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Tame Impala’s “Let It Happen” is a song in A major key. The chord progression seems simple at first, with a repetitive motive throughout the verse but it creates a hypnotic effect that is very much in line with Tame Impala’s psychedelic style.

“The Less I Know The Better” by Tame Impala is in the key of E Major. The track has a unique blending of psych pop and synthrock, combining a funky bass line with Tame Impala’s signature synth timbre. Its harmonic structure is moderately complex and features some compelling chord progressions, with a few borrowed chords.

“Disarm” by The Smashing Pumpkins is a piece that showcases a rather common chord progression structure in pop music, but with added embellishments and variations. The featured chords include Dsus, Em7, Cadd9, G, and Dsus/F# with a key signature suggesting that the song is in the key of G major or E minor. The prominent chord in the outro is Dsus which suggests that the song might be interpreted in the D Mixolydian mode. The use of the slash chord (D/F#) diversifies the sound of the progression and adds harmonic richness. This chord progression uses both diatonic and borrowed chords creating a familiar but interesting sound.

The chord progression in the outro of “Earfquake” by Tyler, The Creator is relatively simple and repetitive, featuring a constant alternation between Bbmaj7 and Am7 chords. This back-and-forth between the two chords creates a sense of tension and release that contributes to the dreamy and emotional atmosphere characteristic of the song.

“When Doves Cry” by Prince features an unorthodox chord progression compared to many pop or rock songs from the era. The chord progression in the Outro as well as throughout the song remains constant, which underscores the plaintive mood of the song and lyrics. The progression: Em – F – G in the Outro contains borrowed chords from the parallel minor. This introduces a sense of ambiguity to the overall tonality.

Tame Impala – Let It Happen – Outro

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Chord Progression

[‘A’, ‘F#m’, ‘G#sus4’, ‘A’, ‘F#m’, ‘G#sus4’, ‘A’, ‘F#m’, ‘G#sus4’, ‘A’, ‘F#m’, ‘G#sus4’, ‘Emaj7’, ‘A’, ‘F#m’, ‘G#sus4’, ‘A’, ‘F#m’, ‘Emaj7’, ‘A’, ‘F#m’]

Chord Progression Analysis

Below is the full outro of the song “Let It Happen” listed with their full chord names and roman numerals:
“`plaintext
A Major (I)
F# Minor (vi)
G# Suspended 4 (IIIIV)
A Major (I)
F# Minor (vi)
G# Suspended 4 (IIIIV)
A Major (I)
F# Minor (vi)
G# Suspended 4 (IIIIV)
A Major (I)
F# Minor (vi)
G# Suspended 4 (IIIIV)
E Major 7 *Borrowed Chord* (VII)
A Major (I)
F# Minor (vi)
G# Suspended 4 (IIIIV)
A Major (I)
F# Minor (vi)
E Major 7 *Borrowed Chord* (VII)
A Major (I)
F# Minor (vi)
“`

Similar Chord Progressions

1. Billie Eilish – “Ocean Eyes”
This song uses a similar chord progression in its refrain:
“`plaintext
C Major (I)
D Minor (ii)
A minor (vi)
G Major (V)
“`
2. The Police – “Every Breath You Take”
This song features a tangent but somewhat relatable chord progression in its verses:
“`plaintext
G add9 (I)
Eb Major *Borrowed Chord* (IIIb)
D Major (V)
“`
3. Coldplay – “The Scientist”
Relevant progression in the verses:
“`plaintext
D Minor (i)
Bb Major (VI)
F Major (III)
C add9 (VII)
“`

Musical Analysis

There is a frequent cadence of I-vi-IIIIV throughout the piece. The relationship between these chords creates a progression and cadence that is both expected and satisfying. The suspended 4th chord (G#sus4) acts as a device for building tension, which is then released during the resolution back to the first degree, A Major. The borrowed chord, Emaj7, from the parallel minor adds an interesting color and unexpected mood shift in the outro, contrasting with the general progression and creating a surprising yet melodic turn in the harmony.

Overall Analysis

The song “Let It Happen” by Tame Impala, which is in the key of A Major, uses a simple yet effective chord progression during its outro. The common pattern of I-vi-IIIIV (Major-minor-Suspended 4) recurs throughout. The G#sus4 chord provides a moment of tension before resolving back to the tonic and restarting the pattern. The progression concludes with an Emaj7 chord, which is a borrowed chord from the parallel minor.

Style Analysis

Musically, Tame Impala often combines elements of psychedelic rock, synth-pop and disco, always showing strong roots in melodic and harmonic writing. The chord progression in “Let it Happen” shows this, with its searing synths and percussive elements supporting a simple but catchy loop.

Chords in the Outro section of Let It Happen by Tame Impala are:

[‘A’, ‘F#m’, ‘G#sus4’, ‘A’, ‘F#m’, ‘G#sus4’, ‘A’, ‘F#m’, ‘G#sus4’, ‘A’, ‘F#m’, ‘G#sus4’, ‘Emaj7’, ‘A’, ‘F#m’, ‘G#sus4’, ‘A’, ‘F#m’, ‘Emaj7’, ‘A’, ‘F#m’]