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Related Music Theory Alchemy

“Feels Like We Only Go Backwards” by Tame Impala is a psychedelic pop song notable for its dreamy, lo-fi sound and use of unconventional chord progressions. Musically, the song is written in the key of F major, but creatively uses chromatic mediants, borrowed chords, and modal interchange to establish a unique harmony. The song also uses dynamic contrast to create a dreamlike atmosphere, increasing the song’s overall psychedelic effect.

This chord progression is in the key of Am. The work can be seen as a mix of the Western tonal harmony, incorporating the use of inversions alongside nondiatonic chords. Tame Impala employs the elements of neo-psychedelia with unique chord progressions and arrangements. The alteration between two chords creates a revolving feeling, reinforcing the title “alter ego”.

“Wild Horses” by the Rolling Stones is a song in the key of G Major with a chord progression marked by the use of common chords and a few borrowed chords from other keys. The usage of minor and major chords conjures a variety of emotions synonymous with the mood of the song. The repetitive nature of the sequence creates a cyclical feeling that gives a strong sense of the song’s emotional journey.

The chord progression in “Breathe” by Pink Floyd is relatively simple, mostly alternating between two chords – Em and A7. However, this simplicity is quite effective in creating a relaxed, dreamy feel which is consistent with the overall theme of the song. This is a characteristic feature of Pink Floyd’s music, using simple chords and progressions to create a powerful emotional impact.

“Honky Tonk Women” by The Rolling Stones is a classic rock song heavily influenced by country and blues. The song is characterized by both major and minor chords, primarily G, C, A, and D. The song is in the key of G major from the verse 1 progression you provided, and it has elements of both I-IV-V and I-V-vi-IV.

Verse 1

Tame Impala – Feels Like We Only Go Backwards – Verse 1

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Chord Progression

[‘Dm’, ‘Cmaj7/G’, ‘Dm’, ‘G’, ‘Gm’]

Chord Progression Analysis

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– D Minor (vi)
– C Major 7 / G (IV7/2)
– D Minor (vi)
– G Major (II)
– G Minor (ii)

“`Note: The progression Dm-Cmaj7/G-Dm-G-Gm is notable for featuring borrowed chords. G Major (II) is borrowed from the parallel minor key (F Minor) while the rest of the chords belong in the original key (F Major).“`

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Similar Chord Progressions

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1. “Something” by The Beatles – Amaj7 (IVmaj7), Am7 (IV), F#m (ii), G#m7 (iii).
Though not identical, this progression shares the virtue of movement between major and minor variants of the same chord (Amaj7 to Am7, similar to G to Gm in Tame Impala’s piece).

2. “Under the Bridge” by Red Hot Chili Peppers – E Major (IV), B Major / D# (V7 / 3), C# Minor (vi), G# Minor (iii).
This progression has a similar blend of major and minor chords, and the second chord is a major 7th chord over its third, similar to the Cmaj7/G in the given progression.

3. “While My Guitar Gently Weeps” by The Beatles – A Minor (vi), C# Minor / G# (ii/5), D Major (bVII), G (IV), A Major (V), C Major (bIII), E Major (V), F# (IV), B Minor (vi).
This progression shares the chromatic progression from a major chord to a minor chord a step below (G to Gm in Tame Impala’s piece, and D Major to C# Minor in this Beatles’ song).

Musical Analysis

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The continuous shifting between related chords in the given progression evokes a feeling of ‘going backwards’ or movin in circles, thus fitting perfectly with the song’s theme and title. The Major II chord (G Major) being axed to minor (G Minor) marks a significant moment, delivering a poignant ‘payoff’ to the progression that is deeply affecting. This shift also introduces an unexpected texture into the piece.

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Overall Analysis

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Feels Like We Only Go Backwards by Tame Impala uses very interesting chord progressions that convey a feeling of constant motion. The song is primarily in the key of F Major, as revealed by the majority of the chords (F, C, Gm). However, the chord progression in the verse introduces Dm and Cmaj7/G, showing some clever use of modal interchange, also known as borrowed chords.

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Style Analysis

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Tame Impala’s style is a unique blend of psychedelia, rock, and electronica. The use of unconventional chord progressions and modal interchange are hallmarks of psychedelic and progressive rock, genres known for their complexity and willingness to break from traditional pop music structures. This song is a stellar example of that spirit, showing how they manipulate harmony to evoke certain moods and emotions.

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Chords in the Verse 1 section of Feels Like We Only Go Backwards by Tame Impala are:

[‘Dm’, ‘Cmaj7/G’, ‘Dm’, ‘G’, ‘Gm’]