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Related Music Theory Alchemy

“Feels Like We Only Go Backwards” by Tame Impala is a psychedelic pop song notable for its dreamy, lo-fi sound and use of unconventional chord progressions. Musically, the song is written in the key of F major, but creatively uses chromatic mediants, borrowed chords, and modal interchange to establish a unique harmony. The song also uses dynamic contrast to create a dreamlike atmosphere, increasing the song’s overall psychedelic effect.

The song seems to have a psychedelic pop/rock vibe reminiscing of the late ’60s and ’70s. The use of major seventh chords and repeated shifting between E Major and D Major hints at a sense of yearning and nostalgia, something that is commonly found in Tame Impala’s music.

“Comfortably Numb” by Pink Floyd is a classic progressive rock song from their 1979 concept album “The Wall”. It features unique chord progressions, ambient guitar tones, and an atmospheric vocal performance. This particular verse progression is inspired by the Dorian mode, contributing to its melancholic and introspective atmosphere.

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The given chord progression is from the verse of Beck’s song “Morning.” The progression is in the key of E Major and follows a cyclical pattern throughout the verse.

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“Tonight, Tonight” by The Smashing Pumpkins is a rock song happy to embrace classical music tropes. An orchestral, string-heavy arrangement propels the song, surrounding the listener with a rich tapestry of sound. The grandiose sound of the full orchestra is bolstered by the band’s dual guitars and Billy Corgan’s characteristic singing.

Tame Impala – Feels Like We Only Go Backwards – Verse 1

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Chord Progression

[‘Dm’, ‘Cmaj7/G’, ‘Dm’, ‘G’, ‘Gm’]

Chord Progression Analysis

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– D Minor (vi)
– C Major 7 / G (IV7/2)
– D Minor (vi)
– G Major (II)
– G Minor (ii)

“`Note: The progression Dm-Cmaj7/G-Dm-G-Gm is notable for featuring borrowed chords. G Major (II) is borrowed from the parallel minor key (F Minor) while the rest of the chords belong in the original key (F Major).“`

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Similar Chord Progressions

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1. “Something” by The Beatles – Amaj7 (IVmaj7), Am7 (IV), F#m (ii), G#m7 (iii).
Though not identical, this progression shares the virtue of movement between major and minor variants of the same chord (Amaj7 to Am7, similar to G to Gm in Tame Impala’s piece).

2. “Under the Bridge” by Red Hot Chili Peppers – E Major (IV), B Major / D# (V7 / 3), C# Minor (vi), G# Minor (iii).
This progression has a similar blend of major and minor chords, and the second chord is a major 7th chord over its third, similar to the Cmaj7/G in the given progression.

3. “While My Guitar Gently Weeps” by The Beatles – A Minor (vi), C# Minor / G# (ii/5), D Major (bVII), G (IV), A Major (V), C Major (bIII), E Major (V), F# (IV), B Minor (vi).
This progression shares the chromatic progression from a major chord to a minor chord a step below (G to Gm in Tame Impala’s piece, and D Major to C# Minor in this Beatles’ song).

Musical Analysis

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The continuous shifting between related chords in the given progression evokes a feeling of ‘going backwards’ or movin in circles, thus fitting perfectly with the song’s theme and title. The Major II chord (G Major) being axed to minor (G Minor) marks a significant moment, delivering a poignant ‘payoff’ to the progression that is deeply affecting. This shift also introduces an unexpected texture into the piece.

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Overall Analysis

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Feels Like We Only Go Backwards by Tame Impala uses very interesting chord progressions that convey a feeling of constant motion. The song is primarily in the key of F Major, as revealed by the majority of the chords (F, C, Gm). However, the chord progression in the verse introduces Dm and Cmaj7/G, showing some clever use of modal interchange, also known as borrowed chords.

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Style Analysis

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Tame Impala’s style is a unique blend of psychedelia, rock, and electronica. The use of unconventional chord progressions and modal interchange are hallmarks of psychedelic and progressive rock, genres known for their complexity and willingness to break from traditional pop music structures. This song is a stellar example of that spirit, showing how they manipulate harmony to evoke certain moods and emotions.

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Chords in the Verse 1 section of Feels Like We Only Go Backwards by Tame Impala are:

[‘Dm’, ‘Cmaj7/G’, ‘Dm’, ‘G’, ‘Gm’]