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Related Music Theory Alchemy

“Let It Happen” by Tame Impala is characterized by its psychedelic and experimental nuances. It features an overall bright and uplifting tone despite its use of some more complex chords. The song ska common in pop music. The chord progression in question has a strong melodic sensibility demonstrating Kevin Parker’s ability to incorporate complex musical ideas into a pop format.

The song “Let It Happen” by Tame Impala, which is in the key of A Major, uses a simple yet effective chord progression during its outro. The common pattern of I-vi-IIIIV (Major-minor-Suspended 4) recurs throughout. The G#sus4 chord provides a moment of tension before resolving back to the tonic and restarting the pattern. The progression concludes with an Emaj7 chord, which is a borrowed chord from the parallel minor.

“When I Was Your Man” by Bruno Mars is in the key of C major. It is a ballad with a piano-led instrumentation, backed by Bruno’s powerful and emotive vocals. The melody and chords are relatively simple, but the lingering tone and the poignant lyrics create an emotionally resonant track. A common feature in this piece, as well as many pop songs in general, is the use of borrowed chords.

The song “3s and 7s” by Queens of the Stone Age is in the key of A# minor. The chord progression predominantly features three chords: A#m, G#, and F. The progression utilizes elements of rock and metal music, characteristic of the band’s style. The composition has a darker feel brought by the use of minor chords and dropped tuning, which is frequently employed in harder styles of rock music.

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“Paint It, Black” by The Rolling Stones is arranged in a minor key, specifically E minor. The verse chord progression of the song exhibits a fairly common pattern in 60’s rock and pop music, incorporating the use of both diatonic chords and borrowed chords from the parallel major key.

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Tame Impala – Let It Happen – Verse 1

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Chord Progression

[‘A’, ‘F#m’, ‘G#sus4’, ‘A’, ‘F#m’, ‘G#sus4’, ‘A’, ‘F#m’, ‘G#sus4’, ‘A’, ‘F#m’, ‘G#sus4’]

Chord Progression Analysis

In Verse 1 we can see a three-chord progression that repeats. The progression in Roman numerals would look like: I – vi – bVII, assigning roman numerals according to the A Major scale. Even though G# does not naturally come in the A major or A minor scale, here it’s being used as a borrowed chord. It’s not notated as such because it is not a “typical” borrowing from the parallel minor.

Full Chord name (‘Roman Numeral)
“`
A Major (‘I’)
F# Minor (‘vi’)
G# Suspended 4 (‘bVII’) (borrowed)
“`

Similar Chord Progressions

Memoirs by Röyksopp has a similar progression. It employs bVII – I in its repetition, like Tame Impala’s Let it Happen:

A major (‘I’, Tonic)
G Major (‘bVII’, Subtonic – borrowed chord)

The Birds Pt. 1 by The Weeknd also uses a modal borrowing technique in the chord progression:

F# Major (‘I’, Tonic)
E Major (‘bVII’, Subtonic – borrowed chord).

Though these songs might not sound identical due to differences in arrangement, tempo, and instrumentation, the underlying chord progressions share a similar structure to “Let It Happen”.

Musical Analysis

The constant modulation through the use of a ‘borrowed’ chord – G#sus4 – provides an ambiguous, floating quality to the music. This gives an otherworldly sense to the track, propelling the listener into a psychedelic, trance-like state.

Overall Analysis

Tame Impala’s “Let It Happen” is a song in A major key. The chord progression seems simple at first, with a repetitive motive throughout the verse but it creates a hypnotic effect that is very much in line with Tame Impala’s psychedelic style.

Style Analysis

This hypnotic style fits well within Tame Impala’s psychedelic music idiosyncrasy. Use of the suspended 4 chords further adds to the ambiguity and continuous flow of the song, which circles back again and again to A Major.

Chords in the Verse 1 section of Let It Happen by Tame Impala are:

[‘A’, ‘F#m’, ‘G#sus4’, ‘A’, ‘F#m’, ‘G#sus4’, ‘A’, ‘F#m’, ‘G#sus4’, ‘A’, ‘F#m’, ‘G#sus4’]