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“Let It Happen” by Tame Impala is characterized by its psychedelic and experimental nuances. It features an overall bright and uplifting tone despite its use of some more complex chords. The song ska common in pop music. The chord progression in question has a strong melodic sensibility demonstrating Kevin Parker’s ability to incorporate complex musical ideas into a pop format.

The song “Let It Happen” by Tame Impala, which is in the key of A Major, uses a simple yet effective chord progression during its outro. The common pattern of I-vi-IIIIV (Major-minor-Suspended 4) recurs throughout. The G#sus4 chord provides a moment of tension before resolving back to the tonic and restarting the pattern. The progression concludes with an Emaj7 chord, which is a borrowed chord from the parallel minor.

The song “It’s A Fire” by Portishead features complex harmonic structures, distinguished by a fusion of pop, rock, and elements of jazz harmonies. The band, known for their trip-hop style, employ chromatically richer harmony and non-diatonic chord progressions in this piece. The chord progression of ‘It’s A Fire’ is consistent with this approach as we see the frequent use of suspended and minor chords alongside major ones, which creates a sense of unresolved tension. Borrowed chords, usually taken from the parallel minor or major key, are also used frequently to add stylistic color to the harmony.

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“Girl” is a song by The Beatles from their 1965 album “Rubber Soul”. The song is written in the key of E minor and it showcases the band’s ability to incorporate non-diatsubject resorting to non-diatonic progressions and utilizes various seventh chords to establish a more sophisticated and jazzy soundid progression. It’s important to note their use of the Dorian mode, which adds to the melodic and harmonic sophistication of the song. Moreover, the song exhibits the lyrical and songwriting depth of The Beatles.

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“Time To Pretend” features a simple and repetitive chord progression in the key of D major. The chord progression in the verse is characterized by a repeated pattern of D – G – D – Dsus2. The style of the song can be described as psychedelic synth-pop, with its electronic synth sounds and dream-like atmosphere. MGMT’s music often features catchy melodies and harmonies, which can also be heard in this song.

Tame Impala – Let It Happen – Verse 1

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Chord Progression

[‘A’, ‘F#m’, ‘G#sus4’, ‘A’, ‘F#m’, ‘G#sus4’, ‘A’, ‘F#m’, ‘G#sus4’, ‘A’, ‘F#m’, ‘G#sus4’]

Chord Progression Analysis

In Verse 1 we can see a three-chord progression that repeats. The progression in Roman numerals would look like: I – vi – bVII, assigning roman numerals according to the A Major scale. Even though G# does not naturally come in the A major or A minor scale, here it’s being used as a borrowed chord. It’s not notated as such because it is not a “typical” borrowing from the parallel minor.

Full Chord name (‘Roman Numeral)
“`
A Major (‘I’)
F# Minor (‘vi’)
G# Suspended 4 (‘bVII’) (borrowed)
“`

Similar Chord Progressions

Memoirs by Röyksopp has a similar progression. It employs bVII – I in its repetition, like Tame Impala’s Let it Happen:

A major (‘I’, Tonic)
G Major (‘bVII’, Subtonic – borrowed chord)

The Birds Pt. 1 by The Weeknd also uses a modal borrowing technique in the chord progression:

F# Major (‘I’, Tonic)
E Major (‘bVII’, Subtonic – borrowed chord).

Though these songs might not sound identical due to differences in arrangement, tempo, and instrumentation, the underlying chord progressions share a similar structure to “Let It Happen”.

Musical Analysis

The constant modulation through the use of a ‘borrowed’ chord – G#sus4 – provides an ambiguous, floating quality to the music. This gives an otherworldly sense to the track, propelling the listener into a psychedelic, trance-like state.

Overall Analysis

Tame Impala’s “Let It Happen” is a song in A major key. The chord progression seems simple at first, with a repetitive motive throughout the verse but it creates a hypnotic effect that is very much in line with Tame Impala’s psychedelic style.

Style Analysis

This hypnotic style fits well within Tame Impala’s psychedelic music idiosyncrasy. Use of the suspended 4 chords further adds to the ambiguity and continuous flow of the song, which circles back again and again to A Major.

Chords in the Verse 1 section of Let It Happen by Tame Impala are:

[‘A’, ‘F#m’, ‘G#sus4’, ‘A’, ‘F#m’, ‘G#sus4’, ‘A’, ‘F#m’, ‘G#sus4’, ‘A’, ‘F#m’, ‘G#sus4’]