Music Theory Alchemy

Search

Related Music Theory Alchemy

The Sound Of Silence by Simon & Garfunkel, released in 1964, is a solid example of folk rock genre transitioning into what we now know as classic rock. The chord progression is straightforward yet powerful, and it perfectly complements the beautifully written lyrics and evocative vocal harmonies. Furthermore, the song is written in A minor, a key that is often associated with sadness, which enhances the melancholic and introspective feelings conveyed by the lyrics.

“The Sound Of Silence” by Simon & Garfunkel is written in the key of Am and follows the Verse-Chorus form common in pop and rock music. The progression consists of a beachfront of common and borrowed chords, showing the use of modal interchange and diatonic chords in creating a memorable and emotive sound.

The chord progression can be divided into three main sections (please see the details below). The first section is based around the I chord (C), the second section introduces the IV chord (F), then it returns to the I chord. The third section introduces a borrowed chord (bVII – Bb from C Mixolydian), a V chord (G), then returns to the I chord with a brief excursion back to the V chord. There is repetition in this section with the return to the I chord.

This is simply a repetition of the F major chord, played four times. This does not provide much variety or harmonic interest, but it might create a sense of stability and could be used to produce a strong tonal center.

The chord progression of the Verse 3 in the song “California Kids” by Weezer features a blend of diatonic and chromatic chords in the key of C major, exhibiting a classic pop-rock feel with some variations in the chord structure. The progression also showcases the use of chromatic bass motion to add harmonic interest.

Simon & Garfunkel – The Sound Of Silence – Verse 3

Add To Favorites Remove From Favorites

< All Analyses

Chord Progression

[‘G’, ‘Am’, ‘F’, ‘C’, ‘F’, ‘C’, ‘F’, ‘C’, ‘C/B’, ‘Am’, ‘C’, ‘G’, ‘Am’]

Chord Progression Analysis

Here are the chords for this Verse 3:

G Major (bVII)
A minor (i)
F Major (bVI)
C Major (III)
F Major (bVI)
C Major (III)
F Major (bVI)
C Major (III)
C/B (III)
A minor (i)
C Major (III)
G Major (bVII)
A minor (i)

Here’s the information within a code block:

“`
G Major (bVII), A minor (i), F Major (bVI), C Major (III), F Major (bVI), C Major (III), F Major (bVI), C Major (III), C/B (III), A minor (i), C Major (III), G Major (bVII), A minor (i)
“`

Similar Chord Progressions

“Hey Jude” by The Beatles also has a similar progression. In the key of F, the chords go:

F Major (I)
C Major (V)
Bb Major (IV)
F Major (I)

In the key of G, the song “Wonderwall” by Oasis also has a similar progression:

Em7 (vi)
G (I)
Dsus4 (v)
A7sus4 (II)

Both of these songs use diatonic chords with the addition of suspended chords or 7th chords to add more complexity.

Musical Analysis

This chord progression presents with a cyclic repetition of harmonic sequences, providing a unique sense of coherency to the song. Borrowed chords such as bVII (G Major) and the bVI (F Major) from the parallel major (A major) feature prominently in this progression, imparting further color and depth.

Overall Analysis

The chord progression for “The Sound Of Silence” by Simon & Garfunkel is in the key of A minor. It makes use of both diatonic and borrowed chords. The song reflects a folk and folk rock style, with its roots in the 1960s. The melody and harmony are interwoven to form an integral part of the song, reflecting the introspective and melancholic mood of the lyrics.

Style Analysis

Simon and Garfunkel’s style is characterized by their use of diatonic and borrowed chords, creating a fluid movement that evokes a varying array of emotions. The regular cycling of these chords, with occasional shifts in rhythmic emphasis, allows the progression to maintain a sense of unpredictability while still being familiar, characteristic of their folk and folk rock style.

Chords in the Verse 3 section of The Sound Of Silence by Simon & Garfunkel are:

[‘G’, ‘Am’, ‘F’, ‘C’, ‘F’, ‘C’, ‘F’, ‘C’, ‘C/B’, ‘Am’, ‘C’, ‘G’, ‘Am’]