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Related Music Theory Alchemy

The chord progression for “The Sound Of Silence” by Simon & Garfunkel is in the key of A minor. It makes use of both diatonic and borrowed chords. The song reflects a folk and folk rock style, with its roots in the 1960s. The melody and harmony are interwoven to form an integral part of the song, reflecting the introspective and melancholic mood of the lyrics.

The Sound Of Silence by Simon & Garfunkel, released in 1964, is a solid example of folk rock genre transitioning into what we now know as classic rock. The chord progression is straightforward yet powerful, and it perfectly complements the beautifully written lyrics and evocative vocal harmonies. Furthermore, the song is written in A minor, a key that is often associated with sadness, which enhances the melancholic and introspective feelings conveyed by the lyrics.

“Just The Two Of Us” by Grover Washington Jr. is a soulful song with a distinct R&B and smooth jazz style. The song is in the key of E minor during the verses, but frequently borrows chords from the parallel major, E major, delivering a rich harmony that is both pleasing and surprising to the ear.

The chord progression in Verse 2 of Beck’s “Say Goodbye” showcases a unique blend of chords that are not commonly heard together in popular music. The mix of major, minor, and borrowed chords creates an interesting and engaging sound. Its distinctive quality can be found in the use of the A# major chord, which is not diatonic to the key of G major.

The verse 2 chord progression of Radiohead’s “Everything In Its Right Place” demonstrates a combination of diatonic and non-diatonic chords with tonal ambiguity, frequent use of borrowed chords from parallel modes, and modulation. The progression has a cyclic, hypnotic quality with occasional surprises due to large leaps in pitch and unexpected, non-diatonic chords.

Simon & Garfunkel – The Sound Of Silence – Verse 2

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Chord Progression

[‘G’, ‘Am’, ‘F’, ‘C’, ‘F’, ‘C’, ‘F’, ‘C’, ‘C/B’, ‘Am’, ‘C’, ‘G’, ‘Am’]

Chord Progression Analysis

1. G Major (VII)
2. A Minor (i)
3. F Major (VI)
4. C Major (III)
5. F Major (VI)
6. C Major (III)
7. F Major (VI)
8. C Major (III)
9. C Major/B (III0)
10. A Minor (i)
11. C Major (III)
12. G Major (VII)
13. A Minor (i)
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Borrowed Chords: G Major (VII)
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Similar Chord Progressions

1. “Let It Be” by The Beatles: C, G, Am, F, C, G, F, C (I, V, vi, IV, I, V, IV, I)
2. “Despite What You’ve Been Told” by Two Gallants: Am, F, C, G (vi, IV, I, V)
3. “Wonderwall” by Oasis: Em, G, D, A (ii, IV, I, V)

The same descending (step-wise) bass motion can also be found throughout the Beatles’ seminal “Let It Be,” where it escorts the listener from the root position C through its first inversion (C/B) to root position Am, following a similar trajectory to Simon & Garfunkel’s “The Sound Of Silence.”

The occasional use of borrowed chords also relates to the Beatles music that often saw these to establish an emotional center in their pieces. In their progression, however, the Beatles resolve to the Major tonic (C) which allows a more uplifting resolution similar to the picardy third used in many classical pieces, a contrast to the “Sound of Silence” where the minor tonal center gives a darker shade to the music.

Musical Analysis

This progression mainly consists of basic triadic harmony with some use of first inversion chords, specifically C/B which is lot of a step-wise or scalar bass movement.

Overall Analysis

“The Sound Of Silence” by Simon & Garfunkel is written in the key of Am and follows the Verse-Chorus form common in pop and rock music. The progression consists of a beachfront of common and borrowed chords, showing the use of modal interchange and diatonic chords in creating a memorable and emotive sound.

Style Analysis

Simon & Garfunkel have been categorized as folk rock artists, and their music often features intricate harmonies and layered meanings. “The Sound of Silence” marries these typical tendencies with a more pop-oriented approach to songwriting, with its strong, memorable melody and poignant, contemplative lyrics addressing themes of alienation and social disconnection.

Chords in the Verse 2 section of The Sound Of Silence by Simon & Garfunkel are:

[‘G’, ‘Am’, ‘F’, ‘C’, ‘F’, ‘C’, ‘F’, ‘C’, ‘C/B’, ‘Am’, ‘C’, ‘G’, ‘Am’]