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Related Music Theory Alchemy

The chord progression for “The Sound Of Silence” by Simon & Garfunkel is in the key of A minor. It makes use of both diatonic and borrowed chords. The song reflects a folk and folk rock style, with its roots in the 1960s. The melody and harmony are interwoven to form an integral part of the song, reflecting the introspective and melancholic mood of the lyrics.

“The Sound Of Silence” by Simon & Garfunkel is written in the key of Am and follows the Verse-Chorus form common in pop and rock music. The progression consists of a beachfront of common and borrowed chords, showing the use of modal interchange and diatonic chords in creating a memorable and emotive sound.

The verse of “All I Need” by Radiohead features a simple chord progression consisting of three main chords: C, Em, and G. It alternates between these three chords for most of the progression, with some occasional repetition of the C chord. This progression provides a consistent harmonic foundation for the vocal melody and sets a mostly stable and melancholic mood.

The chord progression in the verse of Beck’s “Paper Tiger” can be considered a combination of common and non-diatonic chords. The progression moves from a major chord to its dominant 7th and then resolves to the relative minor. Stylistically, this progression is used in rock, pop, and jazz music to create tension and resolution while maintaining a sense of movement or flow.

“Rocket Man” by Elton John and his long-time lyricist Bernie Taupin is a standout song in Elton John’s discography, well known for its memorable melody line and masterful chord progression that was very innovative for its time (1972). It showcases his trademark style of combining rock with various other genres such as folk.

Overall, the harmony in this song is quite rich and a clear example of Elton John’s ’70s songwriting style: using complex chords and a lot of borrowed chords from other keys that add extra color to the harmonic progression.

Simon & Garfunkel – The Sound Of Silence – Verse 1

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Chord Progression

[‘Am’, ‘G’, ‘Am’, ‘F’, ‘C’, ‘F’, ‘C’, ‘F’, ‘C’, ‘C/B’, ‘Am’, ‘C’, ‘G’, ‘Am’]

Chord Progression Analysis

Here’s an analysis of the chords when related to the key of A minor:

Am (‘i’)
G (‘bVII’)
Am (‘i’)
F (‘bVI’)
C (‘III’)
F (‘bVI’)
C (‘III’)
F (‘bVI’)
C (‘III’)
C/B (‘III’)
Am (‘i’)
C (‘III’)
G (‘bVII’)
Am (‘i’)

These chords are not all diatonic (naturally occurring within the key of A minor), the F (bVI), and G (bVII) are borrowed from the parallel Mixolydian Mode.

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Borrowed Chords:
F (‘bVI’)
G (‘bVII’)
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Similar Chord Progressions

An example of a song with a similar chord progression (and also in the key of A minor) is the famous Stairway to Heaven by Led Zeppelin. The progression in Stairway to Heaven, although not identical, brings the same combination of minor and major chords in sequence.

Stairway to Heaven’s Verse:
Am (‘i’)
C/G (‘III’)
G (‘bVII’)
D/F# (‘IV’)
F (‘bVI’)
Am (‘i’)
Am (‘i’)

Musical Analysis

The chord progression in The Sound Of Silence creates a moving and haunting atmosphere fitting for the song’s themes of alienation and despair. The repeated use of the i – bVII – i transition creates a feeling of yearning that becomes increasingly poignant as the song progresses.

Overall Analysis

The Sound Of Silence by Simon & Garfunkel, released in 1964, is a solid example of folk rock genre transitioning into what we now know as classic rock. The chord progression is straightforward yet powerful, and it perfectly complements the beautifully written lyrics and evocative vocal harmonies. Furthermore, the song is written in A minor, a key that is often associated with sadness, which enhances the melancholic and introspective feelings conveyed by the lyrics.

Style Analysis

In terms of style, the use of this particular chord progression is typical of the folk rock genre, and was popular in 1960s, with frequent use of minor keys as a means to evoke melancholy or pensiveness.

Chords in the Verse 1 section of The Sound Of Silence by Simon & Garfunkel are:

[‘Am’, ‘G’, ‘Am’, ‘F’, ‘C’, ‘F’, ‘C’, ‘F’, ‘C’, ‘C/B’, ‘Am’, ‘C’, ‘G’, ‘Am’]