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Related Music Theory Alchemy

“Let It Happen” by Tame Impala is characterized by its psychedelic and experimental nuances. It features an overall bright and uplifting tone despite its use of some more complex chords. The song ska common in pop music. The chord progression in question has a strong melodic sensibility demonstrating Kevin Parker’s ability to incorporate complex musical ideas into a pop format.

This chord progression is in the key of Am. The work can be seen as a mix of the Western tonal harmony, incorporating the use of inversions alongside nondiatonic chords. Tame Impala employs the elements of neo-psychedelia with unique chord progressions and arrangements. The alteration between two chords creates a revolving feeling, reinforcing the title “alter ego”.

The outro of Jeff Buckley’s “Hallelujah” features a chord progression in the key of C Major. It includes common chords from the key, as well as some borrowed chords from the parallel minor key (C minor), which adds a level of tension and emotion to the progression. The outro has a cyclical nature, with the chords leading smoothly back into the beginning and building a sense of conclusion.

The outro of “Kashmir” by Led Zeppelin features a simple alternating chord progression between G major and A major, which creates tension by avoiding a resolution to the tonic or dominant chords. This makes the progression sound unstable, yet well defined as it repeats. The recurring ascending motion creates a sense of lift throughout the outro, while the lack of a true resolution maintains a feeling of unease. This progression is notable for its simplicity, as well as how it invokes a modal sound that is characteristic of the mixolydian mode often used in rock music.

The chord progression “[‘Em’, ‘Am’, ‘D’]” from the outro of Weezer’s “The Good Life” is a simple, yet effective progression in the key of E minor. It demonstrates a melancholic feel common to alternative rock and power-pop music genres of the 1990s. The chords in this progression are borrowed from the E natural minor scale.

Tame Impala – Let It Happen – Outro

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Chord Progression

[‘A’, ‘F#m’, ‘G#sus4’, ‘A’, ‘F#m’, ‘G#sus4’, ‘A’, ‘F#m’, ‘G#sus4’, ‘A’, ‘F#m’, ‘G#sus4’, ‘Emaj7’, ‘A’, ‘F#m’, ‘G#sus4’, ‘A’, ‘F#m’, ‘Emaj7’, ‘A’, ‘F#m’]

Chord Progression Analysis

Below is the full outro of the song “Let It Happen” listed with their full chord names and roman numerals:
“`plaintext
A Major (I)
F# Minor (vi)
G# Suspended 4 (IIIIV)
A Major (I)
F# Minor (vi)
G# Suspended 4 (IIIIV)
A Major (I)
F# Minor (vi)
G# Suspended 4 (IIIIV)
A Major (I)
F# Minor (vi)
G# Suspended 4 (IIIIV)
E Major 7 *Borrowed Chord* (VII)
A Major (I)
F# Minor (vi)
G# Suspended 4 (IIIIV)
A Major (I)
F# Minor (vi)
E Major 7 *Borrowed Chord* (VII)
A Major (I)
F# Minor (vi)
“`

Similar Chord Progressions

1. Billie Eilish – “Ocean Eyes”
This song uses a similar chord progression in its refrain:
“`plaintext
C Major (I)
D Minor (ii)
A minor (vi)
G Major (V)
“`
2. The Police – “Every Breath You Take”
This song features a tangent but somewhat relatable chord progression in its verses:
“`plaintext
G add9 (I)
Eb Major *Borrowed Chord* (IIIb)
D Major (V)
“`
3. Coldplay – “The Scientist”
Relevant progression in the verses:
“`plaintext
D Minor (i)
Bb Major (VI)
F Major (III)
C add9 (VII)
“`

Musical Analysis

There is a frequent cadence of I-vi-IIIIV throughout the piece. The relationship between these chords creates a progression and cadence that is both expected and satisfying. The suspended 4th chord (G#sus4) acts as a device for building tension, which is then released during the resolution back to the first degree, A Major. The borrowed chord, Emaj7, from the parallel minor adds an interesting color and unexpected mood shift in the outro, contrasting with the general progression and creating a surprising yet melodic turn in the harmony.

Overall Analysis

The song “Let It Happen” by Tame Impala, which is in the key of A Major, uses a simple yet effective chord progression during its outro. The common pattern of I-vi-IIIIV (Major-minor-Suspended 4) recurs throughout. The G#sus4 chord provides a moment of tension before resolving back to the tonic and restarting the pattern. The progression concludes with an Emaj7 chord, which is a borrowed chord from the parallel minor.

Style Analysis

Musically, Tame Impala often combines elements of psychedelic rock, synth-pop and disco, always showing strong roots in melodic and harmonic writing. The chord progression in “Let it Happen” shows this, with its searing synths and percussive elements supporting a simple but catchy loop.

Chords in the Outro section of Let It Happen by Tame Impala are:

[‘A’, ‘F#m’, ‘G#sus4’, ‘A’, ‘F#m’, ‘G#sus4’, ‘A’, ‘F#m’, ‘G#sus4’, ‘A’, ‘F#m’, ‘G#sus4’, ‘Emaj7’, ‘A’, ‘F#m’, ‘G#sus4’, ‘A’, ‘F#m’, ‘Emaj7’, ‘A’, ‘F#m’]