’, ‘E’]