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Related Music Theory Alchemy

Tame Impala’s “Let It Happen” is a song in A major key. The chord progression seems simple at first, with a repetitive motive throughout the verse but it creates a hypnotic effect that is very much in line with Tame Impala’s psychedelic style.

“Feels Like We Only Go Backwards” by Tame Impala is a psychedelic pop song notable for its dreamy, lo-fi sound and use of unconventional chord progressions. Musically, the song is written in the key of F major, but creatively uses chromatic mediants, borrowed chords, and modal interchange to establish a unique harmony. The song also uses dynamic contrast to create a dreamlike atmosphere, increasing the song’s overall psychedelic effect.

“Island in the Sun” by Weezer is in the key of G major and features a simple yet catchy chord progression in its outro. The progression is characterized by its bright, uplifting sound and follows a common pop/rock formula. It also has a nostalgic, summery feel, making it a perfect fit for the song’s title and theme.

“God Only Knows” by The Beach Boys is one of their most well-known pieces and a primary example of the sophisticated harmonic writing characteristic of the group’s 1966 “Pet Sounds” record. This piece is particularly designed in the key of A major. The Outro of the song includes the following chords: ‘A’, ‘E/G#’, ‘F#m7’, ‘E/G#’ and many other chords throughout the song with complex chord changes that might not be typical in a pop song, but are characteristic of the band’s sound.

“Beast of Burden,” by The Rolling Stones, a song characterized by a typical rock-pop structure, primarily uses a IV-chord loop in the key of E major. The chord progression in the outro follows a specific sequence: E, to B, to C#m, to A. The return to the E at the end of the progression gives it a circular feel that encourages cohesion.

Tame Impala – Let It Happen – Outro

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Chord Progression

[‘A’, ‘F#m’, ‘G#sus4’, ‘A’, ‘F#m’, ‘G#sus4’, ‘A’, ‘F#m’, ‘G#sus4’, ‘A’, ‘F#m’, ‘G#sus4’, ‘Emaj7’, ‘A’, ‘F#m’, ‘G#sus4’, ‘A’, ‘F#m’, ‘Emaj7’, ‘A’, ‘F#m’]

Chord Progression Analysis

Below is the full outro of the song “Let It Happen” listed with their full chord names and roman numerals:
“`plaintext
A Major (I)
F# Minor (vi)
G# Suspended 4 (IIIIV)
A Major (I)
F# Minor (vi)
G# Suspended 4 (IIIIV)
A Major (I)
F# Minor (vi)
G# Suspended 4 (IIIIV)
A Major (I)
F# Minor (vi)
G# Suspended 4 (IIIIV)
E Major 7 *Borrowed Chord* (VII)
A Major (I)
F# Minor (vi)
G# Suspended 4 (IIIIV)
A Major (I)
F# Minor (vi)
E Major 7 *Borrowed Chord* (VII)
A Major (I)
F# Minor (vi)
“`

Similar Chord Progressions

1. Billie Eilish – “Ocean Eyes”
This song uses a similar chord progression in its refrain:
“`plaintext
C Major (I)
D Minor (ii)
A minor (vi)
G Major (V)
“`
2. The Police – “Every Breath You Take”
This song features a tangent but somewhat relatable chord progression in its verses:
“`plaintext
G add9 (I)
Eb Major *Borrowed Chord* (IIIb)
D Major (V)
“`
3. Coldplay – “The Scientist”
Relevant progression in the verses:
“`plaintext
D Minor (i)
Bb Major (VI)
F Major (III)
C add9 (VII)
“`

Musical Analysis

There is a frequent cadence of I-vi-IIIIV throughout the piece. The relationship between these chords creates a progression and cadence that is both expected and satisfying. The suspended 4th chord (G#sus4) acts as a device for building tension, which is then released during the resolution back to the first degree, A Major. The borrowed chord, Emaj7, from the parallel minor adds an interesting color and unexpected mood shift in the outro, contrasting with the general progression and creating a surprising yet melodic turn in the harmony.

Overall Analysis

The song “Let It Happen” by Tame Impala, which is in the key of A Major, uses a simple yet effective chord progression during its outro. The common pattern of I-vi-IIIIV (Major-minor-Suspended 4) recurs throughout. The G#sus4 chord provides a moment of tension before resolving back to the tonic and restarting the pattern. The progression concludes with an Emaj7 chord, which is a borrowed chord from the parallel minor.

Style Analysis

Musically, Tame Impala often combines elements of psychedelic rock, synth-pop and disco, always showing strong roots in melodic and harmonic writing. The chord progression in “Let it Happen” shows this, with its searing synths and percussive elements supporting a simple but catchy loop.

Chords in the Outro section of Let It Happen by Tame Impala are:

[‘A’, ‘F#m’, ‘G#sus4’, ‘A’, ‘F#m’, ‘G#sus4’, ‘A’, ‘F#m’, ‘G#sus4’, ‘A’, ‘F#m’, ‘G#sus4’, ‘Emaj7’, ‘A’, ‘F#m’, ‘G#sus4’, ‘A’, ‘F#m’, ‘Emaj7’, ‘A’, ‘F#m’]